Literary Dimensions of Film

1. Literary Dimensions of Film Course Review

2. Point of View Objective Subjective Conventions Allusions Genre Flashback Intertextuality Narration (Literature) Voice-Over (Film) First Person Narrator Third Person Narrator Limited Narrator Omniscient Narrator Metaphors Symbols Literary/Film Terms

3. Scene Act Exposition Complication Climax Denouement Multiple Plots Protagonist Antagonist Confidante Soliloquy Dialogue Blank Verse Rhyming Couplets Drama

4. Author Henry V Fluellen Bardolph Pistol Dauphin Katherine Exeter Agincourt Harfleur Constable “band of brothers” “Salic law” Falstaff Richard II Chorus Plays-Henry V

5. Author Joan The Inquisitor Mary Grey Masters The Dauphin The historical strand The theatrical strand The voices The issues The conclusion Plays—Joan of Lorraine

6. Authors Director Ric Ilsa Victor Laszlo Louis Renault Sam Major Strasser “As Time Goes By” Cafe Americain The Blue Parrot Paris Letters of Transit Lisbon Ugarte “beautiful friendship” Screenplay-Casablanca

7. Authors Characters Plots Settings Periods Chronologies Frames The Stranger “Rear Window” Slaughterhouse Five “A Rose for Emily” “Hills Like White Elephants” Fiction

8. Author Meursault Marie Maman Raymond Salamano The Arab The funeral The balcony The beach The murder The trial Existentialism “the gentle indifference of the world” Fiction—The Stranger

9. Hal Jeffries Sam Lars Thorwald Delayed action synchronization Beethoven The trunk The note The phone calls The day man The steps to suspecting and solving the murder Fiction—“Rear Window”

10. Billy Pilgrim Valencia Montana Wildhack Edgar Derby Paul Lazzarro Tralfamadore Kilgore Trout Dresden Firebombing Robert Pilgrim Frame Bernard V. O’Hare “So it goes.” Swimming pool Children’s Crusade Author Fiction—Slaughterhouse Five

11. “A Rose For Emily” Author Emily Mr. Grierson Tobe The locked room Homer Barron The narrator The discovery “Hills Like White Elephants” The American The Girl The Conversation The Setting The drinks “Please please please please please please please” Fiction: Short Stories

12. Frame Shot Scene Sequence Cut Jump cut Fade Dissolve Cross Cutting Montage Tracking Pan Crane Shot Close Up/Long Shot Establishing Shot Film Terms

13. Directors Screenwriters Alexander Nevsky Henry V Henry V Joan the Maid: The Prisons Passion of Joan of Arc Casablanca “A Rose for Emily” “Hills Like White Elephants” Rear Window Slaughterhouse Five Composers Film Scores/Music Films

14. Director Composer Setting Plot Characterization Pskov Novgorad Battle on the Ice Alexander Vasili Gavrilo Olga Vasilisa Ignat Grand Master Ananias Film-Alexander Nevsky

15. Films—Adaptations • The relationship of play to screenplay • The relationship of drama to film • The relationship of fiction to film • The relationship between text and cinema versions of Henry V, Joan of Arc’s story, Rear Window, Slaughterhouse-Five, “A Rose for Emily,” and “Hills Like White Elephants.”