230 likes | 427 Views
POST-IMPRESSIONISM. C ézanne. Gauguin. Van Gogh. Toulouse-Lautrec. Roger Fry (1928 self-portrait).
E N D
POST-IMPRESSIONISM Cézanne Gauguin Van Gogh Toulouse-Lautrec
Paul Durand-Ruel (October 31, 1831 – February 5, 1922) was a French art dealer who is associated with the Impressionists. He was one of the first modern art dealers who provided support to his painters with stipends and solo exhibitions.
Goupil & Cie was a leading art dealership in 19th century France, with headquarters in Paris. Step by step, Goupil established a worldwide trade with reproductions of paintings and sculptures, with a network of branches in London, Brussels, The Hague, Berlin and Vienna, The leading figure was AdolpheGoupil (1806–1893),
Study for A Sunday on La Grande Jatte, 1884Georges Seurat (French, 1859–1891)Oil on canvas Source: Georges Seurat: Study for A Sunday on La Grande Jatte (51.112.6) | Heilbrunn Timeline of Art History | The Metropolitan Museum of Art
Circus Sideshow, 1887–88Georges Seurat (French, 1859–1891)Oil on canvas 39 1/4 x 59 in. (99.7 x 149.9 cm)Bequest of Stephen C. Clark, 1960 (61.101.17) Source: Georges Seurat: Circus Sideshow (61.101.17) | Heilbrunn Timeline of Art History | The Metropolitan Museum of Art
Theodorus "Theo" van Gogh (1 May 1857 – 25 January 1891) was a Dutchart dealer. He worked for Goupil and Co in Paris.He was the younger brother of Vincent van Gogh, and Theo's unfailing financial support allowed his brother to devote himself entirely to painting. Theo died at the age of 33, several months after Vincent had died at the age of 37.
Road in Etten, 1881Vincent van Gogh (Dutch, 1853–1890)Chalk, pencil, pastel, watercolorSource: Vincent van Gogh: Road in Etten (1975.1.774) | Heilbrunn Timeline of Art History | The Metropolitan Museum of Art
Self-Portrait with a Straw Hat (verso: The Potato Peeler), 1887Vincent van Gogh (Dutch, 1853–1890)Oil on canvas HeilbrunnTimeline of Art History | The Metropolitan Museum of Art
IaOrana Maria (Hail Mary), 1891Paul Gauguin (French, 1848–1903)Oil on canvas 44 3/4 x 34 1/2 in. (113.7 x 87.6 cm)
Where Do We Come From? What Are We? Where Are We Going? Paul Gauguin, 1897–1898 oil on canvas, 139.1 × 374.6 cm Museum of Fine Arts, Boston
Atelier objetsSome of his studio props can still be seen in his studio.
Bathers, 1874–75 Paul Cézanne (French, 1839–1906) Oil on canvas 15 x 18 1/8 in. (38.1 x 46 cm) Bequest of Joan Whitney Payson, 1975 (1976.201.12) Source: Paul Cézanne: Bathers (1976.201.12) | Heilbrunn Timeline of Art History | The Metropolitan Museum of Art
Céézanne’s viewpoint was two kilometres from the studio, facing a valley, at the foot of Sainte-Victoire,. Cézanne would settle down opposite the mountain with his easel, his paint box, his palette and his paintbrushes. He hid from prying eyes, away from the sunshades of landscape artists.
Mont Sainte-Victoire and the Viaduct of the Arc River Valley, 1882–85 Paul Cézanne (French, 1839–1906) Oil on canvas Source: Paul Cézanne: Mont Sainte-Victoire and the Viaduct of the Arc River Valley (29.100.64) | Heilbrunn Timeline of Art History | The Metropolitan Museum of Art
Still Life with Apples and a Pot of Primroses, ca. 1890 Paul Cézanne (French, 1839–1906) Oil on canvas Source: Paul Cézanne: Still Life with Apples and a Pot of Primroses (51.112.1) | Heilbrunn Timeline of Art History | The Metropolitan Museum of Art
Dish of Apples, ca. 1875–77 Paul Cézanne (French, 1839–1906) Oil on canvas Source: Paul Cézanne: Dish of Apples (1997.60.1) | Heilbrunn Timeline of Art History | The Metropolitan Museum of Art
Gardanne, 1885–86 Paul Cézanne (French, 1839–1906) Oil on canvas Source: Paul Cézanne: Gardanne (57.181) | Heilbrunn Timeline of Art History | The Metropolitan Museum of Art