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Current Status of Indian Classical Dance Virtual Prototype Project. Faridah Noor Mohd Noor 1 *, Selvanathan Narainasamy 1 , Suhaimi Napis 2 , Harun Jantrik 2 and Azmir Saifudin Mutalib 3 . 1 University of Malaya, 2 Universiti Putra Malaysia, 3 Multimedia Development Corporation, Malaysia.
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Current Status of Indian Classical Dance Virtual Prototype Project Faridah Noor Mohd Noor1*,Selvanathan Narainasamy1, Suhaimi Napis2, Harun Jantrik2 and Azmir Saifudin Mutalib3. 1University of Malaya, 2Universiti Putra Malaysia, 3Multimedia Development Corporation, Malaysia. *Deputy Director, Centre for Civilizational Dialogue, University of Malaya faridahn@um.edu.my, faridahn@gmail.com
Outline • Introduction • Virtual Indian Dance Project • The Prototype: Progress report • Future Direction and Collaboration
Introduction • Malaysia • Multi-cultural and multi-religious country • Melting pot of various ethnic groups comprised of Malays, Chinese, Indians and indigenous people. • Rich cultural heritage • Cross-culture due to assimilation- “New Culture” eg. Baba/Nyonya, Portugese Descendents • Colourful history and bright future
Introduction • Culture involves at least three components: • What people think, • What they do, and • What material products they produce Source: John H. Bodley, Cultural Anthropology: Tribes, States, and the Global System, 1994.
Introduction • What is exactly the definition of Digital Culture or E-Culture? AMarriage between Culture and Technology • Using computers to manage cultural information
Introduction • What is the Purpose and Objective of Digital Culture / E-Culture? To “immortalise” and preserve culture for the future generation • With digital repository, archival work of these priceless historical gems can be immortalised for generations to come • Creation of Cyber Heritage
Virtual Indian Dance Project • Reports on the progress that has been made since the last APAN Meeting held in Taipei, August 2005.
How the Project was Initiated • Traditional dances are part of each ethnic cultural heritage • The present generation owes it to the future generation to keep a record with a purpose to preserve and hand down to them how these dances can be performed
Virtual Indian Dance Project • A collaborative research project to capture the motions of a Traditional Indian Dance • 1. University of Malaya, 2. Universiti Putra Malaysia, 3. Multimedia Development Corporation, Malaysia. • Mr. Ganesan, Malaysia
Bharatnatyam • One of the type of classical Indian dance • Originated from the southern part of India: Tamilnadu • “Subtle and sophisticated dance Provides spiritual satisfaction to performer and aesthestic experience to the audience (Saroja V., 1996:2)
“Bharatnatyam” • An acronymn consisting of: Bhava Expression Raga Melody Tala Rhythm Natyam Dance
Choice of Dance Type for Project • Movements, gestures (hands, facial expressions, eye and eyebrows movements, etc are highly symbolic and means something • Classical and very rich in history • Well-documented
The Prototype • Marks the beginning of a continuous chain of collaborative research between the Arts and IT disciplines, in Malaysia at least
The Prototype: Progress report • Made some progress with the prototype • Original data from Motion Capture was reused to make new animated character • Converted into Virtual Reality Data for visualization using CAVE with stereoscopic googles • Eventually, we want to integrate real 3D scanned image of the dancer himself with full costumes • Video clips and images
The Prototype: Progress report Capturing the Motion Capture Datasets
The Prototype: Progress report Captured Datasets used to animate a skeleton
The Prototype: Progress report Captured Datasets re-used to animate a character
The Prototype: Progress report Captured Datasets re-used to animate a character with moving background
The Prototype: Progress report • The prototype has been converted to 3D virtual reality datasets for viewing on CAVE at Virtual Reality Centre of Multimedia Development Corporation • Some images at the VR Centre, MDC during the test-run
The Prototype: Progress report Control Console
The Prototype: Progress report Control Console
The Prototype: Progress report Control Console
The Prototype: Progress report Showing the video clip
The Prototype: Progress report Showing the video clip
The Prototype: Progress report Showing the video clip to audience wearing googles
The Prototype: Progress report Showing the video clip to audience
Future Direction and Collaborations • Other projects in the pipeline: • Mah Meri Masks • Jahut carvings/statues • Museum of Asian Arts, University of Malaya
BES BIDAN UM84.3 (MIDWIFE)
BES BIDAN UM84.3 (MIDWIFE)
Concluding Remarks • Collaboration between the “Culture partners” and “ICT partners” • An understanding of what each partner is able to do
THANK YOU TERIMA KASIH