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How to optimize comfort in stereoscopic displays. Martina Rasch, Manuel Wyss and Florian Zoubek. Motivation. [1]. 2. Vergence-Accommodation Conflict. [2]. 3. Vergence / Accommodation-Coupling. [3]. 4. How to measure comfort?. [4]. [5]. 5. Random Dot Stereograms. [6]. vs . 6.
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How to optimize comfort in stereoscopic displays • Martina Rasch, Manuel Wyss and Florian Zoubek
Motivation [1] 2
How to measure comfort? [4] [5] 5
Random Dot Stereograms [6] vs. 6
Disparity Manipulation Disparity Depth Range 7
Disparity Manipulation Comfort Zone Disparity Depth Range 8
Disparity Manipulation Comfort Zone Disparity Depth Range 9
Disparity Manipulation Comfort Zone Disparity Depth Range 10
Creating a Metric vs. 11
Disparity Frequency Model 5 4 *Different for each frequency 3 Response [JND] 2 1 Disparity [arcmin] [7] 13
Pipeline [8] 14
Further Applications Standard stereo Backward-compatible stereo [9] 15
Algorithms View-interpolation [11] Multi-rigging [12] 17
Method Disparity map extraction Disparity mapoptimization Disparitymanipulation Warping Computing Correspondence Features Minimizeerror andmaximizecomfort 18
Disparitymapextraction [13] 19
Disparityoptimization [14] 20
Disparitymanipulationwithwarping [15] 21
Temporal constraints [16] 22
Applications [17] 23
List of Figures • [1] Oculus Rift: http://pixelvolt.com/wp-content/uploads/2013/11/Oculus-Rift-GDC-2013.jpg • [2] Figure 1, Hoffman, David M., et al. "Vergence–accommodationconflicts hinder visualperformanceandcausevisualfatigue." Journal ofvision 8.3 (2008). • [3] Adaptation ofFigure 1, Lambooij, Marc, et al. "Visual discomfort and visual fatigue of stereoscopic displays: a review." Journal of Imaging Science and Technology 53.3 (2009): 30201-1. • [4] Questionaire: selfmade (Shownquestionnairecreatedby David M. Hoffman et. al) • [5] Stopwatch: http://www.flickr.com/photos/purplemattfish/3020016417/ • [6] Random dot stereogram: http://www.jrg3.net/presentations/random_dot.jpg • [7] Slide 10, http://people.csail.mit.edu/pdidyk/projects/LuminanceDisparityModel/LuminanceDisparityModel.pptx • [8] Figure 4, Didyk, Piotr, et al. "A perceptual model fordisparity." ACM Transactions on Graphics (TOG). Vol. 30. No. 4. ACM, 2011. • [9] Figure 11, Didyk, Piotr, et al. "A perceptual model fordisparity." ACM Transactions on Graphics (TOG). Vol. 30. No. 4. ACM, 2011. • [10] Adaptation ofFigure 10, Lang, Manuel, et al. "Nonlineardisparitymappingforstereoscopic 3D." ACM Transactions on Graphics (TOG) 29.4 (2010): 75. • [11] View interpolation: http://research.microsoft.com/en-us/um/people/larryz/ZitnickSig04.pdf • [12] Multi-rig: http://www.3dfocus.co.uk/3d-news-2/3d-technology/mio3d-push-for-stereo-rigs-with-3-or-more-cameras/6282 • [13] SIFT: http://groups.csail.mit.edu/graphics/classes/CompPhoto07/PPT/12_Phototourism.key/SIFT_fade.png • [14] Adaptation ofFigure 1, Lang, Manuel, et al. "Nonlineardisparitymappingforstereoscopic 3D." ACM Transactions on Graphics (TOG) 29.4 (2010): 75. • [15] Adaptation ofFigure 14, Lang, Manuel, et al. "Nonlineardisparitymappingforstereoscopic 3D." ACM Transactions on Graphics (TOG) 29.4 (2010): 75. • [16] Figure 9, Lang, Manuel, et al. "Nonlineardisparitymappingforstereoscopic 3D." ACM Transactions on Graphics (TOG) 29.4 (2010): 75. • [17] Adaptation ofFigures 11 and 12, Lang, Manuel, et al. "Nonlineardisparitymappingforstereoscopic 3D." ACM Transactions on Graphics (TOG) 29.4 (2010): 75. 25