1 / 30

Stacking the Show: Producing News Across Technologies

This news production guide explores the process of producing news across different technologies such as television, radio, and the internet. It covers topics such as choosing the lead story, creating the prompter file, and writing for time. With a focus on balancing world, national, state, and local news, this guide provides insights into the evolving landscape of news production.

lesterg
Download Presentation

Stacking the Show: Producing News Across Technologies

An Image/Link below is provided (as is) to download presentation Download Policy: Content on the Website is provided to you AS IS for your information and personal use and may not be sold / licensed / shared on other websites without getting consent from its author. Content is provided to you AS IS for your information and personal use only. Download presentation by click this link. While downloading, if for some reason you are not able to download a presentation, the publisher may have deleted the file from their server. During download, if you can't get a presentation, the file might be deleted by the publisher.

E N D

Presentation Transcript

  1. News Producing“Stacking the Show”...not from our bookOverview now / more later

  2. Producing Across Technologies • News broadcasts formatted with three segments - news, weather, sports • Balance of world, national, state, local news • “Floating” formats used today • Start newscast with most important story, regardless of category - “float” given stories anywhere in the newscast • Radio, TV, Internet generally have same news content • Technology dictates that delivery is slightly different • Which does the most ‘journalism’?

  3. Producing Across Technologies • Television • Local newscasts are usually scheduled around the national network newscast • Image of station with local news / competition • Lead in issues • ‘Newscast of Record’ • Cable news is now offering a variety of news • YNN (News 8 Austin) • TXCN • News talk shows • Sports news • Financial news • News vs. editorial

  4. The Television newscast • Choosing the lead • Three definitions • This is: First story in the newscast • (First sentence of a story) • (Idea for a story) • Before the newscast, always investigate the lead story • Can it be done? • Who should be contacted for info? • Is the story still timely? • Are there ethical concerns? • Is it hard or soft news? • What would be a good story to follow it? / Sidebar?

  5. The Television newscast • Choosing the lead • The most important story of the day • Save other important stories • Side bar • PKG, VO, VSV, READER • Change VSVs • Re-Write stories for time

  6. You’re the Producer • Who else? • AssIgnment Editor • News Director • Executive Producer • Associate Producers • Reporters • Shooters • Newscast Director & Production Team • Traffic Department – it’s not …

  7. Stacking the Show • 9 minute A Block • 9 minute B Block • How to open • How to go in & out of spots • Billboards and teases • 3 minute WX • 3 minute sports • For us, PKG: 2nd before break

  8. Stacking the Show • PKG • RDR • VO • VSV • PKG • VSV • VSV • PKG • VSV • Etc.

  9. Stacking the Show • Add tags to some packages • ‘hard news’ • News judgment

  10. Stacking the Show • Make the rundown • Copy and paste the story scripts in that order (submitting stories: attachment to rtv_news@yahoo.com • Producer: collect scripts from there (Google Docs formatting problems) • Write in teases, tosses, etc.

  11. Stacking the Show • Creating the prompter file – all one file, import as White Text, change font size • Creating server playlist, check each story • Creating and saving CG file (new CG) • Printing out prompter file for anchors and director • Print enough rundowns for crew (10+)

  12. The Television newscast • Writing the Lead story • The average broadcaster delivers 16 lines per minute • Using the standard two-column script format, about 5-6 words per line • ‘read rate’ • Always write for time rather than space

  13. The (television) newscast • The Script • Split-page format • Left column gives instructions for producers and the control room • Right column includes the story being delivered on air

  14. The Television newscast • The Visuals • Video • Nat sound from the scene • Graphics • Weather maps • Charts • Names of people, locations to appear on screen with video • Still photographs • FSG / lower-thirds

  15. The Television newscast The weather map as an electronic image projected on screen Interactive software programs -- contracts “The most important part of a newscast” Technology change to monitors

  16. Weather and Sports • Auditions this week – ask • Weather content & chromakey • Sports content and chromakey

  17. The Television newscast • The Line-up (as we progress) • Stories chosen from day’s news plus wires and network (‘look live’) • A few stories chosen for “pad” (to be used if extra time at end) • Lead stories selected • Stories “blocked” around commercial breaks according to basic themes • “Thematic Blocking” • Stories pre-read for content and pacing • Last two stories are timed so anchors know exact amount of time after last commercial • If time remains, “pad” stories used

  18. The Television newscast Anchors should read through all stories before going on air For a professional delivery, learn to “chat” with audience instead of “announce”

  19. Producing the newscast:16 steps • Determine the news hole • Half-hour news is only 29 minutes, with an actual news hole of 15-18 minutes • Stations use capsulated summary stories to give the illusion of a lot of information • ‘billboard’

  20. Producing the newscast • Block the newscast • Considering the news hole and budget of stories, visual stories are blocked into logical segments, separated by commercial breaks

  21. Producing the newscast • Fill in the newscast format sheet • The “rundown” or “line-up” is an evolving schedule of people, times, video showing, plus length of stories and order • Commercial stations use producing software like NewsCenter and ENPS, AvStar (desktop editing)

  22. Organize the newscast Number each story/item consecutively Organize the blocks and identify by letters: A-1 A-2 BREAK B-1 B-2 Decide story order Generally the biggest story goes first If a breaking story has no visual element, it may not lead the newscast A good reporter/producer will recognize the news value and work HARD to get a visual so the story can lead the newscast Producing the newscast

  23. Pace the newscast Segment length is estimated by dividing the news hole by the number of segments Commercial breaks are set around the news flow A break should not be moved more than a minute from its position Each segment should be treated like a mini newscast by ending with an uplifting story Determine the visuals Decide the visuals to be used with “Anchor Read” stories done live Producing the newscast

  24. Insert commercial breaks Commercials are placed where they least interfere with news continuity AVOID breaking the flow of news or airing a commercial in conflict with the previous story Working with Traffic and sponsorships & billboards Assign copy to writers The producer assigns maximum length to each story being prepared during the day As line-up is determined and news hole filled, some story formats are changed Producing the newscast

  25. Script “teases” before commercial breaks “We’ll have more news in a minute…” “Tune in as we show you how city council is working to clean our streets” Use a bumper graphic between news and commercial (or billboard) Prepare hand-off transitions No need to “script” transitions from news to sports and weather but good idea to consult with other newscasters about stories so conversation hand-offs appear natural Producing the newscast

  26. Time the newscast Front- and back- timing needed so the newscast can end exactly on time Generally, new anchors are timed in how fast they read copy and that speed is factored into a computer program Just an estimate for producers putting together a newscast Front and Back timing still necessary for checking if the newscast will work Producer blocks the newscast by noting beginning time and adding the exact time of each news item Anchor speed is factored in for transitions Pad is left at end for evolving changes Producing the newscast

  27. Stack the newscast script Pages of script are physically stacked in consecutive order Hard copies are still used for back-up if the computer and teleprompter shut down Assemble visuals in order Visuals are completed late in the cycle and must be put in order Proofread and time the final script Once “actual” times are entered, back-timing is done to identify the last moment an item must begin for everything to be on time Producing the newscast

  28. Producing the newscast • Rehearse, Adjust the newscast • Two schools of thought: • Rehearsal polishes and builds confidence • Rehearsal destroys energy • Us, vs. commercial • Regardless, need to be prepared • Breaking stories / dropping or floating

  29. Other terms • Crosstalk • Live shots / look lives • Upcutting / timing the show • Cold open • Backdoor open • Traffic department • News Director, EP, Producer, Associate Producers, Assignment Editor

  30. Other Discussion • Gatekeeper • “Theories of the Press” • Social Repsonsibilty -- an obligation to act to benefit society at large. This responsibility can be passive, by avoiding engaging in socially harmful acts, or active, by performing activities that directly advance social goals • Libertarian -- News is what happens; short of violating the violent overthrow of the government, everything should be covered • PA: Robert “Budd” Dwyer (1987) • Authoritarian, Soviet-Communist, Developmental • Public Service Journalism ###

More Related