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荀白克 (A.Schoenberg) 1874 -1950

荀白克 (A.Schoenberg) 1874 -1950. 被稱為 『 新維也納樂派 』 始創人 出生於維也納 受李斯特、華格納及史特勞斯等人影響 創作十二音系統 作品：丑角、管弦樂變奏曲等. Date of work:1912 Genre: Song cycle Medium: Solo voice(mezzo-soprano) and 5 instrumentalists (violin/viola, cello, flute/piccolo, clarinet/bass clarinet, piano).

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荀白克 (A.Schoenberg) 1874 -1950

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  1. 荀白克(A.Schoenberg)1874 -1950 • 被稱為『新維也納樂派』始創人 • 出生於維也納 • 受李斯特、華格納及史特勞斯等人影響 • 創作十二音系統 • 作品：丑角、管弦樂變奏曲等

  2. Date of work:1912 Genre: Song cycle Medium: Solo voice(mezzo-soprano) and 5 instrumentalists (violin/viola, cello, flute/piccolo, clarinet/bass clarinet, piano) Text: 21 poems from Albert Giraud’s Pierrot lunaire all in rondeau form cycle organized in 3 parts 月光下的丑角Pierrot lunaire

  3. 無調性音樂 用『唸唱法』，擴充聲樂的領域。 『色澤音響』，提升『音色』在音樂中的地位。 追求『音的層面』與『音響』 No. 8 Nacht No. 13 Enthauptung 月光下的丑角Pierrot lunaire

  4. Pierrot lunaire No. 8 Nacht • Night • Gloomy, black bats killed the radiant sun. • A sealed book of magic, the horizon rests, taciturn. • From the vapor of forgotten depths rises a fragrance, killing memory!

  5. Pierrot lunaire No. 13 Enthauptung • Decapitation • The moon, a polished scimitar set on a black silken cushion, ghostly vast, menaces downwards through pain’s dark night. • Pierrot wanders about, restless, and stares on high in death-agony at the moon, a polished scimitar set on a black silken cushion.

  6. 作曲技巧-『十二音列』(Twelve-tone Technique) • 摒棄調性系統(Tonality) • 用無調性(Atonality) • 將八度音程-十二個半音任意排列 • 變化三個曲調: • 轉位、逆行及逆行轉位

  7. Variationen fur Orchester, Op.31 • Theme and Variation VI • 「十二音列」的創作理論 • 原形、倒影、逆行以及逆行的倒影是音列的四種形態。 • 原形：0.Bb 1.E 2.Gb 3. Eb 4.F 5.A 6.D 7.Db 8.G 9.Ab 10.B 11.C

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