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PERCEPTION OF AIR QUALITY . Jacqueline Morreau Impression of Killer fog - Embankment, 1952. AESTHETICS AS AN EFFECT. Visibility Prevention of significant detriment Attitudes and familiarity Iconography How does it affect communication?. V ädersoltavlan, Storkykan 1535. EARLY RECORD.
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PERCEPTION OFAIR QUALITY Jacqueline Morreau Impression of Killer fog - Embankment, 1952
AESTHETICS AS AN EFFECT • Visibility • Prevention of significant detriment • Attitudes and familiarity • Iconography • How does it affect communication?
Vädersoltavlan, Storkykan 1535 EARLY RECORD • It has been argued that in prehistory American Indians saw circumsolar rings as a portent… • Later detail becomes more convincing… although may still be a portent
Sepia Mezzotint Claude Lorrain
SYMBOLS • Termination • Change • Modernity The Fighting TéméraireWilliam Turner
POLLUTION AND EMPIRE • James Tissot, (1836-1902) French painter in London after alleged involvement in the Paris Commune (1871) London Tissot, James (1836-1902)
WEALTH Armfield, Maxwell (1943) This England; portrait of an Owner
Pissaro, Camille Weight, Corel Running Man (1958) NO SMOKE
HORRIBLE IMPACTS E. Munch The Scream 1891-1892 …orientation suggests Krakatoa triggered him to return to it in 1893?
MILLENNIAL VISIONS • Steam-power • Good or evil?
THE NEW ZEALANDER • Gustave Dore’s collection London: A Pilgimage (1872) ends… • “some traveller from New Zealand shall, in the midst of a vast solitude, take his stand on a broken arch of London Bridge to sketch the ruins of St. Paul's.” T. B. Macaulay, Edinburgh Review (1840) essay on: Leopold von Ranke Römische Päpste, ihre Kirche und ihr Staat im 16. und 17. Jahrhundert Brimblecombe ENVISIONING A FOGGY APOCALYPSE in False Environmental Alerts Jens Hohensee and Frank Uekoetter
CHURCH OF ENGLAND • Coal and God… Bennington, Walter Church of England (1905)
CHURCH OF ENGLAND • Lofty spires… Carl Haag View of London looking West (1848)
AMBIGUITY • Vincent van Gogh on good and bad days…
Atkinson Grimshaw Glasgow Docks
Nocturne Whistler
Albert Goodwin, In the Smoke of His Burning (1913) MONET INFLUENCE
ANDRE DERAIN AND FAUVISM wild beasts: audacious color, simple pictoral means.
Art nouveau Art deco GEOMETRICSTYLES Column of Cloud and Fire Leading God’s People Tapestry at St. Albans Cathedral
Eric van Straaten Blue lagoon Iceland 1985 Georges Suerat Bathing at Asnières (1883…)
Georgia O'Keeffe The East River from Shelton Hotels, 1928
YELLOW FOGS • Scattering • Tar in droplets • Gaslight Yoshio Markino- The Painter of Fog
PHOTOGRAPHY AS ART Jennings, William N. (1860-1946) London Brown Fog a week November 1899
IMAGES OF FOGGY LONDON Figures in the Smoke Wolf Suschitzky
Yoshio Markino Gustave Doré
Yoshio Markino Wolf Suschitzky
Yoshio Markino 1952 Smog
WARTIME a clear landmark for the bombers of the Luftwaffe
CRIMINALITY AND POLLUTION Jack the Ripper There floats a phantom on the slum's foul air,... Red handed, ruthless, furtive, unerect 'Tis murderous crime - the Nemesis of Neglect!"
Fog embedded in the myth yet unrelated to the Ripper’s activities! HITCHCOCK’S FIRST MOVIE … a Ripper fiction BRIMBLECOMBE, P. in Uekoetter, F. and Hohensee, J. (Eds.), Wird Kassandra heiser? Steiner Stuttgart
CELEBRATING POLLUTION An old postcard of stubble burning
GREETINGS THE PORT OF IPSWICH FROM WHERSTED HILL (1949) Leonard Squirrell
SMOG ASICON • London, summer smog and secondary pollutants…
SMOG into USA • By the 1950’s smog became embedded into American language
CATCHING PHOTOCHEMISTRY Summer HazeCarol Satriani
LA SMOG in ART • Difficult to represent given a kind of solidity
SMOG as DEMON In Los Angeles smog can be seen as the explanation for human behaviour, criminal activity etc
FOG • Why so much fog? • What role?
Cause • Endings • Apocalypse Outside Houston Susan Ross
Contemporary media, writing and art are vehicles for apocalyptic visions, so form an important aspect in the public understanding of global science… MODERN IMAGES OF APOCALYPSE
MODERN apokaluiUNVEILING…? • Each age interprets apocalypses in its own way... the millennium bug EI Nino, blood AIDS • Apocalyptic visions imply the environment is beyond our control... suggests we are freed from responsibility
REALIZINGAPOCALYPSE A potential for paralysis or inaction