Download
1 / 54
540 likes | 683 Views
Digital Photography and Design Portfolio. Mitch Willming. Name Plate. Lines. Shapes and Forms. Textures. Space. More Space. Color. Value. Mono with a splash. Repetition. Emphasis. Balance. Contrast. Unity. Movement. Paschke’s History.
E N D
Digital Photography and Design Portfolio Mitch Willming
Paschke’s History • His father was his first art teacher. And made a big impression on him when he was young. • Influenced by the colors of fireworks and the circus. • Main themes of his paintings were violence, aggression, and physical incongruity. • He uses images from the media that show idea of popular culture and uses them to make his paintings. • He was inspired by Andy Warhol, who he shared many of the same theme ideas with.
My Paschke Portrait • To make my portrait I used the rectangular marquee tool to select certain areas of my face. • I would then use the hue/saturation adjustment to light up my face with neon colors. • I also used the quick selection tool to select the spots of the picture that were not covered by the rectangles and would adjust their hue/saturation too. • Lastly I used the clone stamp tool to replace my background with bright neon colored lines.
Impressionism Research • Impressionism is a 19th-century art movement that originated with a group of Paris-based artists. • The name of the style derives from the title of a Claude Monet work, Impression. • Impressionist painting characteristics include relatively small, thin, yet visible brush strokes, open composition, emphasis on accurate depiction of light in its changing qualities common, ordinary subject matter, inclusion of movement as a crucial element of human perception and experience, and unusual visual angles. • They often painted outdoors. • There were places called Salons where artists would go to showcase their work.
Impressionism Photoshop Practice Before… After…
Op Art Research • What: Op Art Is focused around the use of optical sensations to make optical illusions. • When: Came into the art world in the 1960’s. • Where: It became popular in England and America. • How: Artists would use hard edges, precise craftsmanship and close color value to make their art seemed like it bend, bulge, sway, vibrate, and squiggle. • Who: Bridget Riley Carlos Cruz-DiazVictor Vasarely Julian StanczakRichard Anuskiewicz
Primary Colors Red, Yellow, and Blue are the primary colors.
Secondary Colors Orange, Violet (Purple), and Green.
Complementary Colors Opposites on the color wheel.
Intensity The brightness of a color.
Tint Any color plus white.
Shade Any color plus black.
Warm Colors Red, Yellow, and Orange.
Cool Colors Blue, Green, and Violet.
Analogous Colors Colors that sit side by side on the color wheel and have a common hue
Juxtaposition Transforming one object into another; joining one or more objects in an impossible combination.
Distortion Changing an object by deformation, exaggeration, simplification, or a progressive state of degradations, (burn, dissolve, crush, melt).
Fragmentation Breaking up an image and joining it together in an unusual way.
Disguise Use of hidden images obscure; obscure the quality of an object by camouflaging.
Dislocation Place an object out of its natural environment and into an usual setting.
Surrealist Research • Who: Andre Brenton • What: Made to be out of the ordinary and surprises people. • Where: Started in Paris, expanded to rest of Europe and America. • When: 1920s and still popular today. • Why: People wanted to express their views on society through their art. • How: Artists would disguise things or put things into places that they didn’t belong. Basically make the paintings look bizarre and not normal.
