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Digital Photography and Design Portfolio

Digital Photography and Design Portfolio. By: Parker Lawson. Name Plate. Line Photography. Lines. Shape and Form. Texture. Space. Value. Mono with a splash. Color. Unity. Repetition. Emphasis. Contrast. Balance. Impressionism Research.

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Digital Photography and Design Portfolio

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  1. Digital Photography and Design Portfolio By: Parker Lawson

  2. Name Plate

  3. Line Photography

  4. Lines

  5. Shape and Form

  6. Texture

  7. Space

  8. Value

  9. Mono with a splash

  10. Color

  11. Unity

  12. Repetition

  13. Emphasis

  14. Contrast

  15. Balance

  16. Impressionism Research • Impressionists use loose open brush work • Impressionists differ from easel artists and so they paint outside. • Impressionists also used dashes and dabs of paint to form the edges. • Wanted to capture light at different parts of the day while painting outside. • Renoir wanted his painting to be accepted to be shown in the Salon.

  17. Impressionism Photoshop Practice

  18. Impressionist Photoshop Project

  19. Ed Paschke Facts -Paschke grew up in Chicago with a fascinating appeal toward colors. -He was born June 22 , 1939 -During his High School Career, Paschke struggled with academic classes but exceled in Art and in athletics. -Ed Paschke was released from the Army in November of 1964. -Paschke was influenced to be an artist, by his father.

  20. Ed Paschke In my Paschke portrait I used many different techniques. I used the rectangular marquee tool to create the colorful rectangles in the top left corner. I also used the circular marquee tool in the bottom right hand corner to brighten up the bottom of the picture with some circles. I used the bubble filler to create textures in the rectangles and in the background, behind my head. I also turned the whole picture into the filter, “Hard Mix” to create that “Ed Paschke” neon feel.

  21. Text Portrait Practice

  22. Text Portrait Project

  23. Black and White Op Art

  24. Practice Black and White Op Art

  25. Practice Black and White Op Art

  26. Primary Colors

  27. Secondary colors

  28. Complementary colors Opposites on the color wheel.

  29. Intensity Refers to the brightness of a color. To lower the intensity of a color, mix it with its complement.

  30. Tint Any color plus white.

  31. Shade Any color plus black.

  32. Warms and Cool colors The top row are col colors and the bottom three are warm colors.

  33. Analogous colors Colors that sit side by side each other in the color wheel. (red & orange and Blue & Green)

  34. Final Color 3D Op Art

  35. Op art research Op art was made to bring tricks to the eye, with different shapes and 3D looking objects. Op art became famous and into the art world in the mid 1960’s. The UK was where the this type of artwork became popular. Op art is made by using different shapes and colors to trick the eye. Some famous artist of Op Art include Salvador Dali.

  36. Juxtaposition Juxtaposition is transforming two or more objects into one.

  37. Fragmentation Creating two layers and cutting wholes into them to create a layering effect.

  38. Distort Practice Changing or transforming an object or picture to look a different way.

  39. Disguising Practice Use of hidden images obscure the quality of an object by camouflaging

  40. Dislocation Placing an object out of its natural environment and into an unusual setting.

  41. Surrealism

  42. Surrealism Research Andre Breton started Surrealism in 1924. Surrealism is a cultural movement that began in the early 1920s, and is best known for its visual artworks and writings. Most popular in Paris by many French people. Began in the early 1920’s.

  43. Typography Practice

  44. Typography Exercise 2

  45. Typography Exercise 3

  46. Typography Exercise 4

  47. Typography project

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