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Ringling Museum

Ringling Museum. HUM 2230. Gallery 3: Renaissance Art in Northern Europe, 1350-1550. EXERCISE 1: Lucas Cranach the Elder, Cardinal Albrecht of Brandenburg as Saint Jerome , 1526. Lucas Cranach, 1526. Merode Altarpiece , 1425.

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Ringling Museum

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  1. Ringling Museum HUM 2230

  2. Gallery 3: Renaissance Art in Northern Europe, 1350-1550 • EXERCISE 1: Lucas Cranach the Elder,Cardinal Albrecht of Brandenburg as Saint Jerome, 1526 Lucas Cranach, 1526 Merode Altarpiece, 1425

  3. Gallery 4: Late Gothic & Renaissance Art in Italy, 1350-1550 EXERCISE 2:Giovanni del Biondo, Madonna and Child with Saints and Angels, ca.1380-1390 Giovanni del Biondo Byzantine Mosaic (12th cent)

  4. Gallery 4: Late Gothic & Renaissance Art in Italy, 1350-1550 Ghirlandaio (?) Sandro Botticelli, 1481-1483 ca.

  5. Gallery 4: Late Gothic & Renaissance Art in Italy, 1350-1550 Ghirlandaio (?) Sandro Botticelli, 1481-1483 ca.

  6. Gallery 4: Late Gothic & Renaissance Art in Italy, 1350-1550 PierodiCosimo, Italian, 1462-1521, active in Florence, The Building of a Palace, c. 1515-20

  7. Gallery 6: The High Renaissance in Venice and Northern Italy, 1500-1600 EXERCISE 3: Antonio Palma, Esther before Ahasuerus Antonio Palma, active in Venice, Esther before Ahasuerus, 1574

  8. Compare Tintoretto, Christ Washing the Feet of His Disciples, c. 1547 Antonio Palma, active in Venice, Esther before Ahasuerus, 1574 Antonio Palma, active in Venice, Esther before Ahasuerus, 1574

  9. Gallery 6: The High Renaissance in Venice and Northern Italy, 1500-1600 As sometimes from heaven to humble roofs Jupiter, benign, descends to us here below and, to prevent earthly eyes from being blinded by such a sublime sight, takes human form; So to my modest dwelling without the shine and dazzle of royal pomp came Henri, called to so vast a kingdom that one world alone cannot contain it. Although he came disguised, he nonetheless so imprinted upon my heart his heavenly merit that my natural strength abandoned me. So, being assured of my great affection, with a gracious and open spirit, he took my portrait, worked in colored enamel, away with him. -Veronica Franco Veronica Franco, by Tintoretto?, ca. 1575

  10. Gallery 8 and 10: Baroque Art in Italy, 1600-1700EXERCISE 4: Judith with the Head of Holofernes Francesco del Cairo, 1630 Caravaggio, 1598

  11. Gallery 8 and 10: Baroque Art in Italy, 1600-1700EXERCISE 4: Judith with the Head of Holofernes FedeGalizia, 1596, Ringling Museum Other renderings of the same theme

  12. Gallery 8 and 10: Baroque Art in Italy, 1600-1700EXERCISE 4: Judith with the Head of Holofernes Other paintings by Francesco del Cairo

  13. Gallery 8 and 10: Baroque Art in Italy, 1600-1700The followers of Caravaggio (Caravaggisti) Gerard van Kuijl, attributed to , active in Rome and Gorinchem, Narcissus, c. 1645 Caravaggio, Narcissus

  14. Gallery 8 and 10: Baroque Art in Italy, 1600-1700 The followers of Caravaggio (Caravaggisti) Nicolas Regnier, Flemish, active in Rome and Venice, Saint Matthew and the Angel, c. 1625 Caravaggio, The Inspiration of Saint Matthew, 1602

  15. Galleries 11and 12: Dutch Realism and Representation, 1600-1700 Exercise 5: Still Lives Jan Davidsz. de Heem (1606-1684), Still Life With Parrots, late 1640s. FransSnyders, and studio Flemish, 1579-1657, active in Antwerp Still Life with Dead Game, c. 1625/30

  16. Galleries 11and 12: Dutch Realism and Representation, 1600-1700 Exercise 5: Still Lives FransSnyders, attributed to Flemish, 1579-1657, active in Antwerp Still Life with Fighting Monkeys, 1630s Jacob Fopsen van Es Flemish, c. 1596-1666 Still Life with Oysters

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