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Chapter 4. Balance…. What is Balance and Why Use It?. • A balanced design is one in which the visual weights of all of the elements are equally dispersed throughout the layout. • People find pages with good balance more comfortable and functional than poorly balanced pages.
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Chapter 4 Balance…
What is Balance and Why Use It? • A balanced design is one in which the visual weights of all of the elements are equally dispersed throughout the layout. • People find pages with good balance more comfortable and functional than poorly balanced pages. • Balanced designs seem more resolved than an unbalanced design.
Visual Weight • Visual weight is the illusion of physical weight of a visual element on a page.
Visual Weight • Size, color, boldness, and texture of a visual element contribute to its visual weight. • Images carry more visual weight than body copy, as people tend to look at images before text. • In determining balance the visual weight of each element must be considered and counterbalanced with other elements on the page.
Symmetrical and Asymmetrical Balance • There are two types of balance: - In symmetrically balanced layouts visual elements are mirrored from side to side or from top to bottom - In asymmetrically balanced layouts visual elements are arranged unequally, yet balanced, on the page
Symmetrically Balanced Layouts • Are easy to create • Convey a formal, dignified, and historical feeling • Lack dynamic movement and are often static • Are a safe solution
Symmetrically Balanced Layouts • Symmetrical layouts are identified by drawing an imaginary axis line through the center of the page.
Asymmetrically Balanced Layouts • Are more challenging to create • Convey a feeling of dynamic movement • Are visually interesting
Asymmetrically Balanced Layouts • To identify an asymmetrically balanced layout draw an imaginary axis line through the center of the page. • The two halves will be different, yet a successful layout will still be visually balanced.
A Few Words About Proportion • Striking a working balance depends on finding the right sizes and visual weights for the elements—words, phrases, and graphics—in the space. • Finding a working balance depends upon practice. Formulaic approaches yield dull and dry results that appear amateurish.
Balance Example • The balance on this page is awkward: - Too much white space (space without visual elements) at the bottom of the page - It shows weak emphasis
Balance Example The balance in this version of the page is better, but still needs improvement: As the bugs and headline are about the same size, they seem equally important Color in just the headline leaves the page visually heavy
Balance Example • The asymmetrical balance on this page works better than the original. Type at an angle gives this page dynamic movement A new typeface and color in the headline and subheads add visual excitement and balance each other.