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CÁMARA ARRI ALEXA

CÁMARA ARRI ALEXA. Juan Carlos Rosero. RESOLUTION. ALEXA has a 3.5K CMOS Imager yielding either a 2K or 1920 X 1080 HD image.  Becase of ALEXA's use of the continuously improving ARRI Imaging Technology (AIT), images are sharper and cleaner than other cameras that claim 4K+ resolution. AIT.

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CÁMARA ARRI ALEXA

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  1. CÁMARAARRI ALEXA Juan Carlos Rosero

  2. RESOLUTION • ALEXA has a 3.5K CMOS Imager yielding either a 2K or 1920 X 1080 HD image.  Becase of ALEXA's use of the continuously improving ARRI Imaging Technology (AIT), images are sharper and cleaner than other cameras that claim 4K+ resolution.

  3. AIT • The amazing filmic look of images shot with the ALEXA and ARRIFLEX D-21 is the result of a custom designed CMOS sensor, an optical low pass filter, a powerful imaging hardware engine, and advanced image processing algorithms. The innovative orchestration of all these proprietary components is ARRI Imaging Technology(AIT).

  4. AIT ADVANTAGES • Provides super sharp, alias-free images through over sampling • DPC guarantees that no single defective pixel will ever be visible • Black balancing circuit automatically calibrates black level of each pixel in each frame • Produces cinematic look and feel, high contrast and the highest dynamic range • Most film like color reproduction of any digital motion picture camera

  5. ALEV III SENSOR • 800 EI BASE SENSITIVITY (200-1600) • LOW NOISE • 13.5 STOPS OF LATITUDE • THE AFFORDABLE ROUTE TO TRULY CINEMATIC IMAGES • 3.5K PIXEL COUNT PROVIDES OPTIMUM OVERSAMPLING FOR HD VIDEO AND 2K DI

  6. RECORDING OPTIONS

  7. Direct to Edit: Straight On-line Workflow(Recommended for Television)

  8. Direct To Edit: Off-line/On-line Workflow(Recommended for Feature Films)

  9. ARRIRAW Workflow(Recommended for Feature Films finished with a Digital Intermediate) finished with a Digital Intermediate (DI) finished with a Digital Intermediate (DI) finished with a Digital Intermediate (DI)

  10. HDCAM-SR Tape-Based Workflow(Recommended for Television & Commercialsconformed to tape) finished with a Digital Intermediate (DI) finished with a Digital Intermediate (DI) finished with a Digital Intermediate (DI)

  11. File-Based Workflow(Recommended for Television & Commercialsconformed in Avid or FCP or as DPX files ) finished with a Digital Intermediate (DI) finished with a Digital Intermediate (DI) finished with a Digital Intermediate (DI)

  12. Mscope™ Tape-Based Workflow(Recommended for Widescreen Feature Filmsconformed to tape)

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