Latin Music in America

1. Latin Music in America Ch. 7!

2. Peruvian Flute Bands

3. Louis Moreau Gottschalk • (1829-1869) • Composer and pianist who was America’s first classical music star, toured South America and the Caribbean. Upon his return he composed several piano pieces

4. Patting Juba • A slave practice in which they tap out tricky rhythms on their thighs, chest, and almost any other part of the body that’s “slappable”

5. Maracas • Percussion instrument made by putting handles on dried, seed-filled gourds; the shaking of seeds against the interior walls of the gourd makes the distinctive sound.

6. Ricky Ricardo • Main character in the popular tv show “I Love Lucy” • Ricky led a Latin band at the Tropicana night club

7. Clave Rhythm • Pronounced clay-vay • Defining rhythm of Afro-Cuban music • Bo Diddly and Ricky Ricardos bands used this rhythm seemingly unintentionally

8. Influences • Latin music influenced Popular American Honky tonk and Mo town • Marvin Gaye’s version of I heard it through the grape vine, showed the seasoning of Latin influence • http://www.youtube.com/watch?v=FJbQ6zdUXqg • http://www.youtube.com/watch?v=Y7dGdrP3pms&ob=av3n

9. Assimilation of Latin Music • Lasting until the early 1940’s Latin syles emerged as dance fads that departed from the mainstream. • As they became popular in America they moved away from their native forms.

10. Assimilation of Latin Music cont. • Lasting from the 1930s to 1950s was the emergence of hybrid or transformed styles. These grew out of the interpretations of Latin music into Latin styles

11. Assimilation of Latin Music cont. • Lastly was the coincidence of rhythm, blues and rock and roll. Latin music was becoming part of the fabric of dominant styles. • Rock made distinguishing Latin styles separate from rock styles less clear in the mainstream.

12. The Habanera and Tango • It’s characteristic rhythm is one of the first recorded instances of African influence on European music. Entered the US through Mexico, where it became popular in the 1870’s. Habanera went south to Argentina where it evolved into the rhythmic basis of tango. • http://en.wikipedia.org/wiki/File:Habaneras.ogg

13. The Rumba • The success of Don Azpiazu’s 1930 recording of “El Manisero” triggered the second of the Latin dance crazes, the rumba. This was a spectacular exhibition dance, but often times rumbas were simplified for social dancing • The rumba grew out of the Son, an Afro-Cuban dance. • Clave rhythm: five irregularly spaced taps, spread over two four beat measures. • The rumba and son would utilize reverse clave rhythm, where the second half of the rhythm comes first

14. Americanized Latin music: Porter, Cugat, and the Latin song • With the success of “El Manisero”, Latin music gained a toehold in the pop world. • American songwriters showed a greater sensitivity to Latin style. • Writers such as Cole Porter and Xavier Cugat were amongst those embracing the “Latin Song” • Americanized Latin music used a music tool known as triplets which divide the beat or other rhythmic unit into three equal parts

15. Cole Porter • Cole porter was one of the great Tin Pan Alley songwriters, and the most open to the sound of Latin music, or at least the commercial Latin music that Xavier Cugat played. • Porter wrote several Latin songs, beginning in the 1930’s, identifying the rhythm as rumba or “beguine”. • What is noteworthy about porters songs, is that their lyrics have nothing to do with Latin culture

16. Xavier Cugat • Xavier Cugat’s orchestra was among the first to record “Begin the Beguine”. Cugat helped establish a commercial Latin style, initially through long term engagements at the Waldorf Hotels in New York and Los Angeles and performances on network radio show Let’s Dance. • http://www.youtube.com/watch?v=vC2oYXFHwcw

17. The Mambo: An American Afro-Cuban Music • The mambo was the 3rd Latin dance fad of the 20th century, but it was the first to develop on American soil. 1949’s the mambo began to attract notice outside of uptown New York. Downtown ballrooms like New York’s Palladium dance hall served as venues for this new dance fad • The presence of two “mambo kings” in the 50’s brings to light the division between commercial and Afro-Cuban Latin music. For white audiences pianist and band leader Perez Prado was the king. For Latins the “king of the mambo” during the 50’s was Tito Puente. • In Afro Cuban rhythm, it is a repeated riff conforming to the clave rhythm, and several layers of percussion, to produce a dense texture with considerable rhythmic conflict. The bass plays the off-beat tumbao pattern, while the piano plays an active pattern called a montuno. • http://www.youtube.com/watch?v=aQGJ2yIAGTk

18. Cha-Cha-Cha • The other Cuban-inspired dance fat in the 1950’s was known as the cha-cha-cha. It became popular among white Cubans in the early 50’s and it’s popularity quickly spread to the US. • Both the rhythm and the dance step of the cha-cha-cha were simpler than the mambo and its tempo was slower

19. Mainstreaming Latin Music • Top pop singing stars occasionally dabbled in the idea of Latin music • Both Perry Como and Nat “King” Cole recorded a song called “Papa Loves Mambo”. It was a million seller for Como in 1954. • Stars such as Dean Martin and Rosemary Clooney also had their go at Latin Music

20. Latin Music and Jazz • Latin/jazz fusions flourished in the 1950’s. although the impact of Latin music on jazz dates back from the time of it’s origins, latin music has had little impct on jazz before 1945. • When bebop jazz musician Dizzy Gillespie formed a big band in the late 40’s he hired ChanoPozo, a latin percussionist. This spared the development of cubop, a true latin jazz style. Throught the 1950’s Latin-influenced jazz maintained a consistent if modest presence.

21. Terms to know • Reverse Clave rhythm • Beguine • Triplet • Cubop mambo • Tumbao • Montuno • Cha-cha-cha • Patting juba • Maracas • Clave rhythm • Habanera • Rumba • Son • Claves