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The Salon , or Paris Salon , beginning in 1725 was the official

The Salon , or Paris Salon , beginning in 1725 was the official art exhibition of the Académie des Beaux-Arts in Paris , France . Between 1748–1890 it was the greatest annual or biannual art event in the Western world. From 1881 onward, it has been

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The Salon , or Paris Salon , beginning in 1725 was the official

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  1. The Salon, or Paris Salon, beginning in 1725 was the official art exhibition of the Académie des Beaux-Arts in Paris, France. Between 1748–1890 it was the greatest annual or biannual art event in the Western world. From 1881 onward, it has been organized by the Société des Artistes Français.

  2. Jacques-Louis David. The Tennis Court Oath, 1791, pen washed with bistre with highlights of white

  3. Jacques-Louis David. The Sabine Women, 1796-99, oil on canvas

  4. Jacques-Louis David. Napoleon at Saint Bernard Pass, 1800, oil on canvas

  5. Jacques-Louis David. Madame Recamier, 1800, oil on canvas

  6. Left: Jean-Auguste-Dominique Ingres. Self-Portrait, 1804, oil on canvasBelow: Jean-Auguste-Dominique Ingres. Self-Portrait, 1858, oil on canvas

  7. Jacques-Louis David. The Coronation of Napoleon, 1805-8, oil on canvas

  8. Jacques-Louis David. Napoleon in his Study, 1812, oil on canvasNapoleon Bonaparte/ tirelessly at work/ elaborate furniture in the Empire Style/ tucked away hand/ Plutarch’s Lives/ Napoleonic Code/ expression of republican virtue

  9. Jean-Auguste-Dominique Ingres. Grande Odalisque, 1814, oil on canvas

  10. Jean-Auguste-Dominique Ingres/ odalisque/ emphasis on linear forms without visible brushstrokes/ elongated vertebrae/ debt to Mannerism and to a new Romantic movement/ love of sensuous textures

  11. Jean-Auguste-Dominique Ingres. Odalisque with a Slave, 1839-40, oil on canvas

  12. Jean-Auguste-Dominique Ingres. Bather of Valpincon, 1808, oil on canvasimage of deceptive simplicity/ subtle distortions with erotic allusions/ flawless surface

  13. Left: Jean-Auguste-Dominique Ingres. Louis Bertin, 1832, oil on canvasRight: Jean-Auguste-Dominique Ingres. Louis Bertin, 1832, pencil drawing (detail)

  14. Jean-Auguste-Dominique Ingres. The Comtesse d’Haussonville, 1845, oil on canvas

  15. Jean-Auguste-Dominique Ingres. Napoleon Enthroned, 1806, oil on canvas

  16. Oedipus and the Sphinx,Jean-Auguste-Dominique Ingres, 1808

  17. Jean-Auguste-Dominique Ingres. Jupiter and Thetis, 1811, oil on canvas

  18. Jean-Auguste-Dominique Ingres. The Apotheosis of Homer, 1827, oil on canvas

  19. a doctrine of ideal form/ “sovereign geniuses”

  20. Antonio Canova. Pauline Borghese as Venus, 1808, marbleAntonio Canova/ Neoclassical taste in sculpture

  21. Pierre Vignon. La Madeleine (Paris, France), 1807-1842Pierre Vignon/ a classical shell on a high podium/ a link between the Napoleonic and Roman empires

  22. Jacques-Germain Soufflot. The Pantheon, or Sainte-Genevieve (Paris), 1755-92

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