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Study investigating the influence of student art exhibitions on interest, engagement, and skill development. Explores the significance of art displays for AP students transitioning to college. Research aims to enhance understanding of the effect of audience, theme, and participation on student artwork.
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Exhibiting student art Dionne Bates
Statement of Problem/Purpose of Research and Significance of the Problem • Valuable experience and preparation for transition into college • Research intended to benefit AP students • Visual Arts Standards – Presenting -Analyze, interpret and select artistic work for presentation. -Develop and refine artistic techniques and work for presentation. -Convey meaning through the presentation of an artistic work.
Research questions and sub-questions • How and where does the display of student artwork affect their interest and the way they work? • How does the intended audience affect their interest? • How does the theme of their exhibition affect their interest and the work they produce? • Where can artwork be displayed? • How does student participation in an exhibition affect their engagement and do they care more about the execution of their work?
Definition of Terms • Exhibition: • An exhibiting, showing, or presenting to view • A public display, as of the work of artists or artisans, the skills of performers, or objects of general interest “Designing museum exhibitions is the art and science of organizing the visual, spatial, and material elements of an environment into a composition that visitor move through”
Assumptions • Most high school students do not have a lot of experience or knowledge when it comes to organizing an exhibition. • Students will enjoy the experience and will want to participate in another exhibition. • Students will be put more effort and interest into their work.
Limitations • Locations available for students to exhibit work • Money-supplies, advertising
Review of Literature • How does the intended audience affect their interest? David Burton article Exhibiting Student Art -According to Burton (2004), students “crave the recognition and praise of others; they thrive on it” (p. 42)
Review of Literature • How does the theme of their exhibition affect their interest and the work they produce? Lara Lackey article What is Exhibition For? Considering the Purposes of Art Display in a Saturday Art School Context -Indiana University -students wanted the viewers to take the time to examine their work and understand it.
Review of Literature • Where can artwork be displayed? David Burton book Exhibiting Student Art: The Essential Guide for Teachers -school events -individual exhibition’s place throughout school
Review of Literature • How does student participation in an exhibition affect their engagement and do they care more about the execution of their work? Davie Burton article Social Dynamics in Exhibiting Art: Rethinking the Practices of Art Education -communication-conversations about organizing exhibition and artwork -students learn how to talk about their artwork
Methods and Analysis • 25 Questionnaires to teachers -do they include exhibitions in their curriculum, how often? -how does it affect their teaching? -how does it affect their students? • 25 Questionnaires to college students who have participated in high school exhibitions -how did it help them prepare for their college careers? • Questionnaires to high school students after having completed an exhibition.
Methods and Analysis • Permissions -consent from students/parents to display their artwork and in the selected location -consent from students/parents to use images of their artworks for advertising -consent from students/parents to take photos and or videos of students working on artwork and putting together exhibition
Possible Findings • Students will be more engaged in class • Care more about the craft of their work • Be interested in the idea of creating work based on a theme • Respond positively to the feedback by viewers • Be more prepared and knowledgeable when it comes to participating in exhibitions in college
Timeline and Budget • Both semesters of senior year • First Semester: -Look at examples of student exhibitions -Pick theme-give students time to select/create artwork for the end of the year exhibition -Select location for exhibition • Second Semester: -Advertise -Set up exhibition space • Expenses include the tools/materials needed for exhibition space, and paper for questionnaires
references Braverman, B. E. (1998) Toward an Instructional Design for Art Exhibitions . Journal of Aesthetic Education, 22 (3). 85-96 Burton, D. (2001) How do We Teach? Results of a National Survey of Instruction in Secondary Education. Studies in Art Education, 42 (2). 131-145 Burton, D. (2001) Social Dynamics in Exhibiting Art: Rethinking the Practices of Art Education. Art Education, 54 (1). 41-46 Burton, D. (2004) Exhibiting Student Art. Art Education, 57 (6). 41-46 Burton, D. (2006) Exhibiting student artwork: The essential guide for teachers. New York, NY: Teachers College Press. Carrier, D. (1987) The Display of Art: An Historical Perspective. Leonardo, 20 (1). 83-86 Clayton, M. K. (2002) Displaying Student Work: An Opportunity for Student-Teacher Collaboration. Retrieved from http://www.responsiveclassroom.org/article/displaying-student-work Hallquist, R. (2008) Conversations with Students, Teachers, Parents, and Administrators about Censorship and Free Expression in High School. Art Education, 61 (3). 42-47 Lackey, L. M. (2008) what is Exhibition For? Considering the Purpose of Art Display in a Saturday Art School Context. Art Education, 61 (4). 33-49 Morin, F., Poshyananda, A., Ramírez, M. C., Turner, C., Zabel, I., & Cassel, V. (2000) Beyond Boundaries: Rethinking Contemporary Art Exhibitions. Art Journal, 59 (1). 4-21 Pennell, J. (1918) How to Make an Art Exhibition: Some Facts in Answer to Mr. Morris’s Fancies. The Art World, 3(6). 474-477 Prince, P. D (1988) The Aesthetics of Exhibition : A Discussion of Recent American Computer Art Shows. Leornardo. Supplemental Issue, 1. 81-88 Ward, M. (1991) Impressionist Installations and Private Exhibitions. The Art Bulletin, 73 (4). 599-622