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the SERIOUS Business of Graphic Novels. with A. David Lewis Fuller Middle School June 9, 2006. Who’s He?. Who’s He?. Who’s He?. Who’s He?. In Common?. A “Comic?” …Huh?. Comics are... for little kids. silly. only superheroes. weird. Is It a Comic?. Is It a Comic? (part 2).
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the SERIOUS Business ofGraphic Novels with A. David Lewis Fuller Middle School June 9, 2006
A “Comic?” …Huh? Comics are... for little kids. silly. only superheroes. weird.
Definition: Scott McCloud “Juxtaposed pictorial and other images in deliberate sequence, intended to convey information and/or to produce an aesthetic response in the viewer.” First “graphic novel”:
Definition: R.C. Harvey “…One litmus test of good comics art is to ascertain to what extent the sense of the words depends the pictures and vice versa.”
racking Them Up • Maus: Pulitzer Prize • From Hell: Movie & Top Ripperlogical Theory • Sandman: Howard Phillips Lovecraft Award 1991 • Stangers In Paradise & Pedro and Me: GLAAD Recognition • Cerebus: Biggest Self-Publishing Success • Road to Perdition: Academy Award Nomination • Adv. Of Kavalier & Clay: Pulizter Prize
Simple or Simply Brilliant? • Imagine a movie without sound • Imagine a ballet without music • Imagine a baseball game without gloves • Imagine a car without doors Are prose books more complicated than comics, or are they just different? Is our brain wired for comics?
Acting Their Ages Gold June 1938, Action Comics #1
Acting Their Ages • Silver • September 1956, Showcase #4
Acting Their Ages • Bronze • Early 1970s • (June 1971, Amazing Spider-Man #96)
Acting Their Ages Iron Dark Mica/Mylar/Silicon Second Golden/Electroplate
The “POW! BANG!” Crash • The 90s Boom • Comic retail shops • Speculation • Target age • The 90s Bust • Comic shops • Shrinking audience • And then there were two (again) --
Make a Comic Book • Routes • Collaborations/Auteurs • Writing-led/Art-led/Hybrid • “Stan Lee Style” • Editor-system • Story!! (with message, imagery, theme, character arc, dialogue, action, climax, pacing, style, etc.)
Make a Comic Book • Write a Story • Pitch, notes, prose – under 2 pages • Option: Detail glosses (background, races, action) • Break Your Story • Sections/Arcs (volumes, acts, issues) • Page-by-Page • Marvin at bar, alone. Finds coin. • Outside, coin shines. Marvin falls. Black. • Xyntron observes sun-destruction. Calls wife. • Destruction of their world. Cut to Marvin’s bro’s video game. • Marvin stumbles in. Family panics.
Make a Comic Book Script • “Alan Moore” • Hyper-detailed panels. • PAGE SEVENTEEN (8 panels) • Panel one. In the foreground, we see Charles with a ripped piece of his jacket making the shape of a star. The shirt beneath the jacket is orange, but tints with his blood. He seems to favor his left leg, though any movement is painful. Across the street, only a cat blocks his way, but even that small amount of opposition forces Charles to favor the gutter, heavy with brown sludge. A light comes down on Charles from above and sends a glint off of his glasses. His brow is knotted with fear and pain. • Charles: OWWW…. • Cat: MEOW. • SFX (by feet): splish
Make a Comic Book Script • 2. “Joe Casey” • Just the facts • PAGE SEVENTEEN (8 panels) • Panel two. Tattered, Charles struggles down gutter, passing cat. • Charles: OWWW…. • Cat: MEOW. • SFX (by feet): splish
Make a Comic Book Script • Advice: Help the artist, but don’t dominate. • “Low-angle”, “close-up”, “worm’s eye view”, “profile”, etc. • Layout, unless essential to your story, should be their concern. (Avoid saying, “3 long boxes, then 2 small,” for example.) Give layout feedback later.
Make a Comic Book “Marlo/Sonja: Raven-haired, steely executive in reality; fierce dragon-slayer in her dreams.”
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