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Martha Graham

Martha Graham. Martha Graham. 1894 - 1911. Athlète de Dieu. Le mouvement ne ment jamais. Martha Graham. Arnold Newman Martha Graham , 1961. Martha Graham 1894 naissance, le 11 mai à Allegheny, Pennsylvanie 1916 - 1923 membre de la troupe Denishawn

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Martha Graham

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  1. Martha Graham

  2. Martha Graham 1894 - 1911 Athlète de Dieu

  3. Le mouvement ne ment jamais Martha Graham Arnold Newman Martha Graham, 1961

  4. Martha Graham 1894 naissance, le 11 mai à Allegheny, Pennsylvanie 1916 - 1923 membre de la troupe Denishawn 1923 - 1926 danse au music hall et dans des comédies musicales 1926premier récital personnel, à New York City 1929 lance sa propre compagnie à New York City 1934ecommence à enseigner à l’école de danse moderne de Bennington College 1968 danse pour la dernière fois sur scène, à 74 ans 1976reçoit la médaille présidentielle de la liberté 1991 meurt le 1er avril à New York City à l’âge de 96 ans Muray, Nickolas   American (b. Hungary, 1892-1965) Martha Graham , ca. 1922-1961 negative, gelatin on nitrocellulose sheet film

  5. Chorale (1926- Franck) Three Gnossiennes (1926- Satie) Three poems of the East (1926- Horst) Heretic (1929- folklore) Lamentation (1930- Kodaly) Harlequinade (1930- Toch) Primitive Canticles (1931- Villa-Lobos) Primitive Mysteries (1931- Horst) Dance Songs (1932- Weisshauss) Ekstasis (1933- Engel) Frenetic Rhythms (1933) Celebration (1934- Horst) Transitions (1934- Engel) American Provincials (1934- Horst) Frontier (1935- Horst) Imperial Gesture (1935- Engel) Chronicle (1936- Riegger) Deep Song (1937- Cowell) American Document (1938- Green) Every Soul is a Circus (1939- Nordoff) Letter to the World (1940- Johnson) El Penitente (1940- Horst) Punch and Judy (1941- McBride) Death and Entrances (1943- Johnson) Herodiade (1944- Hindemith) Appalachian Spring (1944- Copland) Cave of the heart (1946- Barber) Dark Meadow (1946- Chavez) Errand into the Maze (1947- Menotti) Night Journey (1947- Schuman) Diversion of Angels (1948- Dello Joio) Judith (1950- Schuman) Andy Warhol

  6. * Canticle for innocent comedians (1952- Ribbink) * Seraphic Dialogue (1955- Dello Joio) * Embattled Garden (1958- Surinach) * Clytemnestra (1958- El Dabh) * Episodes (1959- Webern) * Acrobats of God (1960- Surinach) * Alcestis (1960- Fine) * Phaedra (1962- Starer) * Secular games (1962- Starer) * Circe (1963- Hovhaness) * The Witch of Endor (1965- Schuman) * Cortege of Eagles (1967- Lester) * A Time of Snow (1968- Dello Joio) * The Lady of the House of Sleep (1968- Starer) * The Archaic Hours (1969- Lester) * Mendicants of evening (1973- Walker) * Myth of a Voyage (1973- Hovhaness) * Holy Jungle (1974- Starer) * Dream (1974- Seter) for the Batsheva Dance Company * Lucifer (1975- El Dabh) * The Scarlet Letter (1975- Johnson) * Frescoes (1978- Barber) * Judith (1980- Varèse) * Acts of Light (1981- Nielsen) * Andromache's Lament (1982- Barber) * Phaedra's Dream (1983- Crumb) * The Rite of Spring (1984- Stravinsky) * Temptations of the Moon (1986- Bartok) * Tangled Night (1986- Egge) * Persephone (1987- Stravinsky) * Night Chant (1988- Nakaï) * Maple leaf Rag (1990- Joplin)

  7. Muray, Nickolas , 1892-1965 Martha Graham , ca. 1922-1961 negative, gelatin on triacetate film

  8. Muray, Nickolas , 1892-1965 Martha Graham , ca. 1922-1961 negative, gelatin on nitrocellulose sheet film

  9. Muray, Nickolas , 1892-1965 Martha Graham , ca. 1922-1961 negative, gelatin on nitrocellulose sheet film

  10. Muray, Nickolas , 1892-1965 Martha Graham , ca. 1922-1961 negative, gelatin on triacetate film

  11. Martha Graham La danse expression de l’inconscient. Innovations : corps, technique, mouvement Opposition contraction/détente; importance du bassin, siège des pulsions et des désirs. Vision du corps et analyse des lois du mouvement, abordées du point de vue du corps féminin. Le mouvement comme expression des passions universelles. Focalisation sur les moments et les états de crise paroxystiques. Rôle primordial du solo : primauté de la danseuse sur la chorégraphe

  12. Martha Graham La danse expression de l’inconscient. Innovations : représentation, espace, rapports avec les autres arts Espace symbolique; les objets comme reflets des fantasmes, phobies, images intérieures des personnages mis en scène. Identité américaine de la danse. Influence de la psychanalyse et en particulier de Carl G. Jung.

  13. Steichen, Edward American (b. Luxembourg, 1879-1973) TITLE ON OBJECT: Martha Graham 1931 gelatin silver contact print 24.7 x 19.8 cm. Bequest of Edward Steichen by Direction of Joanna T. Steichen GEH NEG: 27228 79:2184:0003 NON-GEH NUMBERS: 1074-6 / 286 BIBLIOGRAPHIC REFERENCES: Steichen, Eduard J. --A Life in Photography.-- London: W.H. Allen, 1963. pl. 118.// Sobieszek, Robert & Steichen, Joanna. --Edward Steichen.-- Tokyo, Japan: Pacific Press Service, 1986. fig. 84.// Mulligan, Therese & Wooters, David. --Photography from 1839 to today: George Eastman House, Rochester, NY.-- Cologne: Taschen, 1999. p. 547.// EXHIBITION HISTORY: "Steichen - A Centennial Tribute", US, NY, Rochester, GEH - Brackett Clark Gallery, July 3 - October 28, 1979.// "Edward Steichen", US, NY, Rochester, GEH -, *** no exhib date given ***.// INSCRIPTION: recto-(inscribed on edge of negative) "Martha Graham V.F. 1074-6" verso-(in pencil) "286" NOTES: Photograph for Vanity Fair. Catalogued 1/86, HA/DZ. SUBJECTS: personage, dancers / Graham, Martha personage, choreographers / Graham, Martha

  14. Celebration, 1934 Barbara Morgan/Life Magazine

  15. Bennington College, where Graham was a member of the founding faculty of the summer dance program launched by Martha Hill in 1934.

  16. Martha Graham dans Lamentation, 1935 Barbara Morgan/Life Magazine

  17. Sally Rand 1904-1979 and Martha Graham 1894-1991 Miguel Covarrubias (1904–1957) Gouache on paper for Vanity Fair, December 1934 Private collection

  18. My dancing is just dancing. It is not an attempt to interpret life in a literary sense. It is the affirmation of life through movement. Its only aim is to impart the sensation of living, to energize the spectator into keener awareness of the vigor, of the mystery, the humor, the variety and the wonder of life; to send the spectator away with a fuller sense of his own potentialities and the power of realizing them, whatever the medium of his activity. Martha Graham (1894-1991) Interview (1935)

  19. Martha Graham dans Letter to the World, 1940 Barbara Morgan 1900-1992 Épreuve argentique

  20. El Penitente, 1940 Erick Hawkins dans le rôle du flagellant Photo: Barbara Morgan

  21. Merce Cunningham dans Totem Ancestor en 1942. Barbara Morgan/Life Magazine

  22. Martha Graham et Erich Hawkins, première de Appalachian Spring à l’auditorium Coolidge de la Librairie du Congrès en 1944.

  23. The Martha Graham Dance Company will perform at 7:30 p.m. Feb. 15 in Wharton Center.

  24. Décor d’Isamu Noguchi pour Herodiade, 1944

  25. Deaths and Entrances, 1945 Photo: Barbara Morgan

  26. Night Journey, 1947 Photo: John Deane

  27. Night Journey, 1947 Photo: John Deane

  28. Night Journey, 1947 Photo: John Deane

  29. Night Journey, 1947 Photo: John Deane

  30. Night Journey, 1947 Photo: John Deane

  31. Night Journey, 1947 Photo: John Deane

  32. There is only one of you in all time, this expression is unique. And if you block it, it will never exist through any other medium and will be lost.

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