1 / 20

Island to Mainland

Island to Mainland. Toward a Pan-European Style. Fragmentary Remains. Sumer canon [Anthology 1-35] Rota Pes (foot), Ground Tertian harmonies. Fragmentary Remains. Thomas gemma catuariae / Thomas caesus in Doveria [Anthology 1-36] Twin-song texture

onella
Download Presentation

Island to Mainland

An Image/Link below is provided (as is) to download presentation Download Policy: Content on the Website is provided to you AS IS for your information and personal use and may not be sold / licensed / shared on other websites without getting consent from its author. Content is provided to you AS IS for your information and personal use only. Download presentation by click this link. While downloading, if for some reason you are not able to download a presentation, the publisher may have deleted the file from their server. During download, if you can't get a presentation, the file might be deleted by the publisher.

E N D

Presentation Transcript

  1. Island to Mainland Toward a Pan-European Style

  2. Fragmentary Remains • Sumer canon [Anthology 1-35] • Rota • Pes (foot), Ground • Tertian harmonies

  3. Fragmentary Remains • Thomas gemmacatuariae/ Thomas caesus in Doveria [Anthology 1-36] • Twin-song texture • Variations over a pes • Worcester Fragments (13th century)

  4. Kings and the Fortunes of War • 100 Years War • 1420s–early 1430: English occupation of Northern France • Duke of Bedford: effective ruler of France from 1422–1435 • John Dunstable (ca. 1390–1453): “musician with the Duke of Bedford”

  5. Dunstable and the “ContenanceAngloise” • The English Guise • Dunstable, Quam pulchraes[Anthology 1-37] • Cantilena motet • Full triadic harmony • Smooth handling of dissonance • Natural declamation • Homorhythmic texture • Faburden

  6. Du Fay and Fauxbourdon • Du Fay, Vos qui estis me • Communion antiphon • Chant in the cantus • Octaves and sixths • Third part created by singing a fourth down from the top voice: Fauxbourdon

  7. Du Fay and Binchois • Du Fay, Ave marisstella[Anthology 1-38] • Fauxbourdon • Chanson-style • Gilles de Bins (Binchois), Deuilangoisseux [Anthology 1-39]

  8. The Internationalism of the Upper Crust • “Elite” music • Johannes Tinctoris (ca. 1435–1511) • Dozen treatises on music theory • Chigi Codex (1498)

  9. The Internationalism of the Upper Crust • Johannes Ockeghem (ca. 1435–1511) • Busnoys (Bunois)

  10. Emulations • Compositional lineages • Ockeghem, Deploration on the Death of Binchois (1460) • In honor of Binchois • Busnoys, In hydraulis • Praise of Ockeghem • Ockeghem, Utheremitasolus • Compliment of Busnoys

  11. The Cyclic Mass • Mass Ordinary

  12. Caput Masses • Cyclic Mass • Melisma on “caput” from the antiphon Venit ad Petrum • Anon. Missa Caput (CA. 1440) [Anthology 1-40] • Four-voice texture: superius, altus, tenor, bassus • Possibly composed by Dunstable

  13. Patterns of Emulation • Ockheghem’sMissa Caput [Anthology 1-41] • Obrecht, Missa Caput

  14. The Man at Arms • L’Hommearmé song [Anthology 1-42a] • Composed after 1454 • A favorite of Charles the Bold • Over 40 cyclic masses based on this tune • Busnoys, MissaL’Hommearmé [Anthology 1-42b]

  15. “Pervading Imitation” • Points of imitation • Tenor tacet sections • Points correspond to portions of text • Each point comes to a full cadential close

  16. High, Middle, and Low • Tinctoris, Three musical styles • magnus • The mass • mediocris • The motet • parvus • The vernacular chanson

  17. The Marian Motet • Paraphrase • Cantilena style • Philippe Basiron, Salve Regina [Anthology 1-43] • Eton Choir Book

  18. Motettimissales • Milan 1470s • Sforza Family • Substitute motets for the mass • Gaspar van Weerbeke (ca. 1445–1516) • Ave Maria [Anthology 1-44]

  19. Love Songs • Chanson • Parvus, Tinctoris • bergerette • Ockeghem, Ma boucherit et ma penseepleure [Anthology 1-45]

  20. Instrumental Music Is Printed • Instrumental arrangements of chansons • Heinrich Isaac (ca. 1450–1517) • Martini, Josquin, Alexander Agricola (ca. 1455–1506) • OtavianoPetrucci, Odhecaton(1501) • Johannes Ghiselin, La Alfonsia [Anthology 1-46]

More Related