1 / 8

The Early 20th Century

The Early 20th Century Expressionism - Ger. Hyperexpressive harmony Wide leaps in melody Instruments in extreme registers Schönberg, berg, Webern Neoclassicism Rid of program references - absolute music Craftsmanship and balance - classical forms Stravinsky, Prokofiev

Download Presentation

The Early 20th Century

An Image/Link below is provided (as is) to download presentation Download Policy: Content on the Website is provided to you AS IS for your information and personal use and may not be sold / licensed / shared on other websites without getting consent from its author. Content is provided to you AS IS for your information and personal use only. Download presentation by click this link. While downloading, if for some reason you are not able to download a presentation, the publisher may have deleted the file from their server. During download, if you can't get a presentation, the file might be deleted by the publisher.

E N D

Presentation Transcript


  1. The Early 20th Century • Expressionism - Ger. • Hyperexpressive harmony • Wide leaps in melody • Instruments in extreme registers • Schönberg, berg, Webern • Neoclassicism • Rid of program references - absolute music • Craftsmanship and balance - classical forms • Stravinsky, Prokofiev

  2. New Elements of Style • Rhythmic complexity - polyrhythms • Revitalization of rhythm • Physical power and drive • Melody - not conceived vocally • Not always primary element • Poltonality, polychords, polyharmony • Atonality • Serialism • 12 equal tones

  3. New Elements of Style (cont.) • Texture - more linear - as opposed to lush harmony of 19th century • Instruments - more sparse • Strings no longer central • Emphasis on rhythm - percussion more prominent • Form - valued form above expression • Purity of line and proportion

  4. Igor Stravinsky (1882-1971) • Report on Stravinsky by Ben Titus

  5. Stravinsky - Petrushka, First Tableau (excerpt) • Puppet comes to life • Inspiration from folk tunes • Irregular meters and polyrhythms • Percussive harmony • Polyharmony - Petrushka chord (C + F#) • Genre - ballet • Vivace - rondo form (A B A C A B A)

  6. Second Viennese School • Schönberg, Berg, Webern • Expressionism

  7. Arnold Schönberg (1874-1951) • Report on Schönberg by Katie Thomas • Post Wagnerian Romanticism • Transfigured Night • Atonal expressionism • Pierrot lunaire • Twelve tone • Variations for Orchestra, Opus 31 • 12T with tonal implications • A Survivor from Warsaw

  8. Schönberg - Pierrot lunaire • Sprechstimme • German translation of poems by Giraud • 21 poems - 3 groups of 7 • All in rondeau form • Song cycle • Sop/speaker and chamber ensemble (5) • Der Mondfleck • White spot - flickering effects in inst.

More Related