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G.C.S.E. SHAKESPEARE COURSEWORK. ‘MACBETH’. ASSESSMENT CRITERIA. You will be assessed for this piece of coursework by giving an oral presentation You must make sure you fulfill all the criteria You must provide a written description of the activity. Speaking and Listening:.
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G.C.S.E. SHAKESPEARE COURSEWORK ‘MACBETH’
ASSESSMENT CRITERIA • You will be assessed for this piece of coursework by giving an oral presentation • You must make sure you fulfill all the criteria • You must provide a written description of the activity.
Speaking and Listening: • Speak fluently and clearly • Make significant contributions and listen closely to others • Use Standard English vocabulary and grammar • Show order and clear expression in communicating well-developed significant points and complex ideas • Cross-reference ideas as appropriate and reach a considered conclusion
THE SHAKESPEARE ASSIGNMENT: • To achieve a good grade, you must fulfill all the criteria that the assessment guidelines require • You must be critical, analytical and interpretative • You must back up your ideas with textual evidence
1. SOCIAL, HISTORICAL, AND PHILOSOPHICAL CONTEXT: • You must comment on this area in terms of how the play sits within its dramatic genre • How does the play reflect or challenge the values and ideas of the time in which it was written?
2. STRUCTURE: • How does the structure of the play contribute to the development of the relationship between Macbeth and Lady Macbeth? • Consider the asymmetrical structure to the play, its parallels, and its reversals
3. CHARACTER: • You must consider character in terms of 3 areas: • Action (what they do) • Dialogue (what they say to each other - and how much they say) • Soliloquies (what they say to themselves). • For the latter two, remember to use linguistic terms (e.g. imperatives and adjectives)
4. THEMES: • You should discuss how different themes and images reflect or suggest the developing relationship between Macbeth and Lady Macbeth • Themes include: night/darkness, sleep, bestial imagery, blood and appearance vs. reality
5. DRAMATIC DEVICES: • Consider the use of both: • Irony • Dramatic irony
6. LINGUISTIC DEVICES: • You should consider Shakespeare’s use of language to develop the relationship between Macbeth and Lady Macbeth. • What nouns, adjectives, verbs and adverbs create dramatic effect? • Consider Shakespeare’s use of pronouns. • Do any words recur throughout the play, especially if they change meaning? • How is alliteration used for dramatic effect?
7. POETIC DEVICES: • You must consider Shakespeare’s use of figurative language and imagery, such as: • Metaphors • Similes • Personification • Oxymorons • Can you find any patterns of images used throughout the play? Do they change meaning or create dramatic irony?
You should also: • Be perceptive, and consider a range of possible meanings and interpretations • Use detailed references to each area • Develop ideas in detail • Cross-reference as appropriate • Understand how meaning is conveyed and how an audience (both Elizabethan and modern) may respond • Conclude with a personal response, and by drawing together your ideas • You may comment on whether you think the audience retains any sympathy for Macbeth and Lady Macbeth
The official question: • Explain how the relationship between Macbeth and Lady Macbeth develops throughout the play.
Finally… • You must consider the following key scenes: • Act 1, Scenes 5 and 7. • Act 2, Scene 2. • Act 3, Scenes 2 and 4. • Act 5, Scenes 1 and 5. • It may help you to consider Acts 1 and 2 together (closeness of the pair, Lady Macbeth’s power and dominance); Act 3 as the pivotal scene (reversal/distancing), and Act 5 as the final result of the irrevocable breakdown of the relationship.