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Kazimir Malevich, The Aviator 1914; Oil on canvas, 125 x 65 cm (49 1/4 x 25 5/8 in);

Kazimir Malevich, The Aviator 1914; Oil on canvas, 125 x 65 cm (49 1/4 x 25 5/8 in); . Suprematist Composition: Airplane Flying, 1915 (dated on reverse 1914), Oil on canvas, 22 7/8 x 19". Black Square and Red Square 1915; Oil on canvas, (28 x 17 1/2 in) .

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Kazimir Malevich, The Aviator 1914; Oil on canvas, 125 x 65 cm (49 1/4 x 25 5/8 in);

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  1. Kazimir Malevich, The Aviator1914; Oil on canvas, 125 x 65 cm (49 1/4 x 25 5/8 in); Suprematist Composition: Airplane Flying, 1915 (dated on reverse 1914), Oil on canvas, 22 7/8 x 19"

  2. Black Square and Red Square1915; Oil on canvas, (28 x 17 1/2 in) Black Circle[1913] 1923-29; Oil on canvas, (41 1/2 x 41 1/2 in)

  3. White on White, 1918

  4. Constructivism 1917 - 1930s El Lissitzky

  5. The Constructivist Culture

  6. El Lissitzky Self-Portrait

  7. 1919, Lithograph

  8. Beat the Whites with the Red Wedge, 1919, Lithograph

  9. "The artist constructs a new symbol with his brush. This symbol is not a recognizable form of anything which is already finished, already made, already existing in the world - it is a symbol of a new world, which is being built upon and which exists by way of people."

  10. pages from For the Voice (1923) Poem by Mayakovsky

  11. "The space must be a kind of showcase, a stage, on which the pictures make their appearance as actors in a drama (or comedy). It should not imitate a living space."

  12. The Story of the Little Red Square

  13. Distinct break from conventional typography:

  14. Distinct break from old typography: • discarding of decorative concepts Sans-serif Bold, basic colors Use of photography (new-ish technology)

  15. Distinct break from old typography: • a turn to functional design(design functions as content)

  16. El Lissitzky • major contributor to “new typography” “Topography of Typography,” from the magazine Merz, 1922 • “On the printed page words are seen, not heard.” • “Economyof Expression - visual, not phonetic.” • “The new book demands the new writer. Ink-pots and goose-quills are dead.” • “The printed page transcends time and space. The printed page, the infinity of the book, must be transcended. THE ELECTRO-LIBRARY.”

  17. AleksandrRodchenko

  18. Rodchenko, poster, 1924

  19. Paperback Book Covers, 1924

  20. Poster, 1923, Text by V.Mayakovsky.

  21. AleksandrRodchenko and Vladimir Mayakovsky, Box for Our Industry caramels, 1923

  22. Tatlin, Monument to the Third International, 1920

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