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1. 1 PATHOS - Emotional Appeal(adapted from Thos. Kane, Oxford Guide to Writing, 1983) the emotional appeal (pathos) is an important and legitimate means of persuasion
prompts changes in beliefs and behaviour of the audience by arousing
happiness guilt anger
laughter ambition fear
excitement self-love boredom
altruism moral indignation
emotional appeals are the essence of advertising, public relations, political image-making
as SSW states, pathos can effectively reinforce a rational argument (as in your research paper)
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3. 3 Cautions from T. Kane Emotional persuasion can move us against our will and judgment
When emotion is appealed to, it cannot respond; it can only resist.
Manipulation promotes cynicism: aware of the manipulation of image-makers, we turn off all messages, both the false and the worthy ones.
Cultivate a critical awareness; advertisers now routinely exploit cynicism for their own ends.
4. 4 Conveying an Emotional Appeal A speaker can use voice tone, gesture, body attitude, laughter, weeping, sad or solemn looks.
A writer must use powerful words and images
see readings on style, tone, figurative language
When reading or writing an emotional appeal, remember:
clever, cynical writers and speakers can project emotions they don’t feel (be on guard for insincerity & emotional fallacies)
emotional sincerity alone is not enough (write expressively when you need to, but avoid fallacies)
5. 5 Propaganda & Emotion Propaganda = information spread to promote a cause (can include gossip, lies, half-truths)
used by political & religious & special interest groups, advertisers, media, government; often
manipulates human weakness to achieve an emotional, not logical, reaction
exploits most people’s lack of critical reading, thinking, and listening skills
regularly, aggressively employs fallacies:
name calling & ad hominem attacks
glittering generalities
guilt by association
card-stacking
6. 6 Propaganda & emotion Propaganda = information spread to promote a cause (can include gossip, slogans, lies, half-truths)
is a feature of daily life: used by advertisers, media, business, government, political & religious organizations & special interest groups
is neutral in itself but its negative connotation (like that of “rhetoric”) exists because propaganda often
manipulates human weakness to achieve an emotional, not logical, reaction
deliberately exploits most people’s lack of critical reading, thinking, and listening skills.
7. 7 Propaganda, cont. regularly, aggressively employs certain fallacies:
name calling & mis-representation
glittering generalities
guilt by association
card-stacking
see, for example, political party websites, (Nov. 2007 & Nov. 2008) websites
(2007-8; access through WaybackMachine) attacking Stephan Dion: http://notaleader.ca
S. Harper and S. Dion on fed. Conservative Party site, and post-election site: http://www.conservative.ca/
S. Dion & S. Harper on fed. Liberal Party site (2007), and post-election site: http://www.liberal.ca
8. 8 Emotional appeal & complexity Persuasive discourses often use complex forms of emotional appeal, identified by ancient rhetoricians & still used, including:
Satire
Eloquence
Pathos
All are legitimate means of persuasion.
But: use them sparingly and with judgment in professional discourse
Satire often falls flat; demands intimate knowledge of audience, genre, subject.
9. 9 (1) Satire very complex, with a moral base - ridicules folly & vice by posing them against wisdom & virtue
Mainly explicit: depicts both the folly/vice and the ideal
e.g., The Daily Show, Colbert Report, This Hour Has 22 Minutes
Mainly implicit: reveals the folly, but expects readers to supply the norm for themselves
MOST of the Simpsons; Family Guy
??? South Park
Satire uses irony, sarcasm, invective, ironic contrast, parody (see Kane, pp. 503-507)
10. 10 Satiric Devices: Irony Irony: language used in a manner that contrasts with its conventional sense
“Nice day!”
subtlety of irony is its strength and weakness; audience has to recognize it, or effect is lost
e.g., “Told You So”
sometimes an author or text can begin with ironic commentary, transcend it to create a sympathetic and/or believable reality; e.g.:
The Godfather [tragedy] > Analyze This / “Fat Tony” on The Simpsons [comedy] >The Sopranos [tragedy]
Simpsons / S. Park / Family Guy: whenever the audience begins to “care” about the characters
11. 11 Situational Irony occurs when an event’s outcome contrasts with actors’ or audience’s expectations
can be comic, biting, or serious; suggests truths & paradoxes of human existence, large & small
Alanis Morrisette’s song, “Ironic” (c. 1997): It’s like rain on your wedding day / A free ride when you’ve already paid / Good advice that you just didn’t take / … Meeting the man of your dreams then meeting his beautiful wife…”
Sophocles’ play, Oedipus the King (c. 427 BCE): to rid his city, Thebes, of a plague, Oedipus vows to find & punish the killer of the previous king, unaware that he, Oedipus, had been the killer (of his father) & is now married to his own mother.
12. 12 Other Satiric Devices Sarcasm: biting, scathing remark; narrowly, such a remark, expressed as simple irony
He’s a brave man (said of a coward)
Invective: abusive, insulting language
(the film As Good As It Gets): Q: How do you write women so well? A: I start with a man and take away reason and accountability
Ironic contrast: shows ideal & actual together; common in literature, film, tv
Parody: mocking imitation of a style of speaking or writing; MadTV, Daily Show, Adbusters, etc….
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14. 14 (2) Eloquence language used powerfully & fluently to appeal to our nobler emotions:
desire to reach toward and appreciate virtue sense of honour
love of country
Examples
entire eulogy for Diana
Martin Luther King’s “I Have a Dream” and most of “Letter from a Birmingham Jail”
15. 15 (3) “Pathos” in narrow, contemporary use, is an appeal to emotions of pity and compassion
“’Why don’t you go back to Africa?’” (“Invisible Woman”)
“Who will protect the children?” (all-purpose appeal)
16. 16 Motivation and Persuasion(Institute of Financial Education, Writing to Persuade, 1990) Consistency theory: assumes you must overcome readers’ resistance to change by
increasing anxiety about severity of the problem
reducing anxiety about the impact of the change
offering significant rewards for change.
These approaches are prominent in advertising
17. 17 Motivation & Advertising, cont. Maslow’s hierachy of needs: humans need/desire 1) security > 2) affiliation > 3) achievement > 4) power > 5) self-actualization
Advertising targets early links in this chain by seeking to motivate behavior through appeals to
safety, comfort, belonging, appearance
fulfillment through sensory pleasures. sex
humor, novelty
economy (savings), durability
power/control, fame, exclusivity
knowledge
18. 18 10 Basic Advertising Techniquesadapted from J. Schrank’s Deception Detection (1975), in W. Adams & J. Spira, Reading Beyond Words, 1978 (1) weasel claim: seems substantial, but is hollow
Listerine fights bad breath (fights does not = stop)
(2) unfinished claim: suggests product has something others don’t, without saying what
Twice as much of the pain reliever doctors recommend (twice as much of what? aspirin? morphine?)
(3) “we’re different & unique” claim:
There’s no other lipstick like it (does this mean it’s better or worse than other kinds of lipstick?)
19. 19 10 Techniques, cont. (4) “water is wet” claim: says something true about the product, but it’s also true for any product
Dairyland Fat Free Skim Milk (all skim milk is fat free)
(5) “so what” claim: claim is true, but there’s no advantage to it
strong enough for a man but made for a woman (only for women but strong enough for men?)
(6) vague claim: unclear; emotional appeal
for luscious lips… (what are luscious lips?)
(classic example:) Winston tastes good like a cigarette should
20. 20 10 Techniques, cont. (7) endorsement or testimonial: using well-known people to push products
“got milk?” ads with Elizabeth Hurley, etc.
(8) scientific claim: makes the product sound as though some statistics, scientific evidence, or special ingredient makes it the best
Kraft 2% milk slices: Twice the calcium of other slices (which other ones?)
Revlon Results cream with Alpha Recap 50
(what “results” are promised?)
21. 21 10 Techniques, cont. (9) “compliment the consumer” claim: we all like to be complimented. Advertisers know it and use this technique to get us on their side.
Because you demand the very best…
(10) rhetorical question: no answer expected, but assumption is that the answer is what the advertisers want
Where will your best ideas end up? (IBM)
When will you stop drinking and driving? (Counter-Attack)
Isn’t it time you started thinking about #1? (Carlton low-tar cigarettes)
22. 22 Abuses of Emotional Appeal Hyperbole:
Rhet. A figure of speech consisting in exaggerated or extravagant statement, used to express strong feeling or produce a strong impression, and not intended to be understood literally.
gen. Excess, extravagance. rare.
Maudlin:
Having reached the stage of drunkenness characterized by tearful sentimentality and effusive displays of affection; characteristic of (the behaviour of) someone who has reached this stage.
Sentimentality:
The quality of being sentimental; affectation of sensibility, exaggerated insistence upon the claims of sentiment.