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Delve into the evolution of communication to comprehend its impact on society, media, and culture. Explore the multidisciplinary aspects and influence of historical lessons on future decisions.
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Prof. Philip M. Taylor, History of Communications Why study the history of communications?Institute of Communications Studies
BECAUSE IT’S GOOD FOR YOU!!! • So why teach it backwards? • If you were interested in history, you would be in a history department, wouldn’t you? • Well you are! PLUS + sociology, politics, technology, psychology, art, languages (zeros and ones), visual culture – i.e. we are MULTIDISCIPLINARY in approach • History informs our understanding of communications, the press and journalism, television, radio, cinema and new media
The importance of communication(s) • Comes from the Latin ‘communicare’ = to impart, share or make common • It is to the 21st century what oil and gas were to the 20th – the engine that drives politics, economics, education, military affairs, culture and entertainment • It is two-way, although it is linked to rhetoric (or oratory as a form of developing logical, ordered arguments to achieve wisdom)
Perception Meaning Sense Understanding What are Perceptions? Dissemination Reception Perception
Begin to form a perception (or re-form an old one) Perception formed ...drives decision making and action Orient Observe Decide Act THE ‘OODA’ LOOP
Point-to-point and point-to-multipoint • P2P is a private conversation, a telephone call, an email, text message i.e. between a single sender and a single receiver • P2MP is a movie, radio or television programme, a web 1.0 web page, a newspaper i.e. between a single source (which may be one or many people) and many receivers (who may be in different locations) • 21st century (web 2.0) communications is interactive (i.e. two way in which the receiver can also be active and not passive)
Why study the history of communications? • Because without an understanding of where it comes from, how it has been used and abused, the lessons of the past cannot inform the decisions of the future • It is what makes our age back to our grandparents unique in human history, like no other period before the age of mass communications • Mediated communication makes us as individuals dependent on others (e.g. journalists) for our view of the world, for the ‘pictures inside our heads’ (Walter Lippmann), beyond our personal experience • Common experience (e.g. of a movie) does not remove individual perception nor guarantee ‘shared visions’
Communication does not operate within a vacuum • It is about communicating something (via a medium) – body language, signal, gesture, image(s), message(s), information, misinformation, opinion(s), news etc • To be effective, it must be attractive or desired in terms of CONTENT • It therefore requires RESEARCH (i.e. Substance) as well as good technique
Lasswell’s model • “Who (says) What (to) Whom (in) What Channel (with) What Effect.” • We add the question ‘Why’? (especially useful for propaganda and the spectrum of communications) • Propaganda What to think • Standing on the shoulders of giants…. Education How to think
‘The past is a foreign country: they do things differently there.’ (L P Hartley) • Is this true for the media and communications? - From cave drawings to holography - From still photography to moving images, from silent cinema to digital surround-sound full colour and hi-def TV - From print journalism to 24/7 rolling news - From Morse code radio signals to i-pod(casts) - From Old Media to New Media and Now Media • A difference in technology or technique (or both)?
One intellectual framework • The Tofflers’ three waves of societal development: • First wave is agrarian (simple, basic communications) • Second wave is industrial (mass communications) • Third wave is post-industrial or ‘post-modern’ or informational (computer mediated communication, mobile communications and Web 2.0) • The way states generate wealth in peacetime is reflected by the way they wage war • Some states experience all three waves simultaneously (e.g. Burma/Myanmar or Iran) • Hence Information Society and Information Warfare today
Reality check • How do we know that what we see or hear via media is ‘real’ (i.e. an accurate representation of the world as it is)? RESEARCH (AGAIN) • ‘Seeing is believing’ (?); ‘the camera never lies’; ‘a picture paints a thousand words’?
The Matrix • To inform, educate or entertain (BBC)? = • News, current affairs, soaps/reality TV • How much can be shown? • Censorship or self-censorship or regulation? • How much do you want to see? Why? • How much don’t you want to see? Why not? • What does this tell you……? • …….about you?