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GRAFFITI LATINI

GRAFFITI LATINI. POMPEII. Why not study ancient graffiti in Rome?. Because it is a modern city…hard to date. So we study remains of graffiti, now mostly gone, but previously preserved by the effects of the Vesuvius eruption. What is graffiti? My story… Now your turn…. Modern Graffiti.

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GRAFFITI LATINI

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  1. GRAFFITI LATINI POMPEII

  2. Why not study ancient graffiti in Rome? Because it is a modern city…hard to date. So we study remains of graffiti, now mostly gone, but previously preserved by the effects of the Vesuvius eruption. What is graffiti? My story… Now your turn…

  3. Modern Graffiti

  4. Varia • Strom Thurman sniffs drainpipes. • Batman loves Robin. • Zeus loves Ganymede. • Shakespeare eats Bacon. • The difference b/w a firm & a cactus plant is that the plant has pricks on the outside. • Mene, mene, teckel, upsharin… • Reiche leute kussen sich arme leute bepissen sich • For a good time call...

  5. graffiare = to scratch Graffiti: inscriptions and figure drawings found on the walls of ancient sepulchers or ruins Usage of the word has evolved to include any decorations (inscribed on any surface) that one can regard as vandalism; or to cover pictures or writing placed on surfaces, usually external walls and sidewalks, without the permission of an owner.

  6. Painted vs Scratched dipinti V S graffiti painted scratched planned spontaneous large smaller conspicuous obscure public private

  7. Quis scripsit? • Mostly men • All classes, but probably moreso low(er) classes • Travelers • Children • Prostitutes and their lovers

  8. Architectus

  9. Types of Graffiti in Pompeii • Electoral/On behalf of candidates • Advertisements (1/3) • Warnings/Curses • Notices/Local News/ • Admirations/Boasts/Personals • Writing Practice • Pictoral • “hīc erat”

  10. Pictoral graffiti: A caricature of a man scratched into a wall.

  11. What does graffiti tell us? • Literacy rate • Frequented roads • Social customs and activities • Pronunciation • Origin of travelers • Gives us the individual tastes, passions, and experiences of everyday people.

  12. Literacy There is evidence of Pompeians’ ability to read and write among classes of people e.g. the 83 graffiti found at CIL IV, 4706-85 (a peristyle which had been undergoing remodeling at the time of the eruption of Vesuvius) were executed not only by the architect Crescens, but also by most of the members of the work crew for whom he served as foreman.

  13. Frequented Roads • The number of messages written on walls has given scholars the indication that certain roads were traveled more than others. • This could also be connected to the amount of wall space available for messages…as well as the availability of roads at certain times of the day.

  14. Frequented Roads Map of Pompeii Occurrence of messages Occurrences every 0-4 meters

  15. Occurrences every 4-8 meters

  16. Electoral Graffiti • There are around 3000 electoral inscriptions in Pompeii and most of them can be dated to the city's final year of existence, given that it was customary to rub out the old inscriptions to make way for new ones.

  17. Electoral Graffiti Via Consolare A request to vote for two candidates for aedile, M. Cerrinius Vatia and A. Trebius Valente, who was elected in 71 A.D., again in 75 A.D. as candidate for the duumvirate. Other similar electoral messages with the same two candidates' names were found along Via del Foro.

  18. Pompeian electoral graffiti

  19. Fragment of a Roman wall painting containing an electoral inscription from the officina of Verecundus. Depicts Mercury with caduceus and petasus emerging from a little Etruscan-Italic temple. He holds a purse of money in his right hand. One inscription: "Holconium Priscum / IIvir(um) I(ure) d(icundo) d(dignum) r(ei) p(ublicae) o(ro) v(os) f(aciatis)" or "I ask you to elect Holconius Priscus as duovir. He is worthy of holding office." H 214 cm, W 88 cm.

  20. Advertisements • Outside the city? • Funerary markers, tombs?

  21. Social Customs/Activities • Declarations of Love, hate, et cetera • Sociī • Thievery • Food and Drink • Schooling • Facta, factura

  22. Activities The brothel at CIL VII, 12, 18-20 contains over 120 graffiti, the authors of which included the prostitutes as well as their clients. • Amantes ut apes vitam mellitam exigunt. • Vellem • Pompeii wall of a house, Region I • CIL IV.8408

  23. ??? Arma virvumque cano troianis primus ab oris

  24. Love? Quisquis amat. veniat. Veneri volo frangere costas fustibus et lumbos debilitare deae. Si potest illa mihi tenerum pertundere pectus quit ego non possim caput illae frangere fuste? • -CIL IV, 1284. Whoever loves, let him go. I want to break Venus's ribs with a club and deform her hips. If she can break my tender heart why can't I hit her over the head with a club?

  25. “Vulgar” Latin Amat qui scribet, pedicatur qui leget, qui opsultat prurit, paticus est qui praeterit. Ursi me comedant; et ego verpa qui lego graffiti, exterior wall, Pompeii, circa 62-79 AD

  26. ???

  27. Entertainment • The gladiatorial academy at CIL IV, 4397 contained graffiti left by the gladiator Celadus Crescens (Suspirium puellarum Celadus thraex: "Celadus the Thracier makes the girls sigh.")

  28. From the House of Obellius Firmus, Pompeii. Gladiator with shield and spear (photo and illustration).

  29. Gladiatorial Graffiti

  30. From amphitheater Pacatus hic cum suis mansit Pompeis. Pompeii, Amphitheater portico CIL IV.8660 Anthiocus hic mansit cum sua Cithera. Pompeii, Amphitheater portico CIL IV.8792 Nemo heic fuit

  31. Pronunciation Errors in spelling and grammar in graffiti inform us of the degree of literacy of the graffiti scrawlers and give clues as to the pronunciation of spoken Latin. • CIL IV, 7838: Vettium Firmum / aed[ilem] quactiliar[ii] [sic] rog[ant]. • Here "qu" reflects the common pronunciation of "co".

  32. When we go…if we haven’t already • Seek out graffiti that is now protected under plexi-glass covers • Graffiti in the original sense of something “scratched” can be found in the most obscure places, but also out in the open • Large or small, pictures or writing… • Now some tests…

  33. Plexi-glass

  34. ???

  35. ??? COMMUNEM NUMMUM CENSIO EST NAM NOSTER MAGNAM HABET PECUNIAM

  36. ???

  37. ??? • Nihil durare potest tempore perpetuo • Cum bene sol nituit, redditur oceano • Decrescit Phoebe, quae modo plena fuit, • Ventorum feritas saepe fit aura levis. • CIL IV.9123

  38. Other/Modern graffiti • Bumper stickers • T-shirts • Buttons • Hats • “Designer” tags • Billboards • The “vent” “Anonymous graffiti are generally written by repressed people, and their inscriptions are wish fulfillment and fantasy” Reisner

  39. Otiosis locus non est. Discede, Morator. CIL IV.813 Our theme song for this “iter.”

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