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End of Module Assessment 2013J Question 1

End of Module Assessment 2013J Question 1. TA212: Block 5, EMA. Choose The Instrument. Choose an instrument about which information is available the OU library can give you access to the online edition of “Grove” Instrument must be pitched and totally acoustic

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End of Module Assessment 2013J Question 1

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  1. End of Module Assessment 2013JQuestion 1 TA212: Block 5, EMA

  2. Choose The Instrument • Choose an instrument about which information is available • the OU library can give you access to the online edition of “Grove” • Instrument must be pitched and totally acoustic • not drum kit, electric guitar, theremin TA212 - Block 5 – EMA 2013J

  3. Sources and Recordings • You need to be able to make reference to the sources for your information • a chat in the pub is not enough • You need to be able to get (or make) a recording of the instrument • Naxos Recordings are available through the OU Library • Be careful with recordings including more than one instrument. You may not be able to separate “your” instrument from the rest of the ensemble. TA212 - Block 5 – EMA 2013J

  4. Subheadings • The Question 1 essay MUST have the following subsections • Introduction, Historical Development and Present-Day Usage (25 marks) • Construction and Operation (35 marks) • Note Analysis (40 marks) • Summary and Conclusions (20 marks) • In addition, Contents list, appendices, list of references etc. TA212 - Block 5 – EMA 2013J

  5. The Word Count for Question 1 • 4000 words • absolute maximum • sections which cause the limit to be exceeded will not be marked • not included in the word count: • contents pages • glossaries • references • appendices • sections not in the word count will be marked on presentation only TA212 - Block 5 – EMA 2013J

  6. (a) Introduction, Historical Development and Present-Day Usage • Choice of Instrument • Only 2 marks so don’t spent too much effort here! • 4 or 5 sentences maximum. • Don’t get too specific about the detail of the instrument. TA212 - Block 5 – EMA 2013J

  7. (a) Introduction, Historical Development and Present-Day Usage • Outline description • Only 6 marks. • Non-technical. • How the instrument is played. • Imagine someone who has never seen or heard the instrument. TA212 - Block 5 – EMA 2013J

  8. (a) Introduction, Historical Development and Present-Day Usage • Historical Origins and Development • 11 marks. • This is the meat of the section. • What has caused changes to the instrument • History • Musical role • Technology TA212 - Block 5 – EMA 2013J

  9. (a) Introduction, Historical Development and Present-Day Usage • Usage • 6 marks. • Expand on the idea that an instrument may have had different roles at different periods (including the present day) • Extend the discussion of “role” from the previous section. TA212 - Block 5 – EMA 2013J

  10. (b) Construction and Operation • Geometry and component parts • 10 marks • Detail of construction • Materials (and sources) TA212 - Block 5 – EMA 2013J

  11. (b) Construction and Operation • Method of sound production and radiation. • 16 marks • This is the core of this part of the question • Primary and secondary vibrators • How does the player create the vibrations? • How does the sound reach the listener TA212 - Block 5 – EMA 2013J

  12. (b) Construction and Operation • Pitch range. • Only 4 marks so don’t spend too much time here. • If you are looking at a family (e.g. “the recorder”) mention the ranges of the different members of the family. TA212 - Block 5 – EMA 2013J

  13. (b) Construction and Operation • Timbre and other musical or playing features. • Only 5 marks so, again, don’t spend too much time here. • Why does it sound the way it does? • Relate the timbre to the theory behind its operation • Particular features and/or playing techniques • Think of this as an introduction to the section which follows: “Note analysis”. TA212 - Block 5 – EMA 2013J

  14. (c) Note Analysis • Waveform analysis. • Only 6 marks • 2 to 5 cycles of a typical waveform (use Audition) • How did you produce the display? • What does it show? • Sine wave? Or more complex TA212 - Block 5 – EMA 2013J

  15. (c) Note Analysis • Frequency analysis. • 20 marks – this and the following “Envelope Analysis” form the core of this part of the question. • Illustrate Several notes over the pitch range • Compare their steady state • Not enough to include only a screen shot. • How was the screen shot produced? • What does it show? • How does this relate to the structure and use of the instrument. TA212 - Block 5 – EMA 2013J

  16. (c) Note Analysis • Envelope analysis. • 12 marks • What changes as a note is played • (Steady state was the previous section) • Overall envelope of a typical note • Compare envelopes from different notes • Not enough to include only a screen shot. • How was the screen shot produced? • What does it show? • How does this relate to the structure and use of the instrument. TA212 - Block 5 – EMA 2013J

  17. (c) Note Analysis • Files. • There are 2 marks for including sound files • Easy marks!!! TA212 - Block 5 – EMA 2013J

  18. (d) Summary and Conclusions • Summary • Refer back • No new information • Conclusions • Reflect on what you were able to achieve • Reflect on the limitations of what you were able to do • Marks • 10 marks are for the Summary and Conclusions section • 10 marks included for this section are for the overall structure and presentation of the report. TA212 - Block 5 – EMA 2013J

  19. Source Material • OU Library • Grove Music Online • Naxos Recordings TA212 - Block 5 – EMA 2013J

  20. Plagiarism • It is very easy to cut and paste from web sites! • The work presented must be your own work. • Quotations should not be more than a sentence or two. TA212 - Block 5 – EMA 2013J

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