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The Search is Over: Why the Ravenscroft 275 vi and Kawai VPC1 if the Only Option

We can’t stand digital pianos either. Most of them are a so obviously digital that it just makes any real piano player walk away in disgust. Harsh, tinny high frequency ranges that pierce your ears. Muddled, low end response that sounds more like a piano crashing to the ground than being played. Epically underwhelming key response on keyboard controllers.<br>

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The Search is Over: Why the Ravenscroft 275 vi and Kawai VPC1 if the Only Option

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  1. We can’t stand digital pianos either. Most of them are a so obviously digital that it just makes any real piano player walk away in disgust. Harsh, tinny high frequency ranges that pierce your ears. Muddled, low end response that sounds more like a piano crashing to the ground than being played. Epically underwhelming key response on keyboard controllers. We get it. You need the flexibility and convenience provided by a digital piano rig, but you also need a sound you can stomach. One that isn’t embarrassing to play because it sounds so bad. Luckily, the folks over at Ravenscroft have solved your problems. You may not know it yet, but your life just got a whole lot better! These are the reasons why we think you should get the dynamic duo of digital piano: The Ravenscroft 275 vi software paired with the Ravenworks- modified Kawai VPC1. Unsurpassed Tonal Achievement No one has ever created a digital instrument that replicates all of the intricacies of a concert grand piano like the Ravenscroft 275 vi Just dial up the YouTube videos of reputable players testing it out. Listen to what they say and how their faces light up when they play it. It sounds just like the Ravenscroft 275 Concert Grand on which it was modeled. This unsurpassed achievement is accomplished by a partnership with theUVI sound engine and the use of FLAC to allow for compression of the massive interface with no loss of sound. Then you get into the controls.

  2. Around 17,000 present, detailed control over mic placement, and realistic soft pedal and half- pedal controls for realistic and dynamic pedal expressions are just the tip of the proverbial iceberg. The interface allows for control over pedal noise and release, key noise and release, reverb, compression, silent and muted strikes – the list could literally go on and on. True-Blue Grand Piano Playability The Kawai VPC1was already a masterful piano controller for digital sounds. Ravenworks then took it and modified it (so well that Kawai still offers the total manufacturer’s warranty) to exactly mimic the playability of their Ravenscroft 275 concert grand piano. One player noted that it was exactly the same, only smaller. Attention to the details that make the Ravenscroft 275 grand piano a favorite were seamlessly worked into the Kawai. All in all, you can’t go wrong with this setup. Whether for the studio or the stage, classical, jazz, or a full band set, your ears will love the tandem of the Ravenscroft 275 vi and the Kawai VPC1. For more detail you can mail at INFO@RAVENWORKSDIGITAL.COM or call 1.48 0.664.3702

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