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Principles of design

The way the Elements of Design are used in artwork Artist can vary the use of these Principles to create a stable or unstable appearance. Principles of design. ELEMENTS Color Value Line Texture Shape Form Space. I WALKED HOME

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Principles of design

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  1. The way the Elements of Design are used in artwork Artist can vary the use of these Principles to create a stable or unstable appearance. Principles of design ELEMENTS Color Value Line Texture Shape Form Space

  2. I WALKED HOME I SLOWLY STROLLED DOWN THE SNOWY STREET TO MY 3-STORY, BLUE, VICTORIAN HOUSE. Principles= sentences

  3. Create neat artwork that looks more professional or sophisticated Organize your art ideas in a unique and interesting way LEARNING THESE CAN HELP YOU… James McNulty, collage made from firework wrappers and advertisements.

  4. Balance Emphasis/Dominance Proportion Movement Rhythm Pattern/Repetition Variety Unity/Harmony Principles of organization Joan Mitchell (American), Cord VII, 1987.

  5. Visual or psychological (felt) equilibrium in a composition • Symmetrical Balance- even distribution of visual weight on either side • Asymmetrical Balance- a psychological or felt balance within a piece Balance

  6. SYMMETRICAL BALANCE

  7. Illuminated manuscript from the Vatican Library. Illustration from the 15th Century from the Greek and Latin Codex of Homer’s epic poem, The Iliad

  8. ASSYMETRICAL BALANCE

  9. James Whistler (American)1834-1903, Arrangement in Grey and Black: Portrait of the Painter's Mother , 1871; Oil on canvas, 144.3 x 162.5 cm; Musée d'Orsay, Paris

  10. Not balanced

  11. Draw attention to or create a center of focus • Objects can have different levels of importance by varying • Size • Color • Tone • Contrast…. Emphasis / Dominance

  12. Francesco Goya (Spanish) 1746-1828, The Shootings of May Third 1808, 1814, Oil on canvas, 104 3/4 x 136 in; Museo del Prado, Madrid

  13. Wassily Kandinsky (Russian)1866-1944, Composition VII, 1913. Oil on canvas

  14. The relationship of one part to another and of each part to the whole. Distorting or exaggerating proportions can alter the effect of a work on the viewer Proportion Leonardo da Vinci (Italian), Proportions of the Face.

  15. Boating at Argenteuil Giclee Print Boating at Argenteuil, Claude Monet

  16. Baile en Tehauntepec, Diego Rivera

  17. Out of Proportion Artist Unknown, Little Warriors, Basalt Bas-relief sculpture (From a wall), Piedras Negras, Guatemala, Late Classic Period A.D. 667 (Copy)

  18. Fernando Botero, (1932-), Columbian, Family Amedeo Modigliani, Italian, Portrait of a Woman (Jeanne Hébuterne) in Large Hat, c.1918

  19. To move viewers eye around piece of art • start with an emphasis • use Elements to move eye around artwork Movement Pablo Picasso (Spanish) Guernica, 1937

  20. Vincent Van Gogh, (Dutch) 1853-1890, Starry Night, 1889, Oil on Canvas. Museum of Mopdern Art, NY

  21. Henry Moore (English), Reclining Figure.

  22. Auguste Rodin (French), The Thinker Hands

  23. Repeating visual Elements like line, shape, color, texture, or an image Exact duplication or duplication with variety Can be used to create unity or rhythm Repetition / Pattern

  24. Norman Rockwell (American), Rosie the Riveter

  25. Claude Monet (French), Water Lilies

  26. Arranging or grouping of Elements to appear over and over and go on and on • Continues off the page • Beats in music or dance • Tempo • Pulse • Beat rhythm

  27. MC Escher. Tessellation. Sky and Water. MC Escher. Three Worlds.

  28. Changing Elements within art to create interest You can have a lot of different sizes, shapes, colors, lines…. Or 1 different Element can create variety among similarity variety

  29. Paul Klee (Swiss) 1879-1940, Castle and Sun.

  30. Gustav Klimt, (Austrian) 1862-1918, The Tree of Life, Stoclet Frieze. 1909

  31. Gives viewer the sense of visual completeness Gives a sense of “wholeness” not separate pieces Brings piece together visually with common Elements Unity / Harmony

  32. Paul Cezanne, (French) 1839-1906, The Brook.

  33. Andy Warhol. 100 Campbell’s Soup Cans. Diamond Dust Shoes, 1980.

  34. Pablo Picasso, The Lesson

  35. Balance Emphasis/Dominance Proportion Movement Rhythm Pattern/Repetition Variety Unity/Harmony Which Principles do you see? Norman Rockwell (American), The Golden Rule

  36. Balance Emphasis/Dominance Proportion Movement Rhythm Pattern/Repetition Variety Unity/Harmony Which Principles do you see? Leonardo da Vinci (Italian), The Last Supper. 1498

  37. ArtSpace.Art2.Principles. http://www.peonqueen.com/ArtSpace/temp_exhib/art2/ ARTiculation. Principles. http://www.brigantine.atlnet.org/GigapaletteGALLERY/websites/ARTiculationFinal/MainPages/PrinciplesMain.htm Art prints and posters. Art.com Google.com reSources

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