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Calligraphy is one of the most revered arts throughout Persian history.
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Iranian calligraphy (known by Iranians) or Persian calligraphy (known by Western countries) is an art work on paper, combined with painting, or a book illustration, wall painting, on carpet or a separate art work with root in Persian poetry in Iran. Persian calligraphy is considered to be one of the most eye catching and fascinating manifestations of Persian culture. The history of calligraphy in Iran dates back to 3th millennium BC mostly seen in Jiroft Civilization (Kerman province of Iran), and also several calligraphy on stone dated back to 550 BC during Achamenid dynasty which beautiful and clear writings were always praised.
The history of calligraphy in Iran dates back to the pre Islam era. In Zoroastrianism beautiful and clear writings were always praised.
Saki or Saqi, 1609; Moraqqa’-e Golshan, Isfahan, Iran; Golestan Palace The art of calligraphy is one of the reputable and famous arts in Iran
Calligraphy has always been one of the most dearest arts throughout the centuries of the Iranian history
These beautiful handwritings have been preserved in the form of about 15,000 copies of the Holy Koran and many other poems that blend together the art of painting and writing
Many of those hand written books are beautifully decorated and pages are often framed with precious golden characters
According to Islamic thought, figural arts and painting live objects has an idolatry implication, therefore words and shapes were chosen to convey artistic messages
The importance of the art of calligraphy among Iranian arts is such that some arts seem to be imperfect, without decorative calligraphy
Most of the handwritten books of Iran specially the Holy Quran, and collections of poems such as Shahnameh, Hafez, Golestan, Boostan and Khayam have been recognized as precious artistic works because of their graceful and delicate calligraphy
These books possess extraordinary value and importance for the art experts all around the world
The calligraphy works of notorious and virtuous calligraphers of Iran are preserved as precious artistic works in museums and private collections all around the world
Common styles are Kufic which is mainly used for religious purposes. Non-Kufic styles, called cursive is used for everyday use.
Becoming master of Persian calligraphy requires long and hard training together with self concentration.
The alphabet of Persian language has changed 4 times during history from Nail alphabet to Avestan, Pahlavi and the current one which is simply known as three stages of Old Persian, Middle Persian and Modern Persian
Shiraz, Masjed-e Vakil 1751-1773 Iranians more than any other nation have used various calligraphy to enrich and beautify earthen-ware, metallic vessels and historic buildings.
India, Taj Mahal The calligraphy on the Great Gate reads "O Soul, thou art at rest. Return to the Lord at peace with Him, and He at peace with you." The calligraphy was created by the Persian calligrapher Abdul-Haq, who came to India from Shiraz, Iran, in 1609
To name some of artists: Ahmad Neyrizi, HosseinMirkhani, Ali Akbar Kaveh, EbrahimBouzari, Hassan Mirkhani, MehdiBaiani. ZendehRoudi, JalilRasouli, ParvizTanavoli (also calligraphy as sculpture)
MasihZad, is an Iranian designer, currently living and working in California, Beverly Hills, the US. He was born in 1984 in Isfahan, the city of art and culture, in an art-loving, artist family. Something very special about his work, he uses Iranian calligraphy in his designs
Text and pictures: Internet All copyrights belong to their respective owners Presentation: Sanda Foişoreanu https://www.slideshare.net/michaelasanda https://ma-planete.com/michaelasanda 2011 Sound:FaridFarjad: - GolehPamchal - An Roozha (Those Days)