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A Belgian surrealist painter, Rene Magritte s witty and thought-provoking paintings sought to have viewers question their perceptions of reality, and become hypersensitive to the world around them.
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René Magritte (1898 - 1967)L’ami intime The Intimate Friend, 1958 Deep waters / Les eaux profondes, 1941
La perspective amoureuse René Magritte (1898 - 1967) Le traité du paysage
René Magritte (1898 - 1967)La Chambre du Devin (1926) Cannon
René Magritte (1898 - 1967) Raminagrobis, 1946
René Magritte (1898 - 1967) On the threshold of liberty
René Magritte (1898 - 1967)Mona Lisa (La Joconde), 1967 L'heureux donateur / The luckydonor, 1966. Ixelles Musée des Beaux Arts
René Magritte (1898 - 1967) Le paysage de Baucis La Lampe philosophique, 1936 Price realized GBP 1,609,250
René Magritte (1898 - 1967) A famous man, 1926 Call of peaks (L'appel des cimes), 1942-1943
René Magritte (1898 - 1967) L’Arc de triomphe, 1962 Price realised 2020 GBP 17,798,750
René Magritte (1898 - 1967) The discovery of fire (Decouverte du feu) 1934 Price realised 2021 GBP 2,542,500 Discovery of fire (Decouverte du feu) Price realised 2020 USD 1,590,000
René Magritte (1898 - 1967) The Night Owl, 1927 Museum Folkwang, Essen
René Magritte (1898 - 1967) La Valse Hesitation 1968Le retour au pays natal, 1959
The man of the sea, 1927 René Magritte (1898 - 1967) Le conquérant, 1926
René Magritte (1898 - 1967) La Vocation
René Magritte (1898 - 1967) L’Artde la conversation Price realised GBP 350,500
René Magritte (1898 - 1967) Vue d'en haut (View from above), 1947
René Magritte (1898 - 1967) The art of conversation, 1950 L’Art de la conversation, New Orleans Museum of ArtLa belle captive, 1946
René Magritte (1898 - 1967) Étoile du matinLes tambours de la mort
René Magritte (1898 - 1967) Perspective- Madame RécamierII
René Magritte (1898 - 1967) Perspective- Madame Récamier by David, 1951 National Gallery of Canada, Ottawa
René Magritte (1898 - 1967) The portrait, 1935 Le Palais des Souvenirs, 1938 - 1939
René Magritte (1898 - 1967) L'Invention de la vie The invention of life
2019 « A l’occasion des dix ans du Musée Magritte, les Musées royaux des Beaux-Arts ont réuni une centaine d’œuvres qui invitent à la fois à voyager dans l’univers de Salvador Dalí et à creuser le dialogue avec le travail de René Magritte. L’un et l’autre ancrent le surréalisme dans une recherche fondée sur l’exploration de la représentation mimétique. »
Night Sky with Bird, bouteille René Magritte (1898 - 1967) Ciel-Bouteille avec deux hommes en conversation Rene Magritte’s Ciel-Bouteille, one of the artist’s iconic painted wine bottles, is offered with an estimate of £800,000 ($1.1m) at Sotheby’s
Feu-bouteille (Fire Bottle) oil painted glass bottle, c.1959 René Magritte (1898 - 1967)Paysage au clair de lune Price realised 2003 GBP 94,850
René Magritte (1898 - 1967) L'art de la conversation IV (Amour) 1950
The Pompidou museum’s Magritte exhibition, The Treason of Images, 2016
René Magritte (1898 - 1967) Lovers III Les Amants
René Magritte (1898 - 1967) Le Printemps
René Magritte (1898 - 1967) Lovers IV Les Amants
René Magritte (1898 - 1967) Lovers / Les Amants
René Magritte (1898 - 1967) Lovers II Les amants, 1928 New York, Museum of Modern Art (MoMA)
The present (Le présent) 1938-39 René Magritte (1898 - 1967) The man in the bowler hat
The Magritte Museum is an art museum in the Royal Quarter of Brussels, Belgium, dedicated to the work of the Belgian surrealist artist, René Magritte. It is one of the constituent museums of the Royal Museums of Fine Arts of Belgium
A person looks at « Rêverie de Monsieur James » by René Magritte
Text and pictures: Internet All copyrights belong to their respective owners Presentation: Sanda Foişoreanu www.slideshare.net/michaelasanda https://ma-planete.com/michaelasanda 2024 Sound: Paul Simon - René and Georgette Magritte with Their Dog After the War
It’s one of Modern art’s most famous images: a pipe, above the words “Ceci n’est pas une pipe,” or “This is not a pipe,” and it’s called The Treachery of Images (1929). If you know the Belgian surrealist René Magritte for one thing, it’s probably this canvas. You probably also know his anonymous bowler-hatted men, as well as other masterpieces, like the paintings titled L’empire des lumières (which he created from the ’40s through the ’60s), which show a brightly shining sky above a dusky street, or The Lovers (1928), which shows a man and woman kissing, their heads wrapped in fabric. (That canvas made the rounds as a meme during the height of the Covid pandemic, when masks were de rigueur.) But what you may not know is that the beloved surrealist was also a master forger, not only of artworks but even of paper money. It’s not an urban legend: his close friend, artist Marcel Mariën, revealed the act in his 1983 autobiography (Magritte’s wife sued, but she lost). During the Nazi occupation, old masters like Titian as well as moderns like Pablo Picasso, Max Ernst, and Giorgio de Chirico came in for copying by Magritte; Mariën was charged with selling the fakes to collectors. It’s not entirely clear whether he did this as part of a philosophical program to challenge authority or whether he just needed to make a living. In the lean years after the war, Magritte and his brother even forged 100-franc notes. He wouldn’t have to print fake money for too long. He went on to see great success, with collectors like Nelson Rockefeller snatching up his paintings, and he had a major retrospective at New York’s Museum of Modern Art in 1965, after which his prices shot up. His fame has only grown, with his works appearing not only from museum walls to dorm-room posters, but also, recently, making a smash appearance on the auction block. The artist blew past his public sale record at Sotheby’s London in 2022, when his 1961 canvas L’empire des lumières fetched $79.8 million, far exceeding his previous high of $26.8 million. The idea of an artist committing fraudulent acts like forgery while wearing a suit, tie, and bowler hat, and living the married, suburban life, may seem incongruous. But if you ask critic George Melly, it all makes sense: “He is a secret agent,” Melly has said. “His object [is] to bring into disrepute the whole apparatus of bourgeois reality. Like all saboteurs, he avoids detection by dressing and behaving just like everybody else.” by Brian Boucher