1 / 4

Gender, Race, and Rock n ’ Roll:

Analyzing the evolution of subcultures from rebellion to mainstream incorporation within neoliberal contexts, focusing on how audio subcultures reflect underlying ideologies and production dynamics. Exploring the unsuccessful resistance of Riot Grrrl as a case study.

saucier
Download Presentation

Gender, Race, and Rock n ’ Roll:

An Image/Link below is provided (as is) to download presentation Download Policy: Content on the Website is provided to you AS IS for your information and personal use and may not be sold / licensed / shared on other websites without getting consent from its author. Content is provided to you AS IS for your information and personal use only. Download presentation by click this link. While downloading, if for some reason you are not able to download a presentation, the publisher may have deleted the file from their server. During download, if you can't get a presentation, the file might be deleted by the publisher.

E N D

Presentation Transcript

  1. Gender, Race, and Rock n’ Roll: Independent Musical Subcultures in a Neoliberal Context Tracy Gardner tlgardne@uci.edu

  2. Driving Questions: How did we go from this:

  3. To this?

  4. Audio subcultures transcend their sound properties to encompass aesthetics and technologies that indicate an underlying ideology. In this paper I argue that audio subcultures do not provide opposition to hegemonic norms because they rely on the very production of capital and discourse that they claim to resist. Riot Grrrl was unsuccessful and so quickly re appropriated into the hegemonic main stream because of the structural methods of production from which it relied.

More Related