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Chapter Eight

Chapter Eight. Vocal Music, 1600-1650. Claudio Monteverdi (1567-1643). Leading figure of the era Master of two styles ( prima & seconda prattica ) Mantua : Secular works - madrigals & opera (!) - genre concitato

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Chapter Eight

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  1. Chapter Eight Vocal Music, 1600-1650

  2. Claudio Monteverdi (1567-1643) • Leading figure of the era • Master of two styles(prima & seconda prattica) • Mantua : Secular works- madrigals & opera (!)- genre concitato • Venice : Sacred music- m.d.c. of St. Mark’s- also operas (public)- numerous commissions • Text, p. 208-9 (bio)

  3. “Cruda Amarilli” (Anth I/71) • Composed by Monteverdi, c. 1600 • Criticized by G. M. Artusi (1600)- L’Artusi, or the Imperfection of Modern Music • Problems w/ dissonances (unprepared/harsh) • Published in Fifth Book of Madrigals (1605)- prefatory letter from C. M.- “…the second practice…” (seconda prattica)- defense by Giulio Cesare Monteverdi (brother) • “Cruda Amarilli” : Score & Recording

  4. Concertato style Madrigals • Madrigals w/ basso continuo support • “T’amo mi vita” - Anth I/72- Monteverdi, 5th Book of Madrigals (1605)- cf. Luzasschi setting (Anth I/52) • “Zefiro torna e di soave accenti” - Anth I/73- Monteverdi, c. 1630- Ground Bass, Ostinato, Ciaccona- Alternate performance (HIP instruments) • “Lasciatemi qui solo” - Anth I/74- Francesa Caccini (1618)

  5. Opera • Sung drama (Recitative & Aria) …. • w/ acting, dancing, costumes, scenery, etc. • Origins in 16th C dramas w/ music • Madrigal Comedies • “First” opera? (pick one – text, p. 216)- Dafne (Florence,1598) – Peri & Rinuccini- Rappresentazione… (Rome, 1600) – Cavalieri- Euridice (Florence, 1600) – Peri & Rinuccini- Euridice (Florence, 1602) – Caccini & Rinuccini • Orfeo (Mantua, 1607) – Monteverdi & Striggio

  6. Monteverdi, Orfeo • Mantua, 1607 • Orpheus/Euridice myth • still in repertoire (!) • Monody (recitative), aria, chorus, instrumental, etc. • Orfeo (complete)- Act I (opening)- Act II (excerpt) – 25:45(Anth I/77)

  7. Sacred Music (early 17th C) • Prima prattica (old)- Palestrina & Zarlino- remains in use • Seconda prattica (new)- Monteverdi, et al. • Vespro della Beata Vergine (1610) • Mixed settings of sacred texts • Giovanni Gabrieli (1554-1612), organist • St. Mark’s (San Marco) • “In Ecclesiis” (1590s?) • Polychoral settings- multiple groups- physically separated • Canzon Primi Toni (1612) • Sonata pian e forte

  8. San Marco (Venice) - interior

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