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ABSTRACT DESIGN

ABSTRACT DESIGN. WHEN THE SOURCE OF THE DESIGN IS NOT READILY IDENTIFIABLE. ACCENTED NEUTRAL. A COLOR SCHEME USING TWO OR MORE COLORS ADJACENT ON THE COLOR WHEEL (THREE NEIGHBORS). ANALOGOUS. A COLOR SCHEME USING NEUTRALS WITH SPLASHES OR ACCENTS OF COLOR. BALANCE.

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ABSTRACT DESIGN

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  1. ABSTRACT DESIGN

  2. WHEN THE SOURCE OF THE DESIGN IS NOT READILY IDENTIFIABLE

  3. ACCENTED NEUTRAL

  4. A COLOR SCHEME USING TWO OR MORE COLORS ADJACENT ON THE COLOR WHEEL (THREE NEIGHBORS)

  5. ANALOGOUS

  6. A COLOR SCHEME USING NEUTRALS WITH SPLASHES OR ACCENTS OF COLOR

  7. BALANCE

  8. THE FEELING OF EQUILIBRIUM AND REPOSE

  9. COLOR

  10. REFLECTED LIGHT

  11. COLOR SCHEMES

  12. SCIENTIFIC COLOR COMBINATIONS THAT HAVE BEEN JUDGED TO BE PLEASING TO THE EYE

  13. COMPLEMENTARY COLOR SCHEME

  14. COLOR SCHEME USING TWO COLORS OPPOSITE EACH OTHER ON THE COLOR WHEEL

  15. CONVENTIONAL/STYLIZED DESIGN

  16. WHEN THE SOURCE OF A DESIGN COMES FROM NATURE, BUT IS ADAPTED

  17. COOL COLORS

  18. BLUES, GREEN, AND VIOLETS

  19. CURVED LINES

  20. LINES THAT FORM AN ARC. THEY REPRESENT YOUTH, ACTIVITY, FEMININITY, SOFTNESS, NATURALNESS AND LACK OF RESTRAINT

  21. DECORATIVE DESIGN

  22. ORNAMENTATION ADDED TO THE BASIC DESIGN OR STRUCTURE

  23. DIAGONAL LINES

  24. LINES THAT ARE AT AN ANGLE. THEY CAUSE THE EYE TO GO FAST FROM ONE CORNER TO ANOTHER, CREATING MOVEMENT, SPEED, ACTION, AND DIVERSITY

  25. ECLECTIC DESIGN

  26. USING DIFFERENT STYLES OR FEELINS WITHIN A ROOM, BUT STAYING WITH THE SAME FORMALITY

  27. ELEMENTS OF DESIGN

  28. SPACE, FORM/SHAPE, LINE, TEXTURE, AND COLOR (SHORT FUN LADY TRIES TO COLOR)

  29. ASYMMETRICAL BALANCE (INFORMAL)

  30. A FEELING OF BALANCE CREATED WHEN PARTS ARE BALANCED BY VISUAL WEIGHT, NOT MIRROR IMAGE

  31. EMPHASIS

  32. INTENSITY OF EXPRESSION THAT GIVES SPECIAL IMPRESSIVENESS OR IMPORTANCE TO SOMETHING, A PARTICULAR PROMINENCE

  33. FORM

  34. THE CONTOUR OF OBJECTS, SPECIFICALLY THREE-DIMENSIONAL FORMS

  35. GEOMETRIC DESIGN

  36. WHEN A DESIGN IS CREATED BY PLACING GEOMETRIC SHAPES IN A PATTERN

  37. GOLDEN MEAN

  38. THE GREEK MATHEMATICAL RATIO FOR DIVIDING SPACE TO MAKE IT MORE PLEASING TO THE EYE.

  39. HARMONY

  40. THE TOTAL UNIFIED FEEL OF THE ROOM, WHEN THE ELEMENTS OF DESIGN ARE EFFECTIVELY EXECUTED THROUGH VARIOUS PRINCIPLES OF DESIGN. THERE IS A GOOD BALANCE BETWEEN UNITY AND VARIETY.

  41. HORIZONTAL LINES

  42. LINES THAT FOLLOW THE HORIZON AND MOVE THE EYE HORIZONTALLY. THESE LINES REPRESENT RESTFULNESS, REPOSE AND ILLUSION OF WIDTH

  43. HUE

  44. ANOTHER TERM FOR COLOR

  45. INTENSITY/SATURATION

  46. THE STRENGTH OF A HUE

  47. LINE

  48. A NARROW TWO-DIMENSINAL FORM THAT APPEARS TO HAVE LENGTH AND MOVES THE EYE FROM ONE POINT TO ANOTHER

  49. MONOCHROMATIC

  50. USING ONLY ONE COLOR AND IT’S TINTS, TONES AND SHADES

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