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Brunelleschi’s Dome (Florence Cathedral), 1417-36; 1471, etc.

Brunelleschi’s Dome (Florence Cathedral), 1417-36; 1471, etc. Brunelleschi was favored by the Medici and jailed when Cosimo was jailed. Artist who perfected system of mathematical perspective Daring innovator, engineer.

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Brunelleschi’s Dome (Florence Cathedral), 1417-36; 1471, etc.

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  1. Brunelleschi’s Dome (Florence Cathedral), 1417-36; 1471, etc. Brunelleschi was favored by the Medici and jailed when Cosimo was jailed. Artist who perfected system of mathematical perspective Daring innovator, engineer. Designed dome WITHOUT center supports; architectural feat for that time. Dome supported on lantern. Flashcard Applications-of-linear-perspective-in-the-renaissance go to 18:30 min

  2. Brunelleschi designed & built the Foundling Hospital (orphanage) in 1419. The medallions are still loved today … Patron: Silk & Goldsmith’s Guild of Florence as a public service Example of Renaissance style architecture-Corinthian style column with high light arches.. Proportions in line with Renaissance art/science of proportions flashcard

  3. Detail of Terra Cotta Medallion, 1487 Foundling Hospital, Florence Andrea della Robbia Family secret blue and white glazing - babies show human side of Renaissance humanism Guild public service flashcard

  4. Trinity with the Virgin, St. John the Evangelist, and Donors Masacccio, 1425 Masterpiece of perspective - 1st true painting with linear perspective Illusino of reality You can see the grids and perspective lines where he laid strings in the plaster http://luxmedia.vo.llnwd.net/o10/clients/nationalgallery/illusion/02_trinity.m4v flashcard

  5. Expulsion from Paradise, fresco, (adam and Eve), 1427, Masaccio From the Brancacci Chapel Study of anatomy & underlying muscle and bone structure, combined with expressivism and emotions of Adam & Even upon being cast out of Eden More psychological than Flemish painters Inspired by ancient Roman sculpture flashcard

  6. Tribute Money, Masaccio, 1427, fresco, Brancacci chapel. flashcard Most innovative of early early Italian Renaissance painters..3 scenes w/in one setting, Peter catches a fish with a gold coin in its mouth to pay Caesar’s taxes on the right, central figures around Jesus where Jesus tells them to Render unto Caesar that which is Caesar’s (Florentines being taxed for military campaign at the time of this painting). Integrates architecture, figures, and landscapes realistically w/perspective Green robe shaded w/red, strong modeling of figures, consistent light source..this fresco was studied by Michelangelo.

  7. Annunciation, Fra Angeliao, fresco, 1438-45. Painted for a monastery in Florence. Probably commissioned by Cosimo de’ Medici. Linear perspective, natural light. Part of a series painted in the monastery to help guide the monks’ prayers. Columns here show new buliding technique used by Brunelleschi. flashcard

  8. Hercules & Antaeus, bronze figurine, 18” tall, del Pollaiuolo, c. 1475 (early Renaissance) Influence of classical Greek & Roman sculpture Study of Anatomy Patrons: smaller statues that could be enjoyed or placed in the homes of middle class families Del Pollaiulo’s patron was the Medici family; he was trained as a painter, sculptor, and goldsmith flashcard

  9. Gates of Paradise, (east doors), Baptistry of San Giovanni, Florence, Ghiberti 1425-52, bronze, 15’ high (4.5 meters) Flashcard “I strove to imitate nature as clearly as I could, and with all he perspective I could produce, to have excellent compositions with many figures.” Competition held in 1401 to commission this prestigious set of doors… Brunelleschi & Ghiberti were top competitors Patron: Wool Mfgrs. Guild Name coined later by Michelangelo 1 point perspective, 10 old testament scenes Technological advance from earlier doors-revived LOST WAX method of relief sculpture

  10. Jacob & Esau, panel from the Gates of Paradise, Ghiberti 1435 Intuitive and linear perspective, high and low relief figures give amazing sense of depth Jacob & Esau story from Genesis in Bible Esau symbolizes Jews and Jacob Christians Flashcard part 2

  11. Pisano’s John the Baptist doors, 1327 Ghiberti’s Gates of Paradise, 1425

  12. Donatello - New Expressiveness • Excelled in 3 areas: • Human emotions & expressions • Vision & insight in solving formal problems • Technical skill in various sculpture media • 1st life-size male nude since antiquity • 1st life-size equestrian statue since antiquity • Used contrapossto, iconography, G-R drapery

  13. David, Donatello, Bronze, 5’2”, 1446-60, early Italian Renaissance 1st life-size male nude statue since antituity David shown standing on the head of Goliath Exagerrated contrapossto position Hat of a fashionable Renaissance young man; David shown as adolescent Originally stood in courtyard of Medici palace-Medici were patrons of Donatello Inscription suggests iconography symbolizing the victory of Florence over Milan in 1428 “The victor is whoever defends the fatherland. Al-powerful God crushes the angry enemy. Behold, a boy overcomes the great tyrant. Conquer, O citizens!”

  14. Gattamelata (Equestrian Monument of Erasmo da Narni), Donatello, Bronze, about 12 feet high, 1443 1st life size bronze equestrian statue since antiquity Shows General of Venetian army Self-made man of the Renaissance, powerful condottieri Sources: Marcus Aurelius & another ancient Roman equestrian statues. Donatello stayed in Padua (northern Italy) for years and founded a school of sculpture. flashcard

  15. Mary Magdalen, Donatello, wood, 6’ tall, 1450s Extremely expressive statue of the saint, who became a hermit after Jesus’ death. Shows her emaciated and aged, clothed in her own hair, after years of wandering in the wilderness. Donatello rejected classical form in this figure. Vision of the hereafter. http://www.youtube.com/watch?v=ekkOfn002tI&feature=PlayList&p=6F27851475601E03&index=9

  16. Flemish influence seen in oil paint & luminous colors; also landscape background. Strict profile tradition makes subjects seem distant from viewers Painting on reverse side shows humanistic interests of Montefeltro’s court and is full of iconography. Battista Sforza & Federico da Montefeltro, oil on wood, 1474. Piero della Francesca painted this dual portrait of the Duke of Urbino & his wife Battista. flashcard

  17. Reverse side of dual portrait by della Francesca, Triumph of Federico and Battista Duke is crowned by a winged Goddess (either Victory or Fortune); also shown are Justice, Prudence, Fortitude, and Temperance. Battista’s cart is pulled by a Cherub and driving a team of unicorns.. Faith & Charity hold a pelican, symbol of maternal sacrifices. Inscriptions praise Battista’s restraint and virtues, and Federico’s moderation and fame.

  18. Camera Picta (Newlywed Ceiling), Andrea Mantegna, fresco, 1465-74, Mantua. Flashcard Mantegna studied in Padua with influence of Donatello. Patron was the Gonzaga family, painted this for their palace ceiling. False oculus, trompe l’oeil effect. Di sotto in su… Shows radical perspective views and foreshortening. BEGAN LONG TRADITION OF ILLUSIONISTIC CEILING PAINTING. Interested in classical literature & archaeology.

  19. In Venice, the Bellini brothers created many OIL paintings inspired by the Flemish Procession of the Relic of the True Crossbefore the Church of St. Mark, Gentile Bellini, oil on canvas, 1496, Galleria dell’ Accademia, Venice. Narrative of annual festival celebrating a 1444 miracle recovery of a dying child. Father in red robe kneeling is praying for his child’s recovery. perspective

  20. Primavera, Sandro Botticelli, 1482, Florence. Tempera on wood. Allegory combining Christianity with classical stories, Venus of Earth, Venus of Heaven. Orange trees mean fertility. Revived female nude in art. Figures seem to float. Secular painting of religious subject made for Lorenzo Medici’s wedding. Inspired by Flemish tapestry. flashcard

  21. Birth of Venus, Botticelli, tempera, 1484. Flashcard. Based on modest Venus classic statue, philosophy of beauty=birth of beauty. http://www.youtube.com/watch?v=r5L-B_fW7Ow

  22. Ghirlandio Painted frescos in Sassetti chapel in Florence Showed poetic, mystical spirit Religious fervor at end of 15th century

  23. Ghirlandaio painted this after viewing van der Goes’ altarpiece, which came to Florence from Bruges in 1483. He even copies some of Hugo’s flowers, the iris, and has Jesus on the ground. However, he puts in classical Roman pilasters instead of a medieval setting. Linear & aerial perspective. Nativity and Adoration of the Shepherds, Sassetti Chapel Altarpiece, Florence, Ghirlandaio, 1485. flashcard

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