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The Renaissance

The Renaissance. Chapter 13-3. Mannerism. Michelangelo was the bridge between Italian Renaissance Art and Mannerism Belief that painting in the Renaissance style had reached perfection so… Exaggerated poses, elongated limbs, weird . Tintoretto’s Baptism of Christ.

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The Renaissance

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  1. The Renaissance Chapter 13-3

  2. Mannerism Michelangelo was the bridge between Italian Renaissance Art and Mannerism Belief that painting in the Renaissance style had reached perfection so… Exaggerated poses, elongated limbs, weird

  3. Tintoretto’s Baptism of Christ

  4. El Greco was the greatest Mannerist of allUnnatural pigmentsElongated Limbs

  5. The Burial of Count Orgaz

  6. The Northern Renaissance • The Northern Renaissance was • More Religious • More emotion in the art • More detailed especially in the background • More preoccupation with death The art in the North reflected Christian Humanism: How can the knowledge of human nature as revealed in the ancient texts be blended with Christian principles to create a better (more Christian) world?

  7. Flemish Style • Van Eyck: Perfected oil painting • Had much religious symbolism • Arnolfini and his Wife

  8. Arnolfini and his Wife

  9. Netherlands • Bosch: Symbolism, surreal, fantasy • Death and the Miser • Peter Bruegal the Elder • Peasant Wedding • Not much Renaissance influence • Focused on lives of ordinary people

  10. Death and the Miser

  11. Peasant Wedding

  12. The Germans • Durer: Master of the woodcut • Was the first to bring Renaissance style to the North • Hans Holbein the Younger: Portraits • The Ambassadors • Henry VIII • Erasmus

  13. Durer’s Four Horsemen of the Apocalypse

  14. The Ambassadors

  15. Henry VIII

  16. Erasmus

  17. (Spain)El Greco’s The Holy Trinity

  18. The Fugger Family • Like the Medici, they were bankers who patronized the arts in the North

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