1 / 17

AT&T Experience More: Video Production Strategy Case Study …

Learn how AT&T's Diversity Marketing Campaign, Experience More, showcased their commitment to inclusion through media-rich accessible marketing focusing on visual disabilities. Includes challenges, guidelines, and examples.

smtih
Download Presentation

AT&T Experience More: Video Production Strategy Case Study …

An Image/Link below is provided (as is) to download presentation Download Policy: Content on the Website is provided to you AS IS for your information and personal use and may not be sold / licensed / shared on other websites without getting consent from its author. Content is provided to you AS IS for your information and personal use only. Download presentation by click this link. While downloading, if for some reason you are not able to download a presentation, the publisher may have deleted the file from their server. During download, if you can't get a presentation, the file might be deleted by the publisher.

E N D

Presentation Transcript


  1. AT&T Experience More: Video Production Strategy Case Study … Audio Description: The “Silent” WCAG 2.0 AA Video Accessibility Guideline Aaron Bangor, Ph.D., CHFP, CPACC Lead Accessible Technology Architect AT&T Hiram Kuykendall Chief Technology Officer Microassist @hiramk @DrBangor https://tinyurl.com/ybm8r892

  2. AT&T Diversity Marketing Campaign: Experience More • AT&T Marketing’s goal • Showcase AT&T’s commitment to diversity and inclusion via technology solutions that enable all customers, particularly those with disabilities to #ExperienceMore • Developed a 10-week campaign from August – October 2017, wrapping up in Blindness Awareness Month • Signature event: Emmitt Smith describing Dallas Cowboys game as Aira agent for a social media contest winner • Drive to Retail Stores • Events with Campaign Ambassadors –Christine Ha, Michael Hingson, Erich Manser, Erik Weihenmayer, Two Blind Brothers, and others • Paired with device accessibility training – “Wireless Independence Now” (att.com/accessibility)

  3. Accessible Marketing Can be Media-Rich • 2017’s Experience More focus was on individuals with visual disabilities • Highlighted solutions needed to reflect this target audience • Campaign web site and marketing content needed to be universally usable, but accessibility for visual disabilities was especially important • Key areas of focus • Social media accessibility • Video is a driver of engagement, so its use would be extensive

  4. Social Media and Video Examples from #ExperienceMore Instagram post from emmittsmith22 – “I had such an incredible time being the “eyes” for Pete at a recent @dallascowboys game. Along with @att, I was able to share the game with an avid sports fan, despite being blind was such a humbling experience. #aira #sundayfootball #cowboys #gators” “Just because you’re blind doesn’t mean you stop dreaming.” – Apl.de.ap

  5. Video Production Team

  6. Video Requirements: Audio Description Basic audio description: • Close your eyes • Play Video 1 Without Audio Description • Play Video 2 With Audio Description Answer the following: • Goal: Introduce the video and establish credibility of the speaker. • Who is speaking? • What credibility was established? Video 1: Michael Hingson: https://youtu.be/3o5Sk8USVe0 Video 2: Michael Hingson: https://youtu.be/o_6DT5KY-rs

  7. Home Grown AD Guidelines (Experience More) Guidelines goals for this project: • The speaker is most important content • Do not talk over the speaker • Do not override the director • Strive to Make Remediation Transparent • Work with the transitions and pauses • Tricks like increasing speech rate should not be noticeable • Distinguishing Content • Missing Content • Capturing Non-verbal Content (Emotion) • Ranking Content Importance

  8. Audio Description Challenges: Insufficient Time The Short Pause (Insufficient Time) • Talk faster Pete Lane and Patrick Lane 0:08 • Speed up in editing Pete Lane and Patrick Lane 0:24 • Move first available spot • Move Close (preceding transition…) Christina Ha 1:00 • Move First Available • Extended Audio Description (Stop and Chop) • Freeze Frame Emmitt Smith and ATT Dallas 0:05 https://tinyurl.com/ybm8r892

  9. Audio Description Challenges: Distinguishing Distinguishing Content • B-roll Dilemma (Alternate footage) • No Content Value (eye candy) Pete and Patrick Lane (0:54) • Content Adequate Described Natively Pete and Patrick Lane (1:09) • Missing Content • Information on the Screen Pete and Patrick Lane (0:36) • Emotional Christina Ha – production (0:37) Christina Ha – mechanical (0:37) https://tinyurl.com/ybm8r892

  10. Content or Eye Candy Rules • Read the director’s instructions. • Watch the short video. • Identify visual elements related to Hingson’s book. Director Instructions: We have added visual elements to allow author Michael Hingson promote his book. Michael Hingson 0:15

  11. Content or Eye Candy – Question 1 1:20 – Book: thunder dog, repeated New York Times Best Seller What important information was left out? 1:24 – Braille book displayed 2:16 – CD Version Shown 2:50 – Repeat of the book visual

  12. Content or Eye Candy – Question 2, 3 • Was there any research needed? • Not 100% sure thunder dog was printed in Braille • United States Ambassador for the Braille Literacy Campaign • What challenges are we going to have with the AD? • Music is set. • Information is scattered.

  13. AD Process – Professional Video Company • First Draft Approval • Director • Client Storyboard / Script Development • Video Shoot • Scenes Shot • Voice Recording • AD Step 2: Apply AD (Recommended) • Bring in AD Script Writer • DIY Approach • Professional Organization • Voice Talent for AD Voice Over • Editing • Shot Video Segments • Supplementary Footage (B-roll, Images) • Make Transition Slides • Music – Temporary / No Music • Final Assembly • Final Changes • Final Music • AD Step 1: Early Feedback • Preliminary review by AD team. • Suggest timing extensions for AD. • Make list of unknown elements(speakers, images, etc.) • Bring in AD Script Writer • Draft AD Point of No Return • AD Step 3: Remediation (Most Expensive!) • Bring in AD Script Writer • Voice Talent for AD Voice Over • Third Round Video Editing AFTER AD! • Captioning • Delivery

  14. Required Assets for Delivery • Specify Delivery Formats • Specify the Need for Audio Description! • Players with Closed Caption(YouTube) • Video with Audio Description Track • Closed Caption File (SubRip) • Players Requiring Open Caption (Twitter) • Video with Audio Description Track + Open Caption • Players with Audio Description – OPTIONAL - (Abel Player) • Video without Audio Description Track • Audio Description Track (WebVTT) • Closed Caption File (Subrip)

  15. Checklist Goal: Control the cost of Audio Description Development! • Reduce the amount of “back and forth” time between AD team and production team on content development. • Reduce the amount of rework by video production and AD teams. • Set clear guidelines! Checklist Available: https://tinyurl.com/ybm8r892

  16. Questions

  17. Thank You! Aaron Bangor, Ph.D., CHFP, CPACC Lead Accessible Technology Architect AT&T Hiram Kuykendall Chief Technology Officer Microassist @DrBangor @hiramk Assets: https://tinyurl.com/ybm8r892 CSUN Backchannel: https://tinyurl.com/ycukmlew Accessibility In the News: https://www.microassist.com/digital-accessibility/ Survey: https://www.surveymonkey.com/r/5XJG9NG

More Related