1 / 38

Rebuilding What Was Lost: The Eames Design Firm in the Information Age

Rebuilding What Was Lost: The Eames Design Firm in the Information Age. Sai shivani soundararaj , Leila Li, Gabe Persons. http://nicholasspyer.files.wordpress.com/2010/09/53950.jpg. Ray and Charles Eames – A Brief History. Cranbrook Academy of Art 3 Ray, the painter; Charles, the architect

soren
Download Presentation

Rebuilding What Was Lost: The Eames Design Firm in the Information Age

An Image/Link below is provided (as is) to download presentation Download Policy: Content on the Website is provided to you AS IS for your information and personal use and may not be sold / licensed / shared on other websites without getting consent from its author. Content is provided to you AS IS for your information and personal use only. Download presentation by click this link. While downloading, if for some reason you are not able to download a presentation, the publisher may have deleted the file from their server. During download, if you can't get a presentation, the file might be deleted by the publisher.

E N D

Presentation Transcript


  1. Rebuilding What Was Lost: The Eames Design Firm in the Information Age Saishivanisoundararaj, Leila Li, Gabe Persons http://nicholasspyer.files.wordpress.com/2010/09/53950.jpg

  2. Ray and Charles Eames – A Brief History • Cranbrook Academy of Art3 • Ray, the painter; Charles, the architect • Extending their fields • Married in 1941

  3. The Eames Lounge Chair Wood • “30-year flash” or laborious process? • Organic Design in Home Furnishings (1940) • Affordable, modern pieces3

  4. The L.A. Experiments • 1942: Venice Beach • U.S. Air Force • Molded leg splints – “Kazaam!” • Designing within constraints2

  5. The Eames Design Philosophy • What is design? • Arranging elements for a purpose • How does Eames design? • Learning by doing • “Never delegate understanding.”2

  6. What is design for? • “The best for the most for the least.” • “Common man”2

  7. Where are we now?

  8. “Recently I was furnishing a multi-million dollar mansion, but the owner is not willing to pay $4700 for the Barcelona chair. But with a $650 knock off? He said, ‘Go ahead and get me 4!’” • “…the legit versions bring me much more satisfaction to use, look at and enjoy. I regret buying the knock-offs even though they were cheaper, and don't regret any of the vintage purchases.” • Would purchase multiple pieces, but a single one looks out of place.

  9. Current Line of LCW • $849.00 – Base walnut model • Overpriced • Competition

  10. Who are they? • Founded in 1905 • 1930: Modernist furniture • 1946: Charles and Ray • 4 models

  11. How do they function? • Online store • Distribution • Shop by type and designer • Selling designers

  12. The Good

  13. Marketing Techniques • Production video • Images of chair use • Distinctive, conforming design • 3D models • Collaborative experience

  14. The Bad

  15. Lack of Focus • Eames design and philosophy? • 1. Work as play • 2. Fulfilling need • 3. Coincidence of design

  16. PRICE POINT • LCW too expensive • Inflation • Cost of plywood

  17. Competitors

  18. Other upscale furniture? -- too expensive •  Molded plywood, solid beech armsDesigned by Norman Cherner, 1958 Made in the USA by The Cherner Chair Company$1029 • Grete jalkgj chairDesign Grete Jalk, 1963Laminated plywoodMade in Denmark by Lange Production $2700

  19. Competitors – Reproductions

  20. Who are they? • Online furniture stores • Kardiel • Mid-century reproductions • Rove Concepts • Affordable luxury pieces

  21. The Good

  22. Low cost • Detailed specs • Structure • Materials • Comparisons • Market niche • Clear Information

  23. The Bad

  24. Finish options • Kardiel • Designer information • Rove Concepts • Vague comparisons • Clean sites, but boring

  25. User Scenarios

  26. Upper Middle Class: Returning Buyers

  27. New Buyers – Familiar with Eames

  28. New Buyers – Unfamiliar with Eames (but want designer pieces)

  29. References • Bureau of Labor Statistics • “Charles & Ray Eames: The Architect and the Painter” – Jason Cohn & Bill Jersey • Heilbrunn Timeline of Art History – Metropolitan Museum of Art • “Organic Armchair” – Vitra Design Museum • “What is Design? An Interview with Charles Eames” – Madame Amie, 1972 • “The Work of Charles and Ray Eames: Exhibition and Book Review” – Nicolas Maffei, Spring 1999

  30. Undercutting Designers • Value of designer • How HM improved designs

  31. Collaborative Effort • Where does credit go? • Flow of furniture • Distributed photographs6

  32. Charles Eames and Eero Saarinen • Plywood, upholstered shell • Production issues • Departure of Eero2

  33. Design from learning • Splint holes  Splitting chair • Know your users • Eames as hosts2

More Related