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War Languages Gender stereotypes in war paintings and scuptures

War Languages Gender stereotypes in war paintings and scuptures. Vesa Matteo Piludu. University of Helsinki Department of Art Research. Jean Auguste Dominique Ingres Roger Delivering Angelica 1819. The Doom Fulfilled, 1888. Jean Honore Fragonard, The Bolt.

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War Languages Gender stereotypes in war paintings and scuptures

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  1. War Languages Gender stereotypes in war paintings and scuptures Vesa Matteo Piludu University of Helsinki Department of Art Research

  2. Jean Auguste Dominique Ingres Roger Delivering Angelica 1819

  3. The Doom Fulfilled, 1888

  4. Jean Honore Fragonard, The Bolt

  5. Rape of the Sabine Women, by Pietro da Cortona

  6. Rape of the SabinesNicholas Poussin, 1636-37 • In Poussin's Rape of the Sabine Women we see a narrative illustration of a story from Classical antiquity, a piece of propaganda for Louis the XIV, a collection of colors organized in an asymmetrical way, a Classical palette (primarily red, yellow, blue), and a violent scene. Each of these represent differing ways to evaluate the work. • Form: the work has an asymmetrical balance, a Classical palette, and mostly diagonal lines. • Context: it is a painting done by Nicholas Poussin, in a Classical (Renaissance) way which helped to reinforce Louis XIV's claim to the Roman Emperorship. • Content: a violent scene which is an illustration of a story from Classical antiquity.

  7. The Rape of the Sabines: The Captivity, 1871 • The Rape of the Sabines: The Captivity, 1871 • Nahl, Charles ChristianOil on canvas55 1/2 in. x 43 1/2 in. (140.97 cm x 110.49 cm) • Rape and abduction “masked” as an act of seduction

  8. Rape of the Sabines: double domination • Author : GIOVANNI DA BOLOGNADate :1581-83Technique :Marble, height: 410 cmType : mythological Form : sculptureLocation :Loggia dei Lanzi, Florence

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