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Music of the Harlem Renaissance

Music of the Harlem Renaissance. The “New Negro Movement”. Harlem: NYC, north of 96th Street in Manhattan. Highly Urban and only three square miles. . Harlem: At the time, it had the highest concentration of African Americans in the world. Seething….

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Music of the Harlem Renaissance

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  1. Music of the Harlem Renaissance The “New Negro Movement”

  2. Harlem:NYC, north of 96th Street in Manhattan. Highly Urban and only three square miles.

  3. Harlem:At the time, it had the highest concentration of African Americans in the world. Seething….

  4. Renaissance:Rebirth. Rediscovery. An exodus of sorts from the South to more racially tolerant urban areas in the North.

  5. It goes without saying that African Americans and Whites were segregated thanks to Jim Crow. However…

  6. There was also a divide between the African Americans living within Harlem.

  7. What Divides People…? What is to be done when there is segregation within a race? Isn’t it obvious that the best way to survive is to stick together?!?

  8. Low Life vs. Social Elite

  9. Critical Thinking:How can music bring people together? Take two minutes to write down your thoughts.

  10. Did music play a role in bringing the Low Life & Social Elite together? Lets focus on a specific instrument that helped to bridge the gap.

  11. Piano Willie “The Lion” Smith

  12. The Piano The piano was played and admired at the time by everyone, regardless of social class. It could be said that the piano, thanks to some of the best pianists to come out of this period, brought people back together. Both classes had something in common!

  13. Harlem Stride Piano 1 The advent of the "Harlem Stride Style" helped bridge the gap between the "low life" culture as jazz musicians were perceived and the black “social elite” living in Harlem.

  14. Harlem Stride Piano 2 WHY and HOW did this happen? The piano was popular with both sides of the divide. Two things that are important in this art form were innovation and liveliness. Both were hallmarks of stride piano players.

  15. Harlem Stride Piano 3 Self-sufficient style because it fills all the sound space and it is also very visual. As a real "rhythm box", the left hand alternates with flexibility between “bass and chord”, while the right hand weaves a series of improvisations and variations on the empty space of the keyboard. 

  16. Harlem Stride Piano 4 Appeared towards the end of 1910. Jazz was expanding in Harlem. Stride piano offered more freedom with sounds, more flexibility and featured lots of improvisation. Challenge: Attempt to keep the steady beat the ENTIRE time through this take on “Joint is Jumpin” by Andy Razaf and Fats Waller, improvised by Jim Hession.

  17. Stride Piano(as it was later called) Gave wealthy blacks and whites access to jazz. The piano was a symbol of affluence, which made it a perfect “in” for people wanting to hear jazz, but not interested in “those brass bands” of the South. All that was needed were the musicians to perpetuate this style……

  18. Stride Piano Greats James P. Johnson (1894-1955) Willie “The Lion" Smith (1897-1973) Thomas "Fats" Waller (1904-1943) Art Tatum (1909-1956)

  19. Popular dances of the mid 20’s: The Fox Trot The Shimmy The Black Bottom The Varsity These dances were all sweeping America. However, one dance in particular epitomized America during this decade and you already know what it is…………

  20. James P. Johnson (1894-1955) “The Charleston” written by James P. Johnson, the father of stride piano.

  21. Willie “The Lion" Smith (1897-1973) In 1916, Smith enlisted in the Army, where he became the drum major for his unit. During WWI, he spent more than a month on the front lines, where he earned his nickname "The Lion" for his bravery.

  22. Thomas "Fats" Waller (1904-1943)

  23. Thomas "Fats" Waller (1904-1943) Took lessons from Johnson Began his career playing for rent parties….tenants would hire a musician to play and pass the hat to raise money to pay the rent. Became very popular in Harlem. His career really took off while playing at one of George Gershwin’s parties and Gershwin arranged a record deal for Fats.

  24. Two Greats on the piano roll… Fats Waller and James P Johnson Duet 

  25. What is a Piano Roll? Fats Waller and James P Johnson Duet 

  26. Why might piano rolls have been popular at the time?

  27. Piano rolls were early versions of…

  28. Art Tatum (1909-1956) “Yesterday’s” By Art Tatum

  29. Art Tatum (1909-1956)Some formal training, but mostly self taught. Took an early interest in Fats Waller, despite his piano teachers hopes of a classical prodigy.

  30. Stride Piano Wrap-Up All jazz pianists prior to the development of be-bop in the 1940s were initially schooled in the stride style. This style remains the most technically challenging of all jazz keyboard idioms.

  31. Stride Piano Rock Stars: James P. Johnson (1894-1955) Willie “The Lion" Smith (1897-1973) Thomas "Fats" Waller (1904-1943) Art Tatum (1909-1956)

  32. End of Session One

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