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The Actor’s Toolbox: the Body. Nonverbal Communication. The general term for expressing ideas and emotions without using words. Relaxation. A combination of inner composure, mental awareness, and physical flexibility; the act of “letting go all over”. Gesture.
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Nonverbal Communication • The general term for expressing ideas and emotions without using words
Relaxation • A combination of inner composure, mental awareness, and physical flexibility; the act of “letting go all over”
Gesture • Hand and arm movements and facial expressions that help express an idea or an emotion
“click”” • The setting up of an action with definite hand gestures; such as the snap of a mime’s hand around a glass
Cross • To move from one place on stage to another
Inclination • The bending of the body to the front, the side, or the rear
Rotation • The turning or pivoting of a part of the body
Isolation • The separation of parts of the body for individual development and expression
Pantomime • Acting without words. Imitating real-life actions.
Mime • An offspring of pantomime that conveys abstract ideas. Not confined to real-life imitation.
Nonverbal Communication • Chest is key to bodily action • Wrists lead most hand gestures • Move elbows away from body when making gestures • Except on specific occasions, avoid gestures above head or below waist • Opposite action emphasizes movement
Nonverbal communication • Arms and hands should move in curves. Straight lines can be used to suggest awkwardness or uneasiness.
Nonverbal Communication • + emotions emphasized by raised chest and head, free movement, broad gestures, and animated facial expressions • - emotions emphasized by contracted body, sunken chest, tense movement, and drawn features
Nonverbal Communication • Facial expressions usually precede other physical action • Whenever possible, use upstage arm • Some exaggeration is required • Always keep the audience in mind • All actions must be definite in concept and execution, and all movement must be clearly motivated.
Pantomime vs. Mime • Action conveys theme • Body may become object • Nonverbal sounds can be used • Not limited to the real world • Main goal is expression of a theme • Action conveys only action • Imaginary objects • No sounds used • Based on reality • Exact recreation of a specific act