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Shape, Color & Sound Penesta Dika in collaboration with Tomor Elezkurtaj

Shape, Color & Sound Penesta Dika in collaboration with Tomor Elezkurtaj This work is about creating “ sounding images ” and “ visible sound ” simultaneously. They can be rearranged, saved and played overlaid .

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Shape, Color & Sound Penesta Dika in collaboration with Tomor Elezkurtaj

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  1. Shape, Color & Sound Penesta Dika in collaboration with Tomor Elezkurtaj This work is about creating “sounding images” and “visible sound” simultaneously. They can be rearranged, saved and played overlaid. This concept is an attempt to mix visual and acoustic rules of the historic and contemporary artists, scientists and theoreticians by using simple rules to achieve complex result. HOW TO USE THE SOFTWARE: The colored shapes represent a tone (From C-H in semitones). So we have 12 shapes, 12 colors and 12 tones... We have 3 main tones of the main scale (C, E, G), 3 main shapes (circle, triangle and rectangle) and 3 main colors (Yellow, Red and Blue). Implemented notes in the color-circle

  2. The colors/shapes/tones can be drag and dropped in the round surface and make shapes and sounds. Through them will be created a image and a melody. • The surface is tiled in three concentric surfaces, which represents three different octaves. • The tones are natural recorded with a transverse-flute. Second octave First octave Third octave Interface of “Color, Shape and Sound”

  3. putting the same colored shapes over each other they will be physically overwritten and they will make the volume of the note higher. Irregular shapes are being created. • -When the overwritten shapes are different colored, they will be played as a chord. Volume Chord Creating Higher Volume and Chords

  4. The notes will be played in the order as one puts the tones/colors/shapes over the surface. • During the notes are being heard, the shapes and the colors are being moved. This has the meaning that the melody is currently running… • - The result can be for example recorded and played again overlaidwith another composition. • - After making a record, press reset button, make another composition and then press play button. • - Result: The new composition will be played overlaid with the old one. Reset Record Play Symbol used for recording a melody/image Symbol used for playing a recorded melody/image

  5. It is also possible to change the Tempo (move the tempo-button up or down) • make breaks (put the break-button (drag and drop) over a tone once) or • delete tones/shapes (if you put thebreak-button over an existing break, respectively if you put the break-button twice over a tone). Tempo Make a break or delete Symbol used for changing the Tempo, make breaks and delete

  6. -the optic result of this interactive work is a kind of geometric abstraction, which is being rotated and permanently moving. -the user can create a kind of “all-over”-moving-image or also a “chromatic”-moving-image -The melody can be arranged as a classic one or a modern one, or a mix of both of them. -For the future it is planned to implement rules about for example change the smoothness, sharpness, of the shapes, etc. Each of these would have consequences on for example legato, staccato, etc. - FOR FURTHER INFORMATION ABOUT THE CONCEPT OF THIS WORK PLEASE click here.

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