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Modern European Art 1900-1920 Part I. Courtesy of Erin McDevitt. Color Expressionism: Emotions/Psychology/Spirituality. Structure: Cubism/Industrial Design. Conceptual Art : Dada, Pop. Non-Objective. Early 20 th Century Modernism. Salon d’Automne , 1905 Fauves
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Modern European Art 1900-1920 Part I Courtesy of Erin McDevitt
Color Expressionism: Emotions/Psychology/Spirituality Structure: Cubism/Industrial Design Conceptual Art: Dada, Pop Non-Objective
Early 20th Century Modernism Salon d’Automne, 1905 Fauves Gertrude and Leo Stein
The Swimming Pool Henri Matisse (French, 1869-1954)
German Expressionism Die Brucke From Nietzsche’s Thus Spake Zarathustra (1883) Erich HECKEL, gravure pour l'affiche de la première exposition Die Brücke à la galerie Arnold, Dresde, 1910, 16,7 X 10,9
Karl Schmidt-Rottluff, Two Women, 1912, oil on canvas, 76.5 x 84.5 cm, Tate Gallery, London. Emil Nolde, Masks, 1911
Kathe KollwitzOutbreak1903etching and drypoint Kathe Kollwitz, "Death Seizing a Woman." 1934. Lithograph
German Expressionism: The Blue Rider Group Franz MarcTHE LARGE BLUE HORSES (DIE GROSSEN BLAUEN PFERDE)1911 oil on canvas41-5/8 x 71-5/16 in.Gift of the T. B. Walker Foundation, Gilbert M. Walker Fund, 1942 Kandinsky, Blue Rider, 1903
Colour is the keyboard, the eyes are the hammers, the soul is the piano with many strings. The artist is the hands which plays touching one key or another purposively to cause vibrations in the Soul. (1912/13)
Hammamet with Its Mosque, 1914Paul Klee (German, born Switzerland, 1879–1940)Watercolor and pencil on paper