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Chapter 2: Cinematography. Mise-en-Scene. Film Stock. Selection enables cinematographer to control Color reproduction Light sensitivity Contrast levels Sharpness Grain and resolution Mixing and/or altering of film stocks can create striking effects. Aspect Ratio.
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Chapter 2: Cinematography Mise-en-Scene
Film Stock • Selection enables cinematographer to control • Color reproduction • Light sensitivity • Contrast levels • Sharpness • Grain and resolution • Mixing and/or altering of film stocks can create striking effects
Aspect Ratio • Classical Hollywood ratio (1.33:1) • Widescreen ratios (1.85:1, 2.35:1) • Anamorphic widescreen • Video conversion • Remove matte • Pan-and-scan • Letterbox (hard matte) • Case Study: Chinatown
Lighting Design • Realistic lighting • Simulates a source visible on screen • O Brother Where Art Thou (CP 5) and Fargo (p. 64) • Pictorial lighting • Emphasizes visual effects more than source simulation • Traffic (CP 11-12) and Phantom of the Opera (CP 7) • Usually has specific thematic significance • Lord of the Rings (CP 2)
Hard and Soft Light • Hard light • Directional • High contrast, fast falloff • Soft light • Diffuse, non-directional • Slow falloff, lower contrast
Lighting set-ups: high and low key • Classic 3-point lighting: • Key, fill, back lights • High key (soft light): • Low ratio between key and fill • Even illumination, few shadows • Vertigo (CP 16) and American Gangster (CP 14) • Low key (hard light): • High ratio between key and fill • Large areas of frame left underexposed • Shadows • Traffic (CP 11) and Shall We Dance (CP 9)
Functions of Color Cinematography • Convey symbolic meaning • Establish narrative organization • Convey mood and tone • Two examples for analysis: • Dick Tracy • Batman Returns
Cinematography and Digital Effects • Compositing of live action and digital effects: • Cinematography provides some or all of the live action components • Motion control camerawork • Greenscreening (aka bluescreening) • Computer-generated images (CGI)