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ART 1900-1945-ish

ART 1900-1945-ish. 1905. EINSTEIN – Relativity FREUD – General Theory. The sub-conscious – the ultimate challenge to The Enlightenment. Modernism. emphasis on materials or expression instead of illusion

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ART 1900-1945-ish

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  1. ART 1900-1945-ish

  2. 1905 EINSTEIN – Relativity FREUD – General Theory The sub-conscious– the ultimate challenge to The Enlightenment

  3. Modernism • emphasis on materials or expression instead of illusion • a notion of progress & evolution.“Make it new.“ – poet Ezra Pound A hyper-acute awareness of the historical moment

  4. TRENDS ABSTRACTION FLATTENING OF PICTORAL SPACE PRIMITIVISM EXPRESSIONISM CUBISM SURREALISM

  5. p. 392 PicassoLes Demoiselle d’Avignon1907 CUBISM PRIMITIVISM

  6. Picasso, Guernica detail CUBISM

  7. p. 392 Braque, The Portuguese, 1911 CUBISM

  8. not in text; compare fig. 14.8, p. 395 Braque, GeorgesGlass, Carafe and Newspapers1914Pasted papers, chalk and charcoal on cardboard (24 5/8 x 11 1/4 in.) COLLAGE SYNTHETICCUBISM

  9. p. 396 Boccioni,Unique Forms of Continuity in Space,1913Bronze43 7/8 x 34 7/8 x 15 ¾ ins. FUTURISM

  10. DuchampNude descending a staircase,1912 Not just to paint something moving, but the idea of something moving

  11. EXPRESSIONISM Nolde, Dance Around the Golden Calf, 1910 PRIMITIVISM p. 404

  12. EXPRESSIONISM Matisse,Seated Riffian,1912-13 FAUVISM not in text

  13. Matisse, The Dance II, 1909-10 not in text

  14. EXPRESSIONISM Franz Marc, Fighting Forms

  15. Marc, FranzBlue Horse I (Blaues Pferd I)1911Oil on canvas112.5 x 84.5 cm EXPRESSIONISM

  16. EXPRESSIONISM Schiele, EgonSeated Girl1911Watercolor and pencil48 x 31.5 cm

  17. Schiele, EgonAgony1912Oil on canvas70 x 80 cm NOTE HOW COLOR & LINE CONNECT (AND CONFUSE) BACKGROUND & FOREGROUND EXPRESSIONISM

  18. p. 404 Dali, The Persistence of Memory, 1931 Surrealism

  19. Surrealism . . . or furrealism? Meret Oppenheim, Fur covered cup, saucer, and spoon, 1936 (a.k.a. The Object)

  20. p. 398 Duchamp,La Boite en Valide (L.H.O.O.Q.),1919 Surrealism DADA “appropriation”

  21. Duchamp – readymades: anti-art Painting is "washed up," Duchamp said in 1912. Fountain, 1917

  22. Duchamp – readymades: anti-art One important characteristic was the short sentence which I occasionally inscribed on the "Readymade." That sentence instead of describing the object like a title was meant to carry the mind of the spectator towards other regions more verbal. - 1961 Surrealism In Advance of a Broken Arm, 1915

  23. The only thing that is not art is inattention. – Duchamp A new difficulty: ONTOLOGICAL – Is it art? Why? (Previous difficulties: modal, contingent, tactical) Magritte The Treason of Images 1928

  24. ABSTRACTION

  25. Mondrian

  26. Mondrian

  27. Mondrian

  28. Objective: Destroy the Object The Cubists retained the three-dimensional space . . . their way of seeing remains deeply materialistic; my thinking on abstraction, on the other hand, rests on the belief that such a space must be destroyed; to achieve the destruction of the object I have reached the point of using surfaces. -- Mondrian

  29. Why? A universal language We want concrete not abstract painting, for nothing is more concrete, more real than a line, a color, a surface. Once they are liberated . . . they are on their way towards the real goal of art: to create a universal language. -- Theo Van Doesburg

  30. Mondrian – 1940s BROADWAY BOOGIE WOOGIE, 1942-43 50 X 50 in.

  31. Modernism in Architecture:the International Style • Design from the inside to the outside – FORM FOLLOWS FUNCTION • Shuns ornamentation • features materials – glass, steel, concrete

  32. Gropius – Bauhaus1926 p. 408

  33. 1950Harvard

  34. Mies van der Rohe Seagram Building 1957

  35. Frank Lloyd Wright, Fallingwater, 1936-7

  36. SUMMARY – Modernism • emphasis on materials or expression instead of illusion • a notion of progress & evolution poet Ezra Pound: “Make it new."  results in lots of “isms”

  37. TRENDS ABSTRACTION FLATTENING OF PICTORAL SPACE PRIMITIVISM EXPRESSIONISM CUBISM SURREALISM MONDRIAN PICASSO NOLDE PICASSO DUCHAMP

  38. Mondrian – 1940s BROADWAY BOOGIE WOOGIE, 1942-43 50 X 50 in. ABSTRACTION p. 397

  39. p. 392 PicassoLes Demoiselle d’Avignon1907 CUBISM PRIMITIVISM

  40. EXPRESSIONISM Nolde, Dance Around the Golden Calf, 1910 PRIMITIVISM p. 404

  41. p. 398 Duchamp,La Boite en Valide (L.H.O.O.Q.),1919 DADA “appropriation” conceptual

  42. Gropius – Bauhaus1926 p. 408

  43. Modernism – Romanticism intensified? Folk interest/exoticism  primitivism Demons  Subconscious? (inner demons) Artist as prophet  Artist as prophet Artist as outsider/rebel  Artist as outsider/rebel Nature  NO What is new?  What is New? Historicism?

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