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EDIT/AMEND. A study into the complexity of relation between the artist and the viewer 2013 Bethany Middleton. THE MOBIUS STRIP. > EXPERIENCING EACH OTHERS LIVES WITHOUT THE PHYSICAL PRESENCE OF ONE ANOTHER > TWO ENDS BECOMING ONE. TWO LIVES BECOMING ONE. .
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EDIT/AMEND A study into the complexity of relation between the artist and the viewer 2013 Bethany Middleton
THE MOBIUS STRIP > EXPERIENCING EACH OTHERS LIVES WITHOUT THE PHYSICAL PRESENCE OF ONE ANOTHER > TWO ENDS BECOMING ONE. TWO LIVES BECOMING ONE.
HOW DOES TECHNOLOGY ALTER OUR PERCEPTIONS OF DISTANCE, TIME, AND REALITY?
‘ART OF PARTICIPATION’ SAN FRANCISCO — The new S.F. Museum of Modern Art exhibit The Art of Participation: 1950 to Now turns the typically quiet gallery walk into a hands-on interactive experience. The pieces in the retrospective exhibit show how artists have dabbled in two-way communication with viewers over the past 60 years. The refreshingly self-reflexive exhibition draws on a rich history and examines the relationships among museums, artists and the public.
Kit Galloway, Sherrie Rabinowitz's ‘Hole-in-Space’ (Video Projection) 1980
DEVELOPMENT • SOCIAL MEDIA • ‘HATE’&‘ART’