1 / 58

Western Magazine Awards Foundation

Western Magazine Awards Foundation. The Magazine School TMS 2012 Bringing outstanding writing, design and photography to the classroom westernmagazineawards.ca. Western Magazine Awards Foundation. An annual awards program recognizing excellence in Western Canadian editorial work and design.

williamsona
Download Presentation

Western Magazine Awards Foundation

An Image/Link below is provided (as is) to download presentation Download Policy: Content on the Website is provided to you AS IS for your information and personal use and may not be sold / licensed / shared on other websites without getting consent from its author. Content is provided to you AS IS for your information and personal use only. Download presentation by click this link. While downloading, if for some reason you are not able to download a presentation, the publisher may have deleted the file from their server. During download, if you can't get a presentation, the file might be deleted by the publisher.

E N D

Presentation Transcript


  1. Western Magazine Awards Foundation The Magazine School TMS 2012 Bringing outstanding writing, design and photography to the classroom westernmagazineawards.ca

  2. Western Magazine Awards Foundation • An annual awards program recognizing excellence in Western Canadian editorial work and design. • The Magazine School TMS 2012 is a project of the Western Magazine Awards Foundation. It provides classroom material to instructors and professors.

  3. Gold Award Best Article Alberta/NWT • Finalists: • Alberta Views, David Ebner, “Oil Sands For Sale” • Eighteen Bridges, Chris Turner, “Bearing Witness” • Eighteen Bridges, Omar Mouallem, “Under the Veil” • Eighteen Bridges, Tim Bowling, “On The Rails” • Swerve, Jeremy Klaszus, “For the Love of God”

  4. The Winning Entry Is: Eighteen Bridges Chris Turner “Bearing Witness”

  5. About Eighteen Bridges • Launched in 2010 by Curtis Gillespie and Lynn Coady in Edmonton: • “We want to create an audience for a style of writing.”– Curtis Gillespie • “A [not-for-profit] modern, in-touch magazine concerned with people, politics, culture, and ideas, its articles substantial, in-depth, and grounded in the narrative tradition.” • Publisher: Canadian Literature Centre at the University of Alberta. • Subscription $25.95 for four issues. • Funders include: Edmonton Arts Council, Alberta Foundation for the Arts, private philanthropists. Click here for Eighteen Bridges website

  6. Meet the editor: Curtis Gillespie • Author of five books, including the memoirs Almost There, Playing Through and the novel Crown Shyness. • Winner of three National Magazine Awards; he has been nominated 14 times. • Works as a teacher and mentor at the University of Alberta and the Banff Centre for the Arts. Click here for author bio at Banff Centre for the Arts

  7. Meet the author: Chris Turner • Calgary-based author and journalist • Green Party Candidate, 2012, Calgary Centre • Books: • The Leap: Hoe to Survive and Thrive in the Sustainable Economy (2011) • The Geography of Hope: A Tour of the World We Need (2007) • Published in Fast Company, Time, Utne Reader, The Walrus, The Globe & Mail, Canadian Geographic, MNN.com and others. Click here for author's website

  8. Call to action • Chris Turner called by PR person for Tides Canada and the International League of Conservation Photographers: “If you can get to Vancouver, we’ll bring you to [the] Great Bear Rainforest.” Click here for International League of Conservation Photographers website

  9. Great Bear Rainforest background “The Great Bear Rainforest, I learned, was a protected wilderness on the remote northwest coast of British Columbia, comprising a quarter of the world’s remaining intact coastal temperate rainforests.” • The Forest is home to the “Spirit Bear,” a unique white-coated Kermode bear. • There’s a proposal to run two oil pipelines through it. Click here for related photos in the Georgia Straight

  10. Spirit Bear threatened “They [pipelines] would pass within a few hundred metres of the First Nations village of Hartley Bay and within a few kilometres of Princess Royal Island, home to the world’s largest known population of Kermode bears. The Kermode is a rare subspecies of black bear that renders its coat a ghostly white; locals call them ‘spirit bears,’ and they are billboard icons of the Great Bear wilderness.”

  11. Trying to sell the story • Chris Turner’s agent approached the Toronto Star. • Idea was declined. • The Globe and Mail decided it looked too much like a “junket.” “Which is okay if Suncor’s going to fly me over the oil sands. There’s a double standard.” – Chris Turner

  12. The bet “I figured something would come out of it. I paid for the trip myself. I did interviews as if I was on assignment even though I wasn’t.” – Chris Turner

  13. Storytelling “gift” Author is flown north by volunteer Julian MacQueen, an American who owns a Florida resort destroyed in the BP oil spill. He lives in B.C. part time. “That was just a storytelling gift. To have Julian and his experiences with an oil spill.”

  14. Chris Turner visits the Great Bear Rainforest with the International League of Conservation Photographers. • They picked Great Bear as project of the year. Click here for related photos in the Georgia Straight

  15. The goal • ILCP’s goal was to advocate for Great Bear through photographs. • Chris Turner’s goal was to create an impression of the place. “There is no value you can put on this place. It is invaluable.” – Chris Turner Click here for related photos in the Georgia Straight

  16. The story waits . . . Author sits on the story for a year.

  17. The Globe and Mail changes its mind The Globe and Mail publishes “Pipeline to Prosperity or Channel to Catastrophe?” Sept. 23, 2011

  18. Eighteen Bridges comes to fore Chris Turner and Curtis Gillespie are drinking a beer . . . Gillespie: “I said,‘You’re writing for me. Tell me what you’re thinking about.”

  19. They agree on a 7,000-word article about the trip. Chris Turner hands in 12,000 words.

  20. The editor responds The editor provided edits and the author trimmed it back. “My first reaction was, ‘we have a really strong piece of work,’ but it was too partisan. Parts that made their point a bit too strongly.” “I wanted him to be less personally partisan, more personally affected. It’s important the article is convincing to everybody. So somebody who works in the oil industry thinks, ‘holy shit, wow.’ Not, ‘this is some environmental nut who has drunk the Kool-Aid.’” – Curtis Gillespie

  21. Sidestepping politics “We left out economic arguments. What you cannot debate is what that landscape is and that’s what we decided.” – Curtis Gillespie

  22. Importance of place “It’s very easy for them [pipeline proponents] to create the narrative they want to create given 99 per cent of the population has never been there. We wanted to try and achieve as much clarity as possible. What exactly is at stake there?” – Curtis Gillespie

  23. Edits • Story is chronological • Author calls it “old-fashioned” • Editor removes author’s extra notes, asides and sentence fragments • A reflective section from Ottawa is removed

  24. Publishing info • Published in Eighteen Bridges • Winter 2011 edition, pp. 22-31 • Approx. 7,350 words • Single photograph of Turner quietly observing on the Douglas Channel, notebook in hand, taken by Julian MacQueen. • Pipeline drawn across tops and bottoms of pages.

  25. Story Components

  26. Headline and Deck

  27. [Headline] Bearing Witness [Deck] What’s really at stake in the Great Bear Rainforest?

  28. Lead

  29. Lead “Let’s say you’ve never heard of the Great Bear Rainforest. I never had. Let’s say it’s a theory, a conjecture, a proper noun three words long and as real to you as fabled El Dorado or the moons of Jupiter. There it is in the subject line of a Facebook message: ‘invite to the great bear rainforest.’ A Facebook message, not even capitalized. Incidental. Marginal. A rumour of a place.”

  30. Nut Graf or Theme Statement

  31. Nut graf “I thought at first it might not be worth the trip. I’d long regarded climate change as the great black trump card in the conservation deck, the overarching crisis bearing down on us with such ferocious transformative power it will erase any act of regional conservation, however noble; keeping one pipeline’s bitumen from reaching Kitimat, after all, would do nothing to keep out the carbon dioxide emissions released by an oil-hungry world. If an awareness campaign isn’t aimed at ending the age of fossil fuels in toto, I tend to see it as an act of deck-chair feng shui on the biospheric Titanic. Still: this was uncharted territory. Here there be serpents, at least on the mental map of my own experience. Float planes, coastal First Nations villages, temperate rainforest, spirit bears—this was an irresistible enticement. Thankfully so: there was much to learn about the spirit bear’s iconic place in the global struggle to contain the climate crisis.”

  32. Story Tension

  33. The tension “In the case of Great Bear, the imminent peril was the arrival of Big Oil. Enbridge had applied to the federal government early in 2010 to build two pipelines from an oil terminal northeast of Edmonton across 1,170 kilometres of wilderness to the industrial town of Kitimat.”

  34. And more tension “To bring the pipeline’s oil to markets around the Pacific Rim—China, in particular—mammoth supertankers would need to move in and out of a long narrow passage known as Douglas Channel at a rate of two hundred or more per year.”

  35. Pipelines threaten Spirit Bear “They would pass within a few hundred metres of the First Nations village of Hartley Bay and within a few kilometres of Princess Royal Island, home to the world’s largest known population of Kermode bears. The Kermode is a rare subspecies of black bear that renders its coat a ghostly white; locals call them ‘spirit bears,’ and they are billboard icons of the Great Bear wilderness.”

  36. Descriptive Passages

  37. Description “The banks of the stream were spongy like peat and so thick with foliage they seemed to exhale when you stepped on them. Grasses and underbrush were shoulder-high, taller, a Jurassic landscape of ancient, mammoth plants.”

  38. Description “And then we were in shadow, lost among the true giants. The forest was towering, majestic, impossibly alive. Moss and lichen hung from every branch and crawled across every stump and rock. The tops of the cedar and Sitka spruce around us were mere hypotheses somewhere far over our heads. The creek’s trickle became a steady growl as we moved further inland. The air grew so thick and fragrant it was less like hiking than pressing through a membrane.”

  39. Use of Numbers

  40. Use of numbers “A typical supertanker—specifically a very large crude carrier (VLCC) or ultra large crude carrier (ULCC) of the sort that would depart the proposed oil terminal in Kitimat almost every day—is at least 300 metres long, maxing out north of 400. Athousand feet long, half [as] long as Hartley Bay’s coastal hills are tall. At its broadest point, its beam measures more than 50 metres, wider than half a football field’s length. The largest ULCCs can carry more than two million barrels of oil. A floating colossus, a self-propelled city block, a mobile reservoir: the scale is at the outside edge of most people’s imaginations.”

  41. Use of numbers “At the start of the summer of 2010 (this was the story he told as he scrolled through photo albums on his iPad) oil from BP’s massive blowout in the Gulf of Mexico began to wash ashore along the Florida panhandle. One of the first places it arrived was the beach in front of MacQueen’s row of resort hotels on Pensacola Beach. Summer is the peak tourist season in Pensacola, the ninety days that sustain the business for the other 275, and the summer of 2010 slid away on an oil slick.” – Julian MacQueen describing BP oil spill

  42. Writer’s Voice

  43. Writer’s voice “We talk about the cycle of life as if we invented it by naming it, not as if it were as unknowable as the cosmos or the Judaic god’s true name.”

  44. Writer’s voice “Formerly, I knew salmon primarily as a piece of common meat on a plate, a lifeless pink quadrilateral almost impossible to reconcile with the power of the fish racing upstream in cold autumn water in the Great Bear Rainforest, where wild is not a sales pitch but a way of being.”

  45. Writer’s voice “Attached to the float plane terminal at the airport is a welcoming bar and grill called the Flying Beaver. It’s got a patio out back, an unassuming oasis jutting out over the placid little bay of Pacific water that serves as the runway for the float planes. It’s a tucked-away corner of a tucked-away corner of a tucked-away corner of the main airport, and I was seated there with the dregs of a coffee when I heard the buzz of propeller engines for the third time that morning and watched an odd, boxy little airplane that looked like something Howard Hughes might’ve owned come down and down into the bay.”

  46. Use of First Person

  47. Use of first person “The skies began to clear. A few kilometres south of Hartley Bay, MacQueen spied a couple of black shapes in the water below and banked the Widgeon around and down for a closer look. They were humpback whales, the Great Bear Rainforest’s sentinels, signalling our arrival in a world far away from Pensacola Beach and Vancouver airport, a place that could legitimately claim to be outside that world, perhaps, were it not for the exigencies of overseas oil shipping. My notes from this point on grew steadily more sporadic, staccato, episodic. I carried a notebook, but chose to keep my digital recorder in my bag. I had to decide whether it was more important to report on Great Bear or absorb it.”

  48. Use of Quotes

  49. Quotes “‘You’ve got every major oil company in the world and the world’s second largest oil reserve looking to diversify its markets,’ he said, ‘and the only thing standing in its way is this little community.’” – Ian McAlliser, founder of Pacific Wild conservation group

More Related