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Crew Positions. Multimedia Crew Positions. Crew Positions. Some crew positions included in this lesson: Director of photography or cinematographer Producer Production manager Key grip Gaffer Camera operator Boom operator Video editor Technical director.
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Crew Positions Multimedia Crew Positions
Crew Positions • Some crew positions included in this lesson: • Director of photography or cinematographer • Producer • Production manager • Key grip • Gaffer • Camera operator • Boom operator • Video editor • Technical director
Director of PhotographyCinematographer • Responsibilities include: • Collaborating with director and producer to ensure the shared vision for the film as a whole art form • Collaborating with the director to make all decisions regarding lighting, framing, lenses, filters, color, and tone of the film as a whole • Authority over lighting and camera crews during a filming project • All other lighting and camera crews report to the director of photography
Producer • Responsibilities include: • Overall quality of production • Raising appropriate funding for the project • Being involved from the development until the completion of the project
Production Manager • Responsibilities include: • Supervising the physical aspects of filming, including but not limited to personnel, budget, scheduling and technology • Top priority is to keep entire crew on schedule and within the set budget restraints
Key Grip • Responsibilities include: • Working with the director of photography and cinematographer in pre-production stages to scout location and determine equipment needs • Prepping and managing equipment on location • Collaborating with electrical and camera departments to ensure the overall effectiveness and efficiency of all filming and lighting equipment and their operators
Gaffer • The gaffer is known as the head electrician on set • Responsibilities include: • Execution of the lighting plan for the production • Reporting to and working under the director of photography or cinematographer • Collaborating with the key grip • Managing all electrical labor, electrical equipment, and lighting instruments
Camera Operator • Responsibilities include: • Taking directions from the director of photography • Collaborating with directors, actors, and other crew members to make creative and technical decisions. • Skillful assembling and breaking down the camera at beginning and end of each filming day
Camera Operator Cont’d • Responsibilities include: • Physically operating the camera e • Expertly framing and maintaining angles during the shoot • Conscientious of time and budget restraints • Makes it a top priority to stay within those boundaries.
Boom Operator • Responsibilities include: • Microphone placement • Ensuring that the microphone or the boom stick do not enter the camera’s frame
Technical Director • Responsibilities include: • Taking directions from the director in a live film situation such as live television, sportscasts, newscasts, etc. • TDs must be quick on their feet and able to multi-task well as they are assessing multiple feeds from various cameras at the same time. • They must also be versed in the video switching devices and software.
Video Editor • Responsibilities include: • Post-production decisions about creative and technical aspects of the footage recorded during filming • Sequencing all footage appropriately • Effectively using sound effects, music, and lining up actors voices’ with their mouth movements • Ultimately creating the finished product • Video editors are used primarily for feature film, commercials, television shows, etc. where post-production is a necessary component
Project Assignment • Students will create a flow chart detailing crew positions and responsibilities for a specific production project. • Students will collaborate in groups of 3-4. • Groups will choose an imaginary production and create a flow chart using creativity and various forms of mediums or technology. • Groups will present their creative flow charts to the class.
Summary • Many crew positions are vital components of creating various forms of media including feature films, TV shows, live shows, newscasts, sportscasts, etc. • All crew positions we have learned about directly report back to the director of photography or the cinematographer • Review assessment requirements and pass out assessment rubric