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Chapter 4

Chapter 4. Find the Beat, Feel the Rhythm. Time in Music. What happens at any given moment in music depends on four fundamentals Beat – steady, recurring pulse Rhythm – pace of music through time Accent – emphasis on musical sound

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Chapter 4

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  1. Chapter 4 Find the Beat, Feel the Rhythm

  2. Time in Music • What happens at any given moment in music depends on four fundamentals • Beat – steady, recurring pulse • Rhythm – pace of music through time • Accent – emphasis on musical sound • Meter – duple or triple groups of beats; accent on first beat; creates measures

  3. Coordination in Music • Keeping more than one rhythm going at one time • One or more complex rhythms performed while keeping beat • Piano, organ, drum set, etc.

  4. Metrical Patterns and Melodic Rhythms • Mixing meters • Humans commonly seek patterns in numbers and music • Combine two or more meters to create interesting rhythmic organization • Melodic Rhythm • Distinctive rhythm pattern • Can sense melody without the element of pitch

  5. Ludwig van Beethoven • Born in 1770 in Germany to poor family • Began to study violin and piano at age 4 • First self-employed composer • Three distinct style periods • Became totally deaf in 1815

  6. Rhythms in Everyday Life • Found instruments – ordinary objects used as instruments • STOMP • Modern dance troupe famous for its use of found instruments • Experience music in a different way from unexpected places

  7. Improvisation • Musician makes up music as he performs • Simultaneous composer and performer • Done within musical boundaries • i.e., Elaborate on familiar melody • Key feature in jazz • Direct form of self-expression • Take chances • Think ahead in the music • Among highest forms of human thinking

  8. Rhythms in the Music of the Bamileke • Cameroon, a republic in Africa • Lali (warrior) dance of the Bamileke people • Performed only by males • Preparation and celebration • Ability/skill in in battle, confidence, and manliness; tribal unity and pride

  9. Syncopation • Shifting accents “off the beat” • Accents occur on weaker beats or in between beats • Interruption of steady beat to create unexpected imbalance • Ragtime– American syncopated music style • Popular in early 20th century • Amatuer musicians could buy sheet music • Scott Joplin, Jelly Roll Morton, and Eubie Blake • Syncopated melody over steady beat in bass

  10. Scott Joplin • Born in Texas in 1868 • Taught himself to play piano • Published first collection of rags in 1899 • Ragtime and Joplin fell out of favor before WWI, but rediscovered in 1970s • Works considered American classics

  11. Creative Rythms • Successful long-running dance and drumming acts (STOMP, Blast, Bring in Da Noise) • Unusual sounds, creative rhythms, imaginative showmanship • Blue Man Group • Humor and unusual instruments • (barrels, pipes, etc.) • Several troupes in locations around the world • Use of complex subdivisions of the beat

  12. Accent – the emphasis placed on musical sound Meter – aural aspect of music in which a certain number of beats are grouped together Measure – the division of beats into defined groups separated by a bar line Improvisation – spontaneous musical invention Ostinato – a repeated musical figure Syncopation – deliberate shifts of accent so that it conflicts with the steady beat Vocabulary

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