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Music: An Appreciation 8th Edition by Roger Kamien

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Music: An Appreciation 8th Edition by Roger Kamien

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    1. Music: An Appreciation 8th Edition by Roger Kamien Unit I Elements

    3. Chpt. 1: Sound, Pitch, Dynamics, and Tone Color Our world filled with sounds

    4. Determined by frequency of vibration

    5. Relative loudness of a sound

    6. Also called timbre: quality of a sound

    7. Aids to listening in this text are intended to be read while listening to the music

    8. Listening Lohengrin (1848) by Richard Wagner Prelude to Act III Listening Guide: p. 10 Brief set, CD 1:1 Listen for: Texture Contrast Repetition

    9. Listening C-Jam Blues (1942) by Duke Ellington and His Famous Orchestra Listening Guide: p. 12 Brief set, CD 1:5 Listen for: Texture Contrast Repetition Improvisation Muted brass instruments

    10. Chpt. 2: Performing Media: Voices and Instruments Voices

    11. Mechanism (not a voice) that produces musical sounds

    12. Sound produced by vibrating a tight cable

    13. Traditionally, woodwinds made of wood

    14. Orchestral brasses (in order of range):

    15. Sound (generally) produced by striking, shaking, or rubbing the instrument

    16. Use piano-type keyboard for control

    17. Produce or amplify sound using electronics

    18. Listening Young Persons Guide to the Orchestra, Op. 34 (1946) by Benjamin Britten Listening Guide: p. 34 Brief set, CD 1:13 Listen for: Themes, variations Contrast Repetition Various orchestral instruments

    19. Chpt. 3: Rhythm Flow of music (events) through time

    20. Chpt. 3: Rhythm

    21. Chpt. 4: Music Notation Written music stores information

    22. Notating Pitch

    23. Notating Rhythm Music notation indicates length of tone in relation to other tones in the piece

    24. Notating Meter Time signature indicates the meter of a piece of music

    25. Chpt. 5: Melody A series of single notes that add up to a recognizable whole

    26. Chpt. 6: Harmony The way chords are constructed and how they follow each other

    27. The Triad Simplest, most basic chord

    28. Chpt. 7: Key Centering of a melody or harmony around a central note

    29. The Key Signature Pieces using major scalesmajor key

    30. Modulation: Change of Key Provides contrast within longer piece

    31. Chpt. 8: Musical Texture Layering of sound, how layers relate

    32. Listening Farandole from LArlesienne Suite No. 2 (1879) by Georges Bizet Listening Guide: page 65 Brief Set, CD 1:38 Note contrasting textures

    33. Chpt. 9: Musical Form Organization of musical elements in time

    34. Listening Dance of the Reed Pipes from Nutcracker Suite (1892) by Peter Ilyich Tchaikovsky Listening guide p. 68 Brief Set, CD 1:43 Note ternary form

    35. Types of Musical Form Binary

    36. Listening Forlane from Suite No. 1 in C Major for Orchestra (1717-1723) by Johann Sebastian Bach Listening guide p. 70 Brief Set, CD 1:45 Note binary form

    37. Chpt. 10: Performance The Performer brings to life the printed symbols laid out by the composer The Conductor leads a group of musicians Judging Performance: musicians can play the same notes and yet make different statements in the way that they perform.

    38. Chpt. 11: Musical Style Based upon time period and the continuous development of music as an art form

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