450 likes | 816 Views
Nasca Wari textile, 400 CE Resist dyed. Light is made up of bands pf varying wavelengths. Reflection. White can only be broken up by prisms or by colorants such as pigments and dyesThis surface has no colorant so the light is reflected. It can be fully absorbed by the surface. Or a transparent surface may let all of the light pass through or a colored surface may absorb part of the spectrum.
E N D
1. Dyes and FibersCarol LeBaron Chemistry and ArtFebruary 15-17, 2004
3. Light is made up of bands pf varying wavelengths
4. Reflection White can only be broken up by prisms or by colorants such as pigments and dyes
This surface has no colorant so the light is reflected
5. It can be fully absorbed by the surface
6. Or a transparent surface may let all of the light pass through or a colored surface may absorb part of the spectrum
7. Bands of light mix together to produce lighter colors
8. A “blue” surface absorbs red, orange, and yellow light
9. A “yellow” surface absorbs blue and violet light
10. The pigment primaries absorb and reflect different combinations of colored light
11. Interference: the kind of surface light hits can affect the way light waves behave
12. Structural Color Iridescence
Luminescence
Refraction
Diffraction
Fluorescence
Phosphorescence Materials that light hits can cause a multitude of effects
13. The nature of fiber affects the way light appears
14. Fiber reflects, refracts, absorbs and diffuses
15. The unique color properties of fiber depend on the interaction of fabric structure, dye application, and light
16. Pigments and Dyes A dye is a colorant that goes into solution or dissolves. Dye particles break apart into single molecules
Pigment particles remain clustered together in suspension
Dyes have a chemical affinity for fiber but pigments do not
17. Pigments and Dyes Pigment molecules carry their own color
They do not unite with fiber molecules chemically and must be fixed to the fibers with bonding agents
In man made fibers pigments can be mixed into the fiber solution before it is formed Dyes migrate out of the solution, are absorbed into the fiber, and diffuse from the surface of the fiber toward its center. There they either:
Bond chemically with fiber molecules
OR
React chemically with fiber molecules to produce permanent, enlarged colored fiber molecules
Both situations are permanent
18. Dye molecules must be firmly fixed to fiber
19. A negative dye molecule links with a positive fiber molecule at a dye site. The process is affected by surface charge, temperature, and agitation. Different fibers have different numbers of dye sites. Wool fiber has 1000 dye sites, silk has 100, and cotton has less than 10
20. Assembly of dye molecules at the fiber surface When soaked in water all fibers acquire an electric potential or surface charge
Cellulosic fibers acquire negative charges
Protein fibers acquire both positive and negative charges, depending on the pH of the water
Acid solutions help break down protein fibers to allow dye sites access to the dye
Cellulose fibers must be soaked in alkaline solution
Salt is used to set up electrical movement that initiates the movement of dye molecules in search of a resting place on the fiber
21. Once the dye molecule enters the fiber, it has a a chemical reaction with it. It is enlarged, which prevents its exit.
22. Color is produced when a divided molecule is united.
23. Acid Dyes Used mainly on wool, silk, and nylon*
They have acid chemical groups in their dye molecules
They use an acid dye bath to produce the chemical reaction
Reaction involves acid, salt, heat, agitation, and time
Amount of acid and rate at which it is added affects the rate at which the dye bonds
Salt slows the bonding process, helping the dye color the fiber evenly. It attaches to the dye first. *In industry also used on polyester, spandex, and olefin
They have no affinity for cellulosic fibers
*In industry also used on polyester, spandex, and olefin
They have no affinity for cellulosic fibers
24. Gradually, dye replaces the salt and bonds with the fiber. Leveling is achieved when this happens at an even rate.
25. Heat affects the leveling of the dye bath by speeding up the chemical reaction
Generally the dye bonds slowly until 160° F
Agitation helps keep both chemicals and heat evenly distributed
The full immersion time is necessary to allow the dye to be light fast and wash fast
26. Structural Orientation Structural orientation is the arrangement of parts relative to one another within a fiber piece
Molecules in a fiber
Fibers in a piece of yarn
Yarn in a piece of fabric
It affects moisture and dye absorption
Textile polymers are chains with a monomer for each link
Fiber polymers have the same structure that fibers do
27. Chromophores and auxochromes The ability of dye to create color comes from chromophores in the dye molecules
Auxochromes regulate the intensity of color. They are chemical groups that make dyes water soluble. They also provide chemical groups that form bonds between the dye and fiber
A dye bath must contain both chromophores and auxochromes, either from the dyestuff alone or a mixture of dye and other added chemicals
28. The structural orientation of the polymers within a fiber varies, It affects dye resultsand other fiber properties
29. Dye and molecular orientation Amorphous areas of a fiber take more dye than highly oriented areas
They will be darker in the dye bath
A fiber’s character depends on the color changes that take place from amorphous areas to crystalline or oriented areas
All fibers contain all three areas in different degrees
30. Fibers Fiber molecules are arranged in fiber filaments
Loose arrangement of fibers allows good penetration
Fibers are often dyed before they are made into yarn for this reason
Fibers are combed before they are made into yarn
31. Different fibers have different surfaces
32. Yarn staples
33. The shape of the fiber filament affects appearanceWool fibers are crimped and create an absorbent surface
34. Structure of a wool fiber
35. The size of the yarn and the way it is plied will affect the finished material
36. Weave structure affects color and appearance of the dyed piece
37. Wool fiber comes in different colors from the animal
38. Heat, agitation and moisture cause wool fiber to felt: wool fiber after it is felted
39. Wool fabric after fulling
40. Resist Dyeing
42. Chemistry Lab
43. Removing the Dyed Piece
44. Placing in the Rinse Tank