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Time-Line. Renaissance (1450-1600). Guttenberg Bible
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1. Music: An Appreciation8th Editionby Roger Kamien Unit III
The Renaissance
3. The Renaissance Rebirth of human learning and creativity
4. Chpt. 1: Music in the Renaissance Church choirs grew in size (all male)
5. Words and Music
6. Chpt 2: Sacred Music in the Renaissance Two main forms:
7. Listening Ave MariaVirgo Serena
Josquin Desprez
Listening Guide: p. 106
Brief Set, CD 1:56
Four voices
Polyphonic imitation
Overlapping voice parts
8. Palestrina Culmination of the Renaissance (1525-1594)
9. Listening Pope Marcellus Mass (1562-63)
Kyrie
by Palestrina
Listening Guide: p. 110
Basic Set, CD 1:76
Six voices
Polyphonic imitation w/ overlapping voice parts
Text: Kyrie eleison
Christe eleison
Kyrie eleison
10. Chpt 3: Secular Music in the Renaissance Madrigal
11. Listening As Vesta was Descending (1601)
by Thomas Weelkes
Listening Guide: p. 112
Brief Set, CD 1:59
Follow text (English) throughout song
Note text painting:
Pitches rise on ascending
Pitches fall on descending
Running down
Two by two, three by three, all alone
12. Instrumental Music Still subordinate to vocal music
13. Listening Passamezzo and Galliard
by Pierre Francisque Caroubel
From Terpsichore (1612) by Michael Praetorius
Listening Guide: p. 116
Basic Set, CD 1:81
Renaissance dance music
Dances frequently played in pairs
Passamezzo in duple meter (form: a a b b c c)
Galliard in triple meter (form: a a b b c c a b c)
Instrumentation not specified in written music
14. Chpt 4: The Venetian School: From Renaissance to Baroque Giovanni Gabrieli and the Polychoral Motet
Plaudite (Clap Your Hands)
Listening Guide: p. 119